In 2013, there were 145,439 full-time, year-round architects in the United States - roughly 31,000 of which were women. Making up just over 21 percent of the workforce, these women were on average paid just 80 percent the salaries of their male counterparts, according to the latest statistics released by the US Census Bureau. This means the median income for male architects was $14,877 more than female architects.
The Westminster City Council has granted Rogers Stirk Harbour + Partners planning permission for their competition-winning scheme to redevelop part of The London School of Economics and Political Science (LSE) campus. The largest project in the school’s 120-year history, the “Center Building Redevelopment” plan will replace an existing cluster of LSE buildings along Houghton Street - Clare Market, The Anchorage, the East Building and part of St. Clements - with a modernized, sustainable and multifunctional academic building.
Los Angeles-based practice Synthesis Design + Architecture has created a 3-D printed chair which uses the latest gradient 3-D printing technology to apply different material properties to different parts of the chair. Originally asked by leading 3-D printing company Stratasys to design a piece that would not be possible without utilizing 3-D printing, Synthesis Design + Architecture chose to go one better, designing a chair that would not be possible without the Stratasys Objet 500 Connex3, which is capable of combining a range of material properties into a single print run.
Last month the UNESCO office in Afghanistan, in collaboration with the Afghan Ministry of Information and Culture, announced the winning design for the Bamiyan Cultural Center. An Argentina-based team, led by Carlos Nahuel Recabarren alongside Manuel Alberto Martínez Catalán and Franco Morero, was selected from 1,070 design entries from teams in 117 different countries. Now, all of these submissions will be posted in an online gallery on the Bamiyan Culture Centre website for the next three months. “The competition achieved beyond expectation and contributed to portray a new and positive image of the culture sector in Afghanistan. This exhibition aims to showcase the extraordinary effort that the architectural community and each and every applicant put into this competition,” writes UNESCO.
With generous financial aid from the Republic of Korea, the culture center will be built on land adjacent to the Cultural Landscape and Archaeological Remains of Bamiyan World Heritage property. The center aims to promote art, history, music and community interaction. When evaluating the submissions the seven-member jury focused on “design principles emphasizing innovation, community needs, environmental consciousness, sustainability, and connection to the natural and cultural landscape of the Bamiyan Valley.”
Read on after the break for a round-up of images from some of the most interesting, unusual and unique proposals. You can search by ID number, Team Leader or Country to view the full project board with descriptions, renders and plans on the online gallery.
The 2015 Fairy Tales competition, hosted by Blank Space, has drawn to a close with four winners and 11 honorable mentions emerging victorious. Now in its second year, the competition attracted over 1,200 entries from 65 countries and challenged participants in a number of fields to design architectural projects inspired and accompanied by fictional stories.
It has been reported that London's Robin Hood Gardens housing estate, which was thought to be finally condemned in March 2012, has re-entered a state of flux due to governmental indecision. The former UK Culture Secretary, Andy Burnham, gave the housing scheme an immunity from listing certificate in 2009, meaning that no concerned party could bid for it to gain protected status under British law. This certificate, designed to ensure that the buildings would be swiftly demolished, has now expired. This has led the Twentieth Century Society (C20) to launch a new bid for the estate to be both saved and protected.
Adjaye Associates has announced plans to transform a 17-floor post-modernist structure in Johannesburg’s central business district into a luxury mixed-use building that will be known as the “Hallmark House.” Scheduled for completion mid-2016, the project aims to “combine an African aesthetic with a contemporary vision” and form a new typology for urban living.
“The transformation of Hallmark House is an opportunity to apply fresh thinking to urban community and to address changing lifestyles with a more fluid approach to the way we inhabit cities,” says David Adjaye.
“Our design for Bristol Arena is unique,” says Populous principal Nicholas Reynolds. “It delivers a world-class live concert venue for 12,000 fans, and with seamless conversion the atmosphere and intimacy of a 4,000 seat amphitheater.”
Six teams have been shortlisted in stage-two of a competition to develop ideas for Russia’s “Atomic Energy Pavilion” in Moscow. Planned for a site at the Exhibition of Achievements of National Economy, the pavilion is intended to share the “history of the native nuclear industry” and its “contribution into modern economic development” as well as provide an open “communication forum” for the ROSATOM and the general public.
Along with rapid urban expansion comes uneven growth - one of the largest threats that face our society. Determined to combat this issue, the Museum of Modern Art (MoMA) sparked an international debate with the opening of Uneven Growth: Tactical Urbanisms for Expanding Megacities. The exhibition, a culmination of a 14-month initiative, highlights emergent modes of tactical urbanism from around the globe that offer ideas on how to mitigate inequality and preserve livability within an increasingly-expanding world.
In an article for the Financial Times(FT), writer and historian Simon Schama examines world conflict zones and the efforts to protect some of the world’s most vulnerable architectural and cultural sites. If history is a measure, then Schama's study of William “Basher” Dowsing - an Englishman who, in the winter of 1643, "made it his personal mission to obliterate as much as he possibly could of sacred art in the churches and colleges of East Anglia" in the name of religion - is pertinent now more than ever.
High Line co-designer, James Corner Field Operations has been selected to design the proposed 10-mile “Underline” in Miami. Chosen by a local jury from 19 submitted entries, JCFO has been asked to envision a bicycle route and linear park that will replace the threadbare M-Path under the Metrorail tracks from Dadeland to the Miami River. The project has yet to achieve funding, but it is hoped that JCFO’s plan will spark more investor interest.
Claiming the rumors to be “demonstrably false,” Zaera-Polo has issued a “clarifying statement” outlining the purpose of his Biennale text to be polemic, and nonacademic, therefore it did not breach “any moral, ethical, or other applicable standards.” An email in support of Zaera-Polo sent by Rem Koolhaas to Eisgruber three days before the resignation has also released, denouncing any wrongdoing from Koolhaas’ perspective as the Biennale’s director.
Read Koolhaas' email, Zaera-Polo's clarification statement and a response from Princeton in full, after the break.
Young Architects Competitions (YAC) is launching an openarchitectural competition to design a Food & Wellness Club for the upcoming F.I.CO.® (Fabbrica Italiana Contadina) theme park in Bologna. In 2016, F.I.CO. will become the world’s biggest theme park dedicated to food farming and food culture, with nine million tourists expected to visit this structure each year. Such a project will trigger a redevelopment of the surrounding area in order to provide visitors with services. The Food & Wellness Club aims to offer a wellness area for those visitors willing to discover both nutrition and body care, offering comfort and care in a multi-sensory and exclusive space. The question of the competition becomes: how to create an architectural space that combines the elements of food, relaxation, wellness and seasonality?
Urban public spaces create common grounds for diverse, public participation. They are places of social interaction, recreation, cultural activities, political activities, and many other public events, enhancing the quality of urban life.
As the world's population continues to grow and urban density increases, public space is dropping in proportion to private space in countless cities around the world. And it is almost impossible to add conventional public spaces like large public parks or squares, as the space left in the public domain becomes more and more limited.
The competition asks an open–ended question of how we could use architecture as a device to perform a surgical operation on the already dense city fabric in order to provide a new model of public space. To add to the quality of people’s urban life, what, where and how can we insert a place into the city? What kind of a place would it be? What is currently missing? What is not enough? Where would we place this intervention when available city space seems scarce? How could we redefine our positive relationship with density?