The 3Doodler isn’t just a small pen-like device that’s “the most affordable way to 3D print” – it’s also a Kickstarter smash. The pen reached its $30,000 goal in just a few hours, and, at the time of publication, has earned $555,301.
We’ve mentioned 3D Printing before for its exciting potential for architecture in the long-term; however, this little doodler shows how quickly the technology is progressing (and how cheap it’s becoming). Plus, it’s easy to imagine the 3Doodler becoming an integral part of any architect’s life, as the device lets you trace your drawings and then pop them to life. It’s not a 2D plan, it’s not a 3D visualization, but something – awesomely – in between.
Learn more about this 3-D Printing Kickstarter success, after the break…
While The WA100, Building Design’s annual ranking of the world’s largest architecture firms, isn’t perfect (see our controversial article here), it does reveal a lot about the state of architecture today. And for 2013, the research shows that there are finally brighter days ahead for architects – just not at home.
BD’s research reveals that China remains the world’s largest construction market (a title it’s held since 2010); that the Asia-Pacific Market is expected to be the largest by 2020 (with projected value of $4.6 trillion dollars); and that China, India, and Brazil offer the best growth potential for architectural services. Not surprisingly, the survey’s top three ranking firms – Aecom, Gensler, and IBI Group – all have a significant presence in these markets.
However, are these mega-firms really the best models to aspire to? With the economic crisis making it everyday more evident that there are more opportunities abroad than at home, where is a firm to go? China? India? Brazil?
Almost certainly not.
Find out whether/where you should go abroad, after the break…
Can a good public space influence social behavior and make a city more secure?
In 1969, Philip Zimbardo, professor at the University of Stanford, performed a social psychological experiment. He placed an unlicensed car with a lifted hood in a neglected street in The Bronx, New York, and another similar car in a wealthy neighborhood of Palo Alto, California. The car in The Bronx was attacked in less than ten minutes, its apparent state of abandonment enabling the looting. The car in Palo Alto, however, remained untouched for more than a week.
Zimbardo then took his experiment one step further and broke a window of the car in Palo Alto. Almost immediately, passersby began to take things out of the car and within a few hours, the car had been completely dismantled. In both cases, many of the looters did not appear to be dangerous people. This experiment lead Harvard Professors George Kelling and James Wilson to develop the Broken Windows Theory in 1982: “If a broken window is left without repair, people will come to the conclusion that no one cares about it and that there is no one watching it. Then more windows will be broken and the lack of control will spread from the buildings to the streets, sending a signal that anything goes and that there is no authority.”
Read more about designing safer cities after the break… (more…)
Four of architecture’s finest has been shortlisted to design what Australian businessman James Packer hopes to be the most iconic building in Sydney since the Opera House. Italian Pritzker Prize-laureate Renzo Piano will compete against Chicago-based Adrian Smith + Gordon Gill Architecture, New York-based Kohn Pedersen Fox Associates and London-based Wilkinson Eyre Architects to design a $1 billion, six-star Crown Sydney resort on a 6000 square meter site in the inner-city waterfront precinct of Barangaroo.
“Sydney deserves one of the world’s best hotels and with these amazing architects I’m confident we will see the most iconic building constructed here since the Opera House,” Packer told The Daily Telegraph. “I want this hotel resort to be instantly recognizable around the world and feature on postcards and memorabilia promoting Sydney. That’s how you attract international tourists, create jobs and put Sydney on the map.”
More after the break…
BBC’s Sarah Montague interviews Renzo Piano, the mastermind behind London’s most controversial and newest skyscraper: ‘The Shard’. Prior to the interview, Montague spotted Piano blending into the crowd during the opening of the 310-meter skyscraper “spying” on the onlookers. When asked about this moment, Piano revealed the great advice he received from the prominent Italian film director Roberto Rossellini upon the completion of the Pompidou Center in Paris: “You do not look at the building, you look at the people looking at the building.” It was during this moment that Piano observed “surprise” and “wonder, but not fear” amongst the onlookers – a reaction he seemed to be content with.
Despite Piano’s attempt to refrain from controversy, it is hard to avoid when your design intends to celebrate a “shift in society” as does the ‘Shard’. Change tends to stir mixed emotions and spark debate. However, being part of this “human adventure” as an architect is what Piano finds most rewarding. He states: “You don’t change the world as an architect, but you celebrate the change of the world.”
It is estimated that by 2050, 75 percent of the worlds – then 9 billion strong – population will live in cities. Urban Sprawl is already problematic and planners are faced with new challenges as they aim to build towards the sky rather than the horizon. In addition, cities are increasingly faced with climate change, resource scarcity, rising energy costs, and the possibility of future natural or man-made disasters. In response to these issues, Arup has proposed their vision of an urban building and city of the future.
In their proposal, titled “It’s Alive!”, they imagine an urban ecosystem of connected ‘living’ buildings, that not only create space, but also craft the environment. According to Arup, buildings of the future will not only produce energy and food, but will also provide its occupants with clean air and water.
More info on Arup’s vision after the break…
A few weeks ago there was a flurry of debate about one of Zaha Hadid’s designs being copied, or at least copied in terms of its outer form. Very soon after this I discovered an interesting article in the most recent issue of MIT’s Leonardo: Journal of the International Society for the Arts, Sciences and Technology.The article, “Hybrid Reassemblage: An Exploration of Craft, Digital Fabrication and Artifact Uniqueness” by Amit Zoran and Leah Buechley, raises some interesting points about the nature of originality, the subjective experience of making original things, and the potential for digital technology to impute this subjectivity to new and repeatable objects. In essence, the authors are discussing the position of craft, the hand-made, the personal, subjective act of making something that is singular and based on a personal process, the negotiation of decisions and risks with tools, materials, and design intentions.
A BIG step forward for Vancouver’s latest mixed-use tower making international headlines, as the 497-foot tall Beach and Howe proposal has received an “enthusiastic endorsement” from the city’s design panel.
Commissioned by Canada’s real estate mogul Ian Gillespie of Westbank, the Bjarke Ingles Group-designed tower promises to add a foreign twist to Vancouver’s skyline and create a new identity for an undefined section of town at the fringe of the city’s residential area. The 700,000 square foot complex – which contains shopping, social housing and market rental apartments – was praised by the panel for anchoring itself on a nine-story podium that occupies the disused, interstitial spaces found between the Granville Street Bridge’s entry and exit ramps.
More after the break…
Now on view at the Yossi Milo Gallery through March 2, rarely-seen images by modernist architectural photographer Ezra Stroller (American, 1915-2004) captures a Post-War American landscape with stunning images of industry, technology, transportation and working class Americans.
Beyond Architecture covers the full range of Stoller’s work, including photographs commissioned by Fortune, Architectural Forum, and House Beautiful magazines in the 1940s and for commercial projects for IBM, Upjohn Pharmaceuticals and CBS in the 1940s and 1950s. Included are photographs of Skidmore, Owings & Merrill’s John Hancock Building, Chicago, and the United Nations Headquarters, designed by an international team of architects led by Wallace K. Harrison and including Oscar Niemeyer and Le Corbusier.
A selection of these images after the break…
32BNY, in collaboration with Spirit of Space, has relaunched a website in a corner of the internet structured as a videopolemic to explore architectural discourse in a revolutionary way. The first video in the series is a tribute to the late Lebbeus Woods. Woods was an aggressive philosophical thinker of architecture and space. He launched worldy ideas into his architecture through imaginative leaps – exploring politics, society, ethics and the human condition as it pertained to architectural space in the form of vivid and dynamic drawings. His work has inspired his contemporaries to think outside of the physical space of architecture. Steven Holl and Sanford Kwinter discuss some of his ideas and philosophies through his quotes and inspirations. The video serves as a reminder, and to some a guide, as to how to build upon the philosophy of architecture beyond the physical.
More on the video after the break.
In recent years there has been a lot of talk in the United States about our aging population, mostly in terms of social security funds and medicare. We have asked how we should deal with the impending problem that our elderly will outnumber the population that will serve as their caretakers. While speculations for a solution have generally settled within the realm of the economy, urban planners and architects are asking a different set of questions and looking for solutions regarding how we design. It is important to note, that while most of the discussion has been framed about the aging “baby-boomer” generation, Jack Rowe – speaking at the symposium for Designing Homes and Neighborhoods for an Aging Population in Washington, DC - pointed out that this concern is a conservative estimate of the bigger problem in our “demographic transformation”. In fact, the trend is far more expansive; medical advancements and a longer life expectancy mean that for the next few generations each aging population is expected to outlive its parents and will exceed the population of its children. This makes the issue at hand a more over-arching concern, or as Rowe later states, an issue that all members of society must face.
This is why we must think about architecture and urban planning in terms of adaptability for the aging, as we have already starting thinking about it in terms of handicapped accessibility.
More after the break…
Over the last year ArchDaily has kept growing, reaching more than 280,000 daily readers and 70 million pageviews per month. But more important than these figures is our mission: to provide inspiration, knowledge and tools for the architects that will face the challenge of improving the quality of life of the next 3 billion people that will live in cities in the next 40 years.
After 70,000 votes we are happy to present the winners of the ArchDaily Building of the Year Awards, a peer based, crowdsourced, architecture award where a collective intelligence of thousands of architects filter and recognise the best architecture featured on AD during the past year.
This group of buildings is unique in several aspects, from their spatial qualities to their structures and materials, but also in terms of what they represent for society and their impact on local communities. Thanks for being a part of this amazing process, where the voices of architects from around the world unite into one, strong, intelligent, forward-thinking, single message.
You can learn more about the process and the physical award in this video.
The practice with most votes, and therefore winner of the HP Designjet T520 ePrinter is TYIN Tegnestue Arkitekter; the second practice with most votes and winner of the HP Designjet T120 ePrinter is Vo Trong Nghia. The winners of the iPad 4th Generation are Francesca Cattaneo and Laurie Sims.
The winners of the ArchDaily 2012 Building of the Year Awards have been announced!
Once again we want to congratulate our readers, as the process has been outstanding. From close to 3,000 projects, the collective intelligence behind ArchDaily has been able to filter a list of amazing finalists, buildings from all over the world, by firms of all sizes and trajectories, with a strong common denominator: good architecture that can improve people’s lives.
As the world enters into the hyper urbanization era, our profession becomes crucial. We are proud to be the channel to spread architectural knowledge around the world and, with your help, recognise the buildings that raise the bar in the built world.
In this short video we wanted to share the spirit of the award, the judges and the wooden ArchDaily building crafted with salvaged wood from the deep south of the world, the award that will be sent to all the winning practices as in the previous years .
Thanks to all the practices that share their work with us, and thank you for being part of this amazing process.
Above is a video created by A4 Studio which features three of their projects located in the shore of the biggest lake of Middle-Europe, Lake Balaton. The Club 218 and Sio Plaza are two of the three projects in the film that have been published on Archdaily. All projects featured here are very modern works and emphasize A4 Studio’s creative design methodology. The architectural gestures of these projects is shown in detail as a child is shown moving in and around the buildings on a scooter.
The City of New York has long awaited renovations to the East River Greenway. Squeezed between the FDR Drive to the west and the river to East, there are a few scattered public parks connected by a path that has been weathered and torn apart over the years. The proposed “Blueway” is a coordinated collaboration – between Manhattan Borough President Scott Stringer, Community Boards 3 and 6, State Assembly Member Brian Kavanaugh, and New York’s WXY architecture and urban design - that takes suggestions from the general public to develop a scheme that works within the framework of the existing Greenway and provides specific sites waterfront access, development of wetlands and greater connectivity to the city and its waterways.
The stretch along the Greenway, which is the focus of WXY’s scheme, runs from Midtown East at 38th street to the Brooklyn Bridge. Running along the FDR, this area expands towards the river and finds its way under the highway’s overpass. Unlike the Hudson River Parkway along the West Side Highway, the East River Greenway has meager waterfront access and few piers to facilitate its development. A study, executed by several city departments in 2011, determined ways to improve amenities along the Greenway and proposed incorporating elements such as ambient lighting and street furniture. Now the focus has shifted to the river itself to determine ways in which to increase its usability and accessibility After Hurricane Sandy revealed the vulnerability of the hard edge of the East River, these same design considerations are now being used to create a resistant and effective buffer against future storm surges.
See what’s happening at the East River Blueway Plan after the break. (more…)
The ongoing competition for the redevelopment of the landmark Flinders Street Station in Melbourne, Australia has begun to raise some serious questions about the role of the public in architecture. The international competition, which narrowed down a total of 117 applicants to only 6 finalists, is due for completion in mid-2013. Each proposal will be put on display and the public will be invited to vote on their favorite design; what is raising eyebrows, however, is that the result of this public vote will be kept from the jury, who has the final say. The jury will not know what the public likes or dislikes when they place their own votes, and the public preference will only be revealed at the very end along with the jury’s decision.
Although there are pros and cons for keeping this information from the jury members, some Australians feel very strongly about their station - and you can certainly argue that they should have a greater say in its future.
Read more about public participation in architecture after the break…
The San Francisco Museum of Modern Art (SFMOMA) has announced further details of its 235,000-square-foot building expansion that will support the museum’s increasing role in city life and the international art community. Designed by Norway-based practice Snøhetta, in collaboration with local firm EHDD, the 10-story concrete structure will compliment SFMOMA’s original, Mario Botta-designed, red-brick museum by offering more free-to-the-public space, expanded education programs and an abundance of flexible performance-based gallery space.
Construction will commence this Summer and is expected to reopen in early 2016.
More after the break… (more…)
In 1969, zoologist Desmond Morris released a book titled The Human Zoo; in it, he argued that human beings, tribal by nature, aren’t wired to live in the big, crowded modern-day cities we find ourselves in:
“Some people call the city a ‘concrete jungle’ — but jungles aren’t like that. Animals in jungles aren’t overcrowded. And overcrowding is the central problem of modern city life. If you want to look for crowded animals, you have to look in the zoo. And then it occurred to me: The city is not a concrete jungle — it’s a human zoo.”
Humans in a city are like animals in a zoo. It’s a fascinating claim, one that led me to a rather unusual thought.
If we take for granted Morris’ claim that the city is essentially a human zoo, and that, as we are all aware, it’s far more difficult for animals to mate in captivity, then – could cities actually limit our capacity for love? As our world becomes more and more urbanized, will it also become more lonely?
Is there any way to stop it?
Today, the Serpentine Gallery announced the architect that will design the 13th edition of the Serpentine Gallery Pavilion. Every year the gallery invites a renowned international architects who have not built yet in the UK, to design a temporary pavilion that hosts public activities in at the Gallery’s lawn, in London’s Hyde Park between June and October. The list of architects for the past editions includes several Pritzker laureates. More info of this program at our Serpentine Gallery Pavilion infographic.
The Japanese architect based in Tokyo established his firm Sou Fujimoto Architects back in 2000. He graduated from the Department of Architecture at the University of Tokyo in 1994, and has been a lecturer at Kyoto University since 2007. With a solid trajectory in residential and cultural projects, the firm has consistently shown a unique and innovative approach to the spatial qualities within his buildings, exploring new ways of housing design, space and materials. Sou was also part of the team that won the Golden Lion at the 13th Venice Biennale, with “Architecture, possible here? Home-for-All”, the Japan pavilion.
About the design of the pavilion Sou stated: “For the 2013 Pavilion I propose an architectural landscape: a transparent terrain that encourages people to interact with and explore the site in diverse ways. Within the pastoral context of KensingtonGardens, I envisage the vivid greenery of the surrounding plant life woven together with a constructed geometry. A new form of environment will be created, where the natural and the man-made merge; not solely architectural nor solely natural, but a unique meeting of the two.
The Pavilion will be a delicate, three-dimensional structure, each unit of which will be composed of fine steel bars. It will form a semi-transparent, irregular ring, simultaneously protecting visitors from the elements while allowing them to remain part of the landscape. The overall footprint will be 350 square-metres and the Pavilion will have two entrances. A series of stepped terraces will provide seating areas that will allow the Pavilion to be used as a flexible, multi-purpose social space.
The delicate quality of the structure, enhanced by its semi-transparency, will create a geometric, cloud-like form, as if it were mist rising from the undulations of the park. From certain vantage points, the Pavilion will appear to merge with the classical structure of the Serpentine Gallery, with visitors suspended in space.”
We are big fans of Sou’s work, and we are very excited to see this project being built at Hyde Park. As usual, expect a complete coverage of this project. You can watch our interview with Sou after the break:
That was the question I posed yesterday, in response to our publication of The WA100, Building Design’s ranking of the world’s largest architecture firms. My conclusion was that ranking, by size, tells you very little about the success of the world’s largest firms. But ranking by income and efficiency? Well, that tells you quite a bit more.
By looking at the Top 5 Fee Income Earners and the 5 Most Efficient Firms of 2012 – and their strategies – we can understand far more what it takes to be successful in this tough market. Since The WA100 is much more than a list of rankings, but also a compendium of information, I went back to the source to investigate these firms more.
The big guns (Aecom, Gensler, etc.) have aggressively pursued a diverse range of projects on an international scale (particularly in China and the Middle East) – a stance that is far from surprising, considering how competitive they are.
More interesting, however, is that the most “efficient” firms (those firms that, while nowhere near the size nor clout of the Big 3, have earned higher fee incomes per employee), have either stayed in strong markets or diversified internationally, creating a niche for themselves in these markets (a strategy discussed at length in “The 7 Things You Need To Know Before Doing Business Abroad”).
Learn the business strategies of the top income earners and most efficient earners of 2012, after the break…
Although preservationists continue to mourn the seemingly inevitable demise of Chicago’s Prentice Women’s Hospital, a solid victory for Brutalism has finally been confirmed. Lawmakers in Goshen, New York, have passed a proposal to renovate Paul Rudolph’s iconic Orange County Government Center, authorizing $10 million in design funding. The 15-6 vote was secured by the overwhelming evidence that an upgrade would be more cost effect than County Executive Ed Diana’s fallback plan to replace two-thirds of the building and preserving only the court section. In addition, lawmakers felt the pressure of a March 12 deadline that would risk losing up to $2.7 million in federal funds to repair water damage caused by Hurricane Irene and Tropical Storm Lee in 2011.
More after the break…