Architects from around the world are designing hotels that are sustainable and mindful of their ecological footprint, seeking to connect their guests more closely to nature. We are talking about a deep understanding that seeks to truly harmonize the environment of the place with the architecture to create a forgotten closeness to nature for urban guests.
Almost 80% of South America is tropical land. In Peru, close to two-thirds is covered by the Amazon rainforest, more than in any other country. These landscape conditions give rise to unique living conditions, and in turn, shape Peru’s contemporary architecture. Today, new homes are built to embrace nature and create space for everyday life.
The 2021 Venice Architecture Biennale finally opened its doors to the public, on May 22nd, despite all odds and after two postponements. Presenting 115 different responses to “How will we live together”, the architectural exhibition gathered innovative answers from across the globe, all arising from a common determination to change the status quo. Bringing people who face the same issues together to partake in a vital exchange of ideas, the 17th edition has amplified the role and status of the Biennale as the biggest platform for architecture.
Onsite, in Venice, ArchDaily had the chance to meet with curator Hashim Sarkis, to discuss once more the ever-growing relevance of the biennale, different overlapping scales and fields, recurring qualities, and the international language of architecture. Hoping that “people will walk out of the biennale with a stronger belief in architecture as being a medium that can make a difference”, Sarkis in his third interview talks of a collective imaginary that can inspire new spatial contracts.
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Titled "Structures of Mutual Support", the Philippines Pavilion at the 17th International Architecture Exhibition - La Biennale Di Venezia, explores how the principles of mutual support can shape architecture. Curated by Framework Collaborative (members of GK Enchanted Farm and Architects Sudarshan Khadka, Jr. and Alexander Eriksson Furunes), the pavilion will be on display at the Arsenale from May 22nd until November 21st, 2021.
Following China's rapid urbanization and emergence of new districts and public buildings, MAD Architects, led by Ma Yansong, has won an international competition to design the new Zhuhai Cultural Arts Center. Their proposal, titled "Village Under the Dome", will be situated within China’s Pearl River Delta in the Yinkeng Village, a historic town that has recently been demolished and relocated by the municipality to make room for new projects. Instead of rebuilding over the demolition, their design offered a conservation and renewal of the village, creating a new function of the original site.
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Text Courtesy of Reutov Design. Among the endless movement of millions of people and cars, you often want to get in touch with nature. Here is an oasis in the midst of a raging stream. The concept of the cafe, developed by ReutovDesign studio, combines a creative interpretation of modern design and natural style.
For the first time in the Venice Architecture Biennale, the island nation of Grenada presents the exhibition COethos, featuring its newest architectural landmark, Grenada's House of Parliament, together with a number of ideas for regenerating the city of St. George's. Curated by the Babau Bureau collective, the pavilion showcases the design and building process of the Parliament building, as well as explorations of the various possibilities of re-activating public spaces along the town's harbour.
Reflecting on the future of shopping centres and addressing their decline in visitors, MVRDV's Heuvelkwartier design proposes converting Eindhoven's Heuvel shopping venue into a green cultural quarter. The project brings together retail, culture and recreation, expanding the existing buildings while transforming the roofs into a park. The proposal also expands the Muziekgebouw with a stacked cultural building encased in a "glass mountain", creating a new landmark for Heuvel.
“Abandonment Copies” is a research project created between 2016 and 2018 by artist Sandra Calvo consisting of a film, archives, drawings, interviews, and a video display which was exhibited in the Mexican pavilion during the 2021 Biennial of Venice. The project highlights architecture as a reflection of the migration process between Mexico and the United States, comparing and contrasting the houses where migrants work in the US and the ones they build in Mexico with the remittances they send.
Recent years have seen an increased acknowledgement of the collective endeavour that is architecture and a better valuing of the different professions that participate in the design process. Within every extraordinary building, structural engineering plays an essential role in delivering the architectural vision. The article highlights the past and present contributions of engineering to the built environment, personalities that have stood in the shadow of architects delivering their design intent, and the collaboration between engineers and architects today.
Matt Hickman reports on San Francisco's latest inclusive memorial, for the Architect's Newspaper, designed by SWA, a firm that operates two Bay Area studios (San Francisco and Sausalito) as well as offices in Texas, Southern California, New York City, and Shanghai. Selected by FHMP from a shortlist of four firms that submitted proposals, out of 17 invited offices, SWA shared their winning conceptual design for the memorial at Harvey Milk Plaza.
One of the biggest names in Brazilian and worldwide architecture, Paulo Mendes da Rocha, passed away at the age of 92. As his son Pedro Mendes da Rocha reported to ArchDaily, the architect was hospitalized in São Paulo due to lung cancer and passed away at dawn on Sunday, May 23, 2021.
Paulo Mendes da Rocha will be remembered for the great formative role he had. His architectural creation debated life above all, raising questions and challenging ready ideas and conformity. He consolidated an influence short of language or aesthetics, formed mainly by the way of acting and thinking, in which each project was an opportunity for transformation. His ideas and designs overflowed the limits of the program, place and materiality, always bringing a new point of view to achieve revolutionary simplicity.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Architect Toshiko Mori to discuss her moving from Japan to New York City at a young age, attending The Cooper Union for Art and Architecture, starting her own practice and VisionArc, witnessing the 9/11 attack, her design process, creating a temporary concert hall, and more.
This video uses the architect character from the movie Indecent Proposal — named David Murphy and played by Woody Harrelson — to offer professional practice tips. David Murphy engages in a series of risky business practices and repeatedly makes decisions that lead to glaring firm mismanagement. However, his most egregious oversight, and the real ‘indecent proposal’ is meeting a billionaire without cultivating him as a client. This error in judgement leads the wealthy businessman, played by Robert Redford, to purchase Murphy’s design right out from under him. In addition to the practical lessons for avoiding these pitfalls, the video also offers a character analysis that breaks down fundamental principles of Deconstructivist Architecture and other architectural references from the movie.
Chashitsu, which is the Japanese term for a teahouse or tea room is a construction specifically designed for holding the Tea Ceremony, a traditional Japanese ritual in which the host prepares and serves tea for guests. Teahouses are usually small, intimate wooden buildings, where every detail is intended to help withdraw the individual from the material disturbances of the world.
Not-for-profit Zuecca Projects and Coldefy have shared new research for Tropicalia, the largest single-dome greenhouse on the planet, for the 17th International Architecture Exhibition – La Biennale di Venezia. Presenting tropical fauna and flora, the team is also sharing the architectural and engineering specificities of the Tropicalia greenhouse with its unique sustainable air treatment engineering.
Design can sometimes be mundane- except when it’s novelty architecture. These buildings uniquely and identifiably break away from the abstract, metaphorical, and often monotonous buildings that have classified modern-day design. Instead of favoring the steel and glass skyscrapers that serve as landmarks in cities around the world, they aim to poke fun at architecture in a way that’s jovial, commercial, and perhaps slightly more functional and expressive. Unlike other buildings, they are the literal embodiment of a thing itself, putting its function widely on display instead of hiding it within four austere walls.
Titled "Future School", the Korean Pavilion at the 17th International Architecture Exhibition - La Biennale Di Venezia, transforms the structure into an explorative academic facility. Curated by Hae-Won Shin, the pavilion will be on display at the Giardini from May 22nd until November 21st, 2021.
The Luxembourg Pavilion at the 17th Architecture Biennale reflects on how the pandemic has brought a series of dualities to the spotlight, challenging the understanding of the relationships established between architecture and land, interior and exterior, home and work or the built environment and nature. In light of these issues, the exhibition titled Homes for Luxembourg, designed by Sara Noel Costa de Araujo (Studio SNCDA) and featuring contributions to the architecture publication Accattone explores ideas of modular, reversible living while also illustrating a model of repurposing land to build new forms of togetherness.
Developed by architect Gerardo Caballero, in collaboration with Paola Gallino, Sebastian Flosi, Franco Brachetta, Ana Babaya, Leonardo Rota, Emmanuel Leggeri, Sofia Rothman, Gerardo Bordi, Edgardo Torres, and Alessandro De Paoli, "The Infinite House", a project inspired by traditional Argentine houses, will represent Argentina in the upcoming 2021 Venice Architecture Biennale. The project reflects on the identity of Argentine public housing and the role collective housing, both public and private, has played in the country's history and society. The Infinite House aims to push the limits of the domestic and to highlight the importance of the collective rather than the individual by illustrating that a home extends beyond one's own living space: "it is the city, the country, and even the world."
If you live in an apartment, you may unintentionally know the details of your neighbor's life by overhearing conversations through your shared walls. Or you keep awake when the dog that lives in the apartment above decides to take a walk in the middle of the night. If so, you may live in an apartment with inadequate sound insulation in its walls and/or slabs. As cities grow increasingly dense and builders seek to increase their profit margins, it is not uncommon for acoustic comfort to be overlooked in many architectural projects. When the resulting noise is excessive or unwanted, it impacts the human body, the mind, and daily activities. While not all spaces need to seal all types of sound, creating spaces with an adequate degree of soundproofing improves the quality of life of all users.
This article was originally published on Common Edge.
Exploring the question of slavery in Architecture, the building materials and the construction industry, Michael J. Crosbie interviews Sharon Prince, the women behind Design for Freedom, discussing the initiative's report "on the pervasive use of slavery in the design and construction industry, and how design professionals can respond".
Coming soon. Visions from the minimum territory ("Próximamente") is the title of the Uruguay Pavilion at the Venice Biennale 2021, which will take place between May 22 and November 21, 2021.
Foster + Partners have shared the design for a residential-led masterplan on the outskirts of Bangkok. Dubbed The Forestias, the project includes a large forest at its heart. The design was made to address the growing disconnect between contemporary city life and family traditions. The Forestias proposal focuses on promoting multi-generational family co-living and new models of urban life in Thailand.
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