As the week comes to an end, Milan Design Week wraps up yet another successful year of creativity and innovation. Thousands of design companies displayed their creations to more than 200,000 visitors hailing from different countries, demographics, and career backgrounds. Although the design fair gravitated towards the world of interior design, many renowned architects participated in the week-long exhibition and joined their forces with interior and furniture design experts.
Along with the impressive collaborations that these architects created with lighting companies, take a look at how they used their expertise in forms and structures to develop unique furniture pieces.
In a recent video published byMetropolis Magazine, Ed Gaskin, a senior associate at Zaha Hadid Architects, takes us on a comprehensive tour of ZHA's 520 West 28th Street, the late architect's only project in New York City. The video describes the project's interesting relation to the adjacent High Line, as well as taking us through the lobby, courtyard and inside the residential units of the building.
ZHA’s brief will encompass the design and execution of new NMIA terminal building, an Air Traffic Control Tower, and associated access. The airport will be situated across Mumbai Harbor, connected to the city by a planned rail link, and access to national rail networks. ZHA's previous work in the airport sector includes the Beijing Daxing International Airport (pictured), which is slated to be the world's largest airport terminal.
https://www.archdaily.com/890738/zaha-hadid-architects-to-design-navi-mumbai-international-airportNiall Patrick Walsh
For 10 years this December, Zaha Hadid’s Hungerburgbahn have graced the built environment of Innsbruck, Austria. Since its conception, over 4.5 million passengers have visited one of the four train stations connecting them from downtown Innsbruck to the Norkette Mountain to Hungerburg.
A year after her untimely passing, we take a look back on one of the hallmarks of Zaha Hadid's career as an architect: her sketches. In October we wrote about how her paintings influenced her architecture. Now, we examine her most emblematic sketches and the part they played in the initial formal exploration of her design process.
As we open to a new year, we would like to take a moment and remember one of the most significant lives lost in 2016: Iraqi-born British Pritzker Prize winner Zaha Hadid. While the narrative of Zaha’s trailblazing accomplishments are well-known, architect Rana Hadid celebrates her aunt’s memory from a uniquely poignant perspective in this new piece for the Guardian. Recounting Zaha’s early artistic prowess, fierce ambition, and earnest personality, Rana describes her as “the incredibly warm and generous Zaha who showed us we could do anything we wanted if we worked at it hard enough.”
On Thursday 17th of November, at the World Architecture Festival in Berlin, Patrik Schumacher gave a lecture offering his theory on how to address London’s Housing crisis. Given Schumacher’s well-known penchant for neoliberal economics, it was perhaps little surprise that his plan included a number of highly controversial ideas, such as the elimination of all forms of social housing and planning, and the privatization of all public space—with Schumacher highlighting Hyde Park as a particularly interesting opportunity.
Though ArchDaily was in attendance at the lecture, we chose not to cover Schumacher’s speech, at least in part because the audible boos from the crowd indicated that this was not a position that the wider architectural profession was interested in giving publicity to. However, the news was picked up by a number of other architectural publications including Dezeen; as a result, Schumacher’s speech became front page news on the London Evening Standard, prompting a response from London Mayor Sadiq Khan who said Schumacher’s ideas were “out of touch” and “just plain wrong.” These developments in turn have prompted an outcry from the architectural profession, causing Zaha Hadid Architects to write an open letter in response to the furore. Read on to see the full letter.
Opening to much fanfare earlier this week, Zaha Hadid Architects' Port House holds a commanding presence over the port of Antwerp. The design combines a listed and formerly derelict fire station, which was restored as part of the project, with an eye-catching glass extension which rises out of the older building's courtyard and thrusts itself towards the water in a dramatic cantilever. In the context of the port, where large infrastructure and colossal machines form the backdrop to everyday functions, the building boldly stakes its claim as the operational centerpiece, providing a space for the Port of Antwerp's 500 employees. Photographer Thomas Mayer visited the building, capturing its striking external presence and investigating how its structural gymnastics translate to the building's internal space.