With just a few days left before the six-and-a-half-month 19th Venice Architecture Biennale comes to an end, it is possible to look back on some of the most notable contributions within its thematic framework. Marked by the largest call for participants to date, the Biennale's diversity of topics and the range of installations on display go beyond easy recapitulation. As part of that reflection, several initiatives can be highlighted as illustrative of the principles reflected in the curatorial theme, "Intelligens. Natural. Artificial. Collective." The concepts interwoven in Carlo Ratti's title form a call to address the urgent need for substantial solutions amid the accelerating climate crisis, positioning the Biennale as a platform for diverse design proposals and experiments organized around three forms of intelligence: natural, artificial, and collective. Beyond the national pavilions and numerous collateral events held throughout Venice over the past six months, among the more than 700 participants are projects that, through practice, embody four shared intentions: opening conversations about the future, proposing systemic responses to local realities, placing technology at the center of design innovation, and pursuing material research rooted in local sensitivity.
Jenny E. Sabin is an American architect, designer, and educator known for her work at the intersection of architecture, computation, and biomaterials. She integrates digital fabrication, responsive materials, and bio-inspired design into her architectural practice and runs an experimental architecture studio, Jenny Sabin Studio, based in Ithaca, NY. In this interview with Louisiana Channel, she shares her personal journey from artist to scientist, explains how biological and material systems can be applied at an architectural scale, and discusses her teaching and research roles at Cornell University. She elaborates on her interest in bringing people together through new strategies for responsive and adaptive architecture. In her view, the connections between the digital, the physical, and the biological define a paradigm shift in the evolution of architecture, converging with other realms of physical experience to create a more interconnected future.
The fifth edition of the London Design Biennale is taking place at Somerset House from 5 to 29 June 2025. The theme of this year's edition is "Surface Reflections," an invitation to explore "the dynamic interplay between internal experience and external influence." The curatorial proposal, set by British artist and designer Samuel Ross, encourages a focus on the underlying layers of the objects, systems, and spaces that shape our daily lives. The Biennale exhibition is a journey through 35 pavilions by countries, institutional design teams, and curators, presenting soundscapes, immersive experiences, and performances, as well as sculptural and evocative objects. To confront contemporary global challenges, topics include identity, memory, innovation, technology, craftsmanship, ecology, and belonging.
In recent years, architecture has increasingly embraced adaptability, flexibility, and responsiveness as core design principles. This evolution reflects a shift from traditional notions of static, permanent structures to dynamic environments that can adjust to changing needs and conditions. Central to this transformation is the concept of "soft architecture", which leverages pliable materials and innovative systems to create spaces that are functional, sustainable, and user-centric. Soft architecture takes shape through membranes that breathe, façades that move, structures that inflate or fold, and surfaces that bend rather than break. It involves designing for transformation — not only in how a building performs environmentally, but also in how it can accommodate shifting functions, user interactions, or temporary occupations. This approach to building challenges traditional notions of durability and control, proposing instead a more responsive and open-ended architecture. It reflects a growing awareness that buildings, like the societies they serve, must be able to evolve.
Impresión de paredes exteriores. Image Cortesía de XWG Archi Studio at Tsinghua University
According to the analysis firm Gartner, 3D printer sales surged by 75% around 2014, nevertheless, the technology continues to experience significant growth. While there are multiple debates in the field of architecture about whether 3D printing can be considered craftsmanship or if it is feasible to mix local materials with 3D printing, its implementation from academia aims to create new experiences, research, and knowledge that contribute to its development and practical application. Now, how might the integration of 3D printing in academia provoke future changes in the construction industry? And how could education in architecture and design encourage collaboration with other disciplines to create new applications across different fields?
Prefabrication is one of the most transformative innovations in architecture and construction, redefining how buildings are designed, manufactured, and assembled. While not a new concept, its application has evolved to offer a broader range of advantages. Traditionally valued for its precision and quality, prefabrication is now equally recognized for its cost and time efficiencies, particularly in leveraging regional differences in labor and production. This shift has fueled its resurgence across high-end, design-driven projects and large-scale, cost-efficient public buildings.
For decades, the life cycle of buildings was a simple formula: planning, design, construction, demolition, and, of course, the great villain in this history: the landfill. Over time, architectural practice began embracing concepts like reuse, disassembly, and circular demolition, but often as secondary elements, part of the gradual shift toward a circular economy in construction. But what if these principles were no longer exceptions? What if we crafted or chose every building component to maintain value and purpose beyond its original use? The truth is, there is life after demolition. This transition—from demolition to practices focusing on reuse, repurposing, and sustainable dismantling—is edging closer to reality. By the time 2030 arrives, we could fundamentally reshape how we approach processes, buildings, and the market itself. As these changes unfold, we must assess how our strategies align with the evolving goals and challenges related to sustainability—and, of course, the new opportunities they bring.
https://www.archdaily.com/1025567/what-if-every-brick-had-a-future-rethinking-demolition-and-material-reuse-in-the-circular-economyEnrique Tovar
Situated along the River Mur in the Lend district, the Kunsthaus challenges traditional architectural norms with its organic, free-flowing design. Rejecting orthogonal geometry, the museum seamlessly merges art, architecture, and public interaction, redefining the concept of a cultural institution. Its impact extends beyond aesthetics, sparking urban revitalization in a once-overlooked neighborhood, and bringing cultural vibrancy and economic activity.
The Louisiana Museum of Modern Art's "Living Structures" exhibition, running from November 8th, 2024, to March 23rd, 2025, features Deep Forest, a new installation by Prof Claudia Pasquero and Dr. Marco Poletto founders of architecture and design innovation firm ecoLogicStudio, together with academic partner Innsbruck University. This immersive work challenges traditional architectural paradigms by embracing the naturalization of architecture and technology, a direct counterpoint to modernist attempts to mechanize nature. The exhibition represents the culmination of twenty years of research in bio-digital design, showcasing the potential of symbiotic relationships between technology and the natural world within built environments.
One City Park in Bradford, England. Image Courtesy of Rieder Facades / Ditz Fejer
Contemporary architecture evolves in tandem with the materials and construction techniques available in each region. In addition to the architectural trends of the moment or historical ideas that may inspire creativity, understanding how materials are used, cared for, and maintained, as well as their technical and aesthetic properties, is crucial to the concepts envisioned by many architects. Each material carries its own inherent logic. In fact, architect Louis Kahn suggested that the way materials interact can lead to unavoidable combinations of structure, walls, and assembly in buildings. Rieder products exemplify this by offering modular, flexible solutions that help buildings seamlessly adapt to urban environments, enhancing both interior and exterior spaces while maintaining cost-effectiveness.
Tallinn Architecture Biennale 2024 has officially opened to the public. Hosted at the Museum of Estonian Architecture and across multiple venues in the center of the city, the event is centered around the theme "Resources For a Future." The head curator Anhelina L. Starkova along with co-curators Daniel A. Walser and Jaan Kuusemets hope to open up conversations about emerging approaches to designing and building architecture, including the potential of reused and repurposed materials. The event is held between October and November 2024, with free participation.
Within this scope, much is said about the different vernacular techniques employed in architecture, whether it is the production of adobe bricks, thatched roofs, woven bamboo walls, among many others. However, while vernacular technique focuses on specific actions or skills, its meaning differs from vernacular technologies.
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Phoenix Project. Image Cortesia de Autodesk
"In just one generation, we have gone from the pencil to AI.” This quote by Knut Ramstad from the Nordic Office of Architecture encapsulates the seismic changes we have witnessed in the development of architecture projects over the last few decades. By bringing forth increased efficiency and visualization possibilities, the express analysis and deeper understanding of project variables have become much easier. Architectures have become more complex, with more variables, numerous new demands and pressures, and with deadlines not getting any shorter. In this ever-evolving landscape of the architecture, engineering, and construction (AEC) industry, technological advancements have sparked a radical shift in professionals' approach to conceptualizing, planning, and executing projects, expanding a wide array of opportunities and highlighting the transformative power of data as an essential resource. This transformation could catalyze the industry's efficiency and sustainability, with a crucial focus on reducing its carbon footprint and minimizing waste generation.
Environmental issues urgency and increasing temperatures on the planet are nothing new. There are many factors contributing to environmental degradation. However, two can be viewed as representative of critical points in the current world system: plastic and waste disposal, better known as garbage.
The environmental crisis cannot be attributed solely to these two examples. They are used here as examples to mobilize issues involving multiple agents, materials, and diverse methods. These issues lead to devastating consequences, increasingly irreversible.
Umberto I Tunnel in Rome. Photo: Andrés Nieto Porras from Palma de Mallorca, España, CC BY-SA 2.0 , via Wikimedia Commons
Smart buildings are more and more on the agenda. For their elaboration, some materials have been developed to meet specific objectives during their use without the need to be operated by any person or equipment. Self-maintenance, cleaning the air, working with the comfort of space, energy efficiency, are just some of the benefits that can be achieved by adopting them.
