The Graham Foundation has awarded over $490,000 in "Grants to Individuals" of 63 "outstanding projects" that "engage original ideas in architects." From a photographic survey of Le Corbusier's completed works to an online oral history regarding efforts to building housing for homeless individuals living with HIV and AIDS in New York City, the awarded projects range from participatory workshops to exhibitions and documentary films.
As The Graham Foundation says, each awarded project "advances new scholarship in the field of architecture, fuel creative experimentation and critical dialogue, and expand opportunities for public engagement with architecture and its role in contemporary society."
SHoP Architects and West 8 have teamed up with developer Michael Simkins to propose a new 10-acre "Innovation District" in Miami's Park West neighborhood. If approved, the four-block area would foster the "growth of creative technology industries" within the city and provide "world-class urban amenities" to the surrounding communities.
"True innovation today requires the very thing that cities, at their best, have always provided: creative proximity. Even as it continues its rapid development, the city of Miami does not currently offer significant urban environments that meet the necessary criteria," said SHoP in a press release.
X-Architects has won a competition to re-masterplan Mecca. As designMENA reports, the UAE-based practice has proposed a number of safe and streamlined pedestrian routes to "enhance the movement during the 'Nafrah,' the ritual of moving from Mina to Haram and vice versa" during the religious Hajj. The plan also includes a proposed mixed-use development adjacent to Hima Al Masheir (the holy ritual territories) that would provide service and facilities to those taking part in the pilgrimage.
The Istanbul Foundation for Culture and Arts have announced that internationally renowned architectural historian and theorist Beatriz Colomina and architectural historian, theorist, and critic Mark Wigley will curate the 3rd Istanbul Design Biennial to be held in the summer of 2016. Colomina, a Professor of Architecture at Princeton University and curator of the recent Radical Pedagogies: Architectural Education in a Time of Disciplinary Instability exhibition (Lisbon Triennale, 2013; Venice Biennale 2014) will join Wigley, Professor and Dean Emeritus of Columbia University's GSAPP and renowned writer and curator, in helping to cement the biennial's international reputation.
China will soon finish construction on what will be the world’s tallest and longest glass pedestrian bridge, floating 300 meters above a canyon in the Zhangjiajie National Park. Designed by Israeli architect, Haim Dotan, the Zhangjiajie Grand Canyon GlassBridge will be 380 meters long, six meters wide and feature a transparent glass floor.
“The Zhangjiajie GlassBridge was designed to be invisible as possible--a white bridge disappearing into the clouds,” said Dotan.
The AIA has announced four projects as the winners of its inaugural Technology in Architectural Practice (TAP) Innovation Awards, with Morphosis Architects' Emerson College Los Angeles taking away the headline "Stellar Architecture" award. Started in 2005, the TAP Knowledge Community has led efforts to acknowledge and disseminate the best use of Building Information Modeling (BIM) technologies, and the AIA hopes that the new TAP Innovation Award will "enliven the discourse on how these innovations can advance the profession and practice of architecture and further the mission of the Institute."
NASA and the National Additive Manufacturing Institute (America Makes) have launched the 3D Printed Habitat Challenge, an inaugural design competition offering $2.25 million in prizes. Part of NASA's Centennial Challenges program, the competition challenges entrants to design and build a 3D printed habitat for deep space exploration. "The future possibilities for 3D printing are inspiring, and the technology is extremely important to deep space exploration," said Sam Ortega, Centennial Challenges program manager. "This challenge definitely raises the bar from what we are currently capable of, and we are excited to see what the maker community does with it."
This year the Architectural Association (AA) Visiting School programme will extend its reach to the Dutch city of Rotterdam – a place which, "by some strange twist of geographical and historical fate, has the highest concentration of architects and architectural thinkers in the world." The workshop, which will run for two weeks in July, will explore issues of inhabitance, perception, and intensity through analysis and creative interpretation of Rotterdam’s 'core' "or, more likely, its multiple cores, invisible to the untrained eye." Based in the Shell Tower on Hofplein, students will be afforded the opportunity to observe and analyse the city from on-high.
Six teams have been shortlisted for a chance to design the new Canadian Canoe Museum, as part of its relocation to the Parks Canada Peterborough Lift Lock National Historic Site on the Trent-Severn Waterway in southern Ontario. Selected from 90 international submissions, the competing teams are now expected to refine their ideas before presenting them to the public. A winner will be announced in the Fall.
Completed images of OMA's design for the 2015 Venice Art Biennale's Chinese Pavilion have been released. Juxtaposing artworks "in a field of projections and stages," the exhibition is designed to be an "immersive environment" that brings together work by Tan Dun, Liu Jiakun, Lu Yang, Wu Wenguang / Caochangdi Work Station and Wen Hui / Living Dance Studio under the theme "Other Future."
An unconventional man with radical ideas, Buckminster Fuller was an "affable weirdo" and "counterculture icon" who, as Gizmodo reports, often caught the attention of the FBI. For the first time ever, his (heavily redacted) FBI files have been released, revealing some of the reasons why the FBI felt the need to keep tabs on the world famous architect and designer, including speculations regarding Fuller and the Soviet Union. Though it seems nothing ever went beyond speculation, the files are fascinating. You can read them in full, here.
With a budget of less than $250,000, studioMET Architects was tasked with transforming a 4,000-square-foot parking garage with a leaky roof and no plumbing, gas or electricity, into a modern and open studio space for LEGO artist Sean Kenney.
Due to Kenney’s constantly changing scale of work, which can range from a life-sized sculpture to a celebrity portrait, the studio needed to have a flexible workspace. The result is a front area -- containing a desk, lounge and kitchenette -- that can be easily transformed into a loading dock. The workspace also includes a video/stop animation studio and woodshop as well as a storage room for sculptures.
View photos of the studio space in Brooklyn after the break.
With a record number of entries, the 2015 Canterbury Awards, organized by the New Zealand Institute of Architects (NZIA), honored 25 Canterbury-based designs spanning 10 categories. The esteemed awards recognize and promote projects that are exceptionally sensitive to both their environment and occupants. Prevalent in this year's awards was the theme of rebuilding, as several projects were realized despite earthquakes impeding their construction, resulting in innovative designs that adapted to the unforeseen setbacks.
Among 2015's top recipients are Warren and Mahoney with six awards, and Sheppard & Rout and Athfield Architects, whose work garnered four and three honors, respectively. All of the winning projects will compete for the NZIA's highest recognition in the awards program, the New Zealand Architecture Awards, to be announced in early November. See the full list of winning projects after the break.
In an article for the RA Magazine, Kieran Long (Senior Curator of Contemporary Architecture, Design and Digital at the V&A) and Stella Duffy (co-director of Fun Palaces, a national campaign for greater access for all to the arts), ask: are we're building too many museums? On the one hand, Duffy argues that "we should focus all of our efforts on opening up existing museums to a much wider public" while on the other, Long suggests that "new museums can bring positive change to the places in which they are built." Ultimately, Long argues that "museums have a sense of authenticity and institutional mission that is rare in public life" yet, for Duffy, this doesn't mean we need more; rather, "we need to utilise what we already have."
As part of their series of "Panorama" exhibits being presented this year, Friends Of The High Line have announced that they will host Olafur Eliasson's installation, "The Collectivity Project" from May 29th until September 30th this year on the High Line at West 30th Street. The installation, which has previously traveled to Tirana, Oslo, and Copenhagen, features an interactive imaginary cityscape made of over two tons of white LEGO bricks, with visitors invited to design, build and rebuild new structures as they see fit.
A report released last week aims to highlight the problems involved in high-density housing in London, offering 10 suggestions for how to create future developments that offer density while maintaining the UK capital's distinctive character. Produced as a follow-up to their 2007 report entitled "Superdensity", four UK housing specialists Pollard Thomas Edwards, HTA, Levitt Bernstein and PRP Architects have produced "Superdensity: The Sequel," aiming to address the dramatic changes that have taken place in London development over the intervening 8 years.
Read on for more of the report's aims and its 10 recommendations for future housing in London.
A new pool has just opened in the heart of London's King's Cross. In the centre of one of the city's largest mixed-use development projects Ooze Architects, in collaboration with artist Marjetica Potrc, have developed and realised "the UK's first man-made fresh water public bathing pond" as a piece of and art. The oblong pool is forty metres long, built two metres above ground level, and is surrounded by "pioneer plants, wild flowers grasses, and bushes so that the environment evolves as the seasons change." It will be purified through "a natural closed-loop process, using wetland and submerged water plants to filter and sustain clean and clear water."
With the opening of their Fondazione Prada building in Milan at the start of this month, OMA got the chance to show off a skill that they don't get the chance to use very often: preservation. In this interview with Kultur Spiegel, Rem Koolhaas talks at length on the topic, explaining that he believes "we have to preserve history," not just architecture, and arguing that the rise in popularity of reusing old buildings comes from a shift toward comfort, security and sustainability over the ideals of liberty, equality and fraternity. "The dimensions and repertoire of what is worthy of preserving have expanded dramatically," he says, meaning that "we shouldn't tear down buildings that are still usable." Still, he says, that doesn't mean we shouldn't tear down and start again in some cases - an entire Parisian district beyond La Défense, for example. Read the full interview here.
The Copper Development Association (CDA) has announced its selections for the 2015 North American Copper in Architecture Awards (NACIA), now in their eighth year. The awards celebrate stellar projects that incorporate copper in their designs. The 12 award-winning works span three categories and include educational, residential and healthcare buildings in addition to historic landmarks.
Winners were selected by a panel of industry professionals based on their overall design, incorporation and treatment of copper, and distinction in either innovation or historic restoration.
The American Institute of Architects (AIA) and the Africa Union of Architects (AUA) has signed a cooperative agreement to "share practice tools and resources, creating a framework for American and African architects to work collaboratively in achieving development and infrastructure goals in Africa." The agreement articulates their mutual interests to advance the “Africa Sustainability Campaign” in spirit of the 2014 U.S.-Africa Leaders’ Summit in Washington DC.
"I am thrilled to have the opportunity to reinvigorate and formalize the AIA's relationship with our colleagues in Africa,” said AIA 2015 President, Elizabeth Chu Richter, FAIA. “We look forward to increased knowledge sharing on topics such as health and resilience which are critical to the sustainable future of our planet."
Inspired to update the substandard conditions of an existing school at the base of the Mongol Altai Mountains, the team was faced with several challenges. The current Tsast Altai School is the oldest in the region, serving 500 children in eight dark, confined, and decaying classrooms. To counter these issues and create an environment more suitable for learning, the competition challenged participants to not only consider the building's durability in the harsh weather, but also “lighting, ventilation, materials, space, comfort, accessibility, adaptability and aesthetics.”
Santiago Calatrava's City of Arts and Sciences has taken a starring role in Tomorrowland, Disney's latest blockbuster. Located in the former riverbed of the Turia in Valencia, Spain, the City of Arts and Sciences comprises a cinema (L'Hemisfèric), a landscaped walk and sculpture garden (L'Umbracle), the Príncipe Felipe Science Museum, the largest aquarium in Europe (L'Oceanográfico), and the renowned Palau de les Arts Reina Sofia. The complex was constructed in stages commencing in July 1996, and opened to the public in October 2005. Unique and strikingly futuristic, the iconic group of buildings caught the eye of Tomorrowland producer Jeffrey Chernov, who spoke effusively of the building at a recent press conference for the film.
"Calatrava's architecture is just phenomenal and inventive and exciting. It's very skeletal, like you're looking at the vertebrae of a dinosaur or prehistoric fish," said Chernov. "You walk into that place and you never want to leave. That's the vibe we wanted for Tomorrowland."