MOR Architects has won first prize in the competition to design the Konaki Averof Cultural Center in Thessaly, Greece. The competition sought out proposals to convert an existing complex with historic importance into a modern socio-cultural multiplex.
In an effort to reinterpret the relationship between the building and its urban environment, the winning proposal reintroduces the horizontality of the landscape, before human intervention.
The design not only provides maintenance and restoration of the existing external shells of the complex but additionally creates a “new, free-standing longitudinal roof with extensive cantilevers on both sides.”
The workshop is organized by SADAS-PEA (Greek Architects Association) in order to promote the principle of environmentally friendly architecture. It is addressed to young architects and students of architecture. It will take place at the Stamos Stournas guesthouse near the city of Volos, Greece between September 17th and September 25th 2016.
A proposal from George Batzios Architects for the Konaki Averof Cultural Center in Greece uses a cutting edge, sustainable approach to revive a deeply historical site. The design intertwines elements of architecture and agriculture to refit an existing structure with reference to the Thessalian plains on which it lies. The new architecture recreates the existing envelopes with straw cladding, regenerating the "golden environment" which defined the place in the late 19th century.
Exploring Chania as an urban laboratory on the sea edge the workshop brings into focus a number of issues common to medium-scale coastal cities in Greece, the Mediterranean, and beyond: abandoned places and urban voids, disputed edges where the ground dips into the sea, sites of remembered histories and forgotten stories, contested interfaces where the public meets the private, hybrid spaces where the physical merges with the digital, urban disorders regulated into grids and zones, local communities transforming within an international tourist market.
The Greek Pavilion at the 2016 Venice Biennale will be hosting an exhibition titled #ThisIsACo-op, which underscores the role of collaboration in architecture. Through a series of displayed research and discussions, the exhibition aims to understand how architects may need to unite on different “fronts” of world crises, including the refugee crisis, the housing crisis, and the crisis of the architectural profession, among others.
The Colossus of Rhodes, a thirty-metre high sculpture depicting the Greek Titan God Helios that once stood guard at the entrance to the city's harbour, may be realised once again. Standing for only 54 years until it was destroyed by an earthquake in 226BC, its position in the ranks of Seven Wonders of the Ancient World has become almost mythological. Plans to construct a new, much larger inhabitable statue—that will stand almost four times taller at 122 metres—have now been put in motion by a small collective of architects, engineers, and tourism agents.
The World Monuments Fund has released its 2016 World Monuments Watch list of 50 cultural heritage sites at risk in 36 countries around the world. The list, in its twentieth year, seeks to identify sites “at risk from the forces of nature and the impacts of social, political, and economic change,” and direct financial and technical support towards them.
The 2016 list includes the entirety of post-earthquake Nepal, an underwater city, the only surviving quadrifrons arch in Rome, and a structurally significant hyperboloid tower, among others. The Fund even featured an “Unnamed Monument” on the list, in honor of all sites at risk of damage from social and political instability around the globe.
Learn more about some of the featured monuments, after the break.
With this year marking the 50th anniversary of Le Corbusier’s death, the team of organizations is seeking “contemporary interpretations concerning multidisciplinary approaches over Modernism and specifically over Le Corbusier’s work, while [exploring] possible themes and directions of the memorial representation” in present day. Designs should emphasize commentary, rather than a tribute to Le Corbusier.