Harnessing the power of moldless manufacturing through large-scale robotic 3D printing, research at ETH Zürich in collaboration with FenX AG delves into the use of cement-free mineral foam made from recycled waste. The objective is to build wall systems that are monolithic, lightweight, and immediately insulated, minimizing material use, labor requirements, and associated costs.
Towers, walkways, decks, cabins and tree houses. Since 2010, the Hello Wood Festival has erected dozens of temporary constructions, with one common denominator: wood. The initiative aims to make knowledge about this material more accessible to everyone, as it has immense potential for the future. However, despite its potential, wood still faces various prejudices within the construction industry. Through the connection between designers and artists from different cultural, academic and professional backgrounds, the event uses construction as a platform for innovation, discussion and knowledge. It offers participants the unique opportunity to experiment with sustainable design and construction methods, encouraging learning through experience, held in a forested area near Budapest, Hungary.
Chiesi Group, a pharmaceutical company that focuses on research-based innovation, has prioritized the health of patients across all age groups for over 85 years. Seeking the development of the next healthcare landmark for innovation, they launched Restore to Impact, an international call for entries to redesign the historic industrial site in Via Palermo, Parma.
Open to two categories –Professionals and Under 30s– the competition aims to find innovative, evolutionary and transversal proposals that will be the basis for the guidelines of the future architectural building project. The winning proposals for the three eligible concepts for the professional category will receive € 12,000 each, while the Under 30 category will receive € 5,000 each.
Fueled by pressing issues such as the climate crisis, population density and rapid urbanization, the built environment has become increasingly complex. Architecture and design professionals are faced with a challenging, yet fundamental task: to translate society’s ever-evolving needs into tangible and future-oriented solutions. In pursuit of this goal, they must embrace the countless tools, materials and technologies emerging every day in the construction field –from AI to virtual reality software and smart home systems. After all, to remain at the forefront in an industry where change is the norm, the ability to adapt and evolve is crucial for success.
Looking back at 2022, last year had seen major female-led stories. Kimberly Dowdell was chosen as AIA’s First Black Woman President, Carol Ross Barney has received the 2023 AIA Gold Medal, Jeanne Gang won the 2023 Charlotte Perriand Award, Frida Escobedo was selected among the 100 Emerging Leaders by TIME 2022, Renée Gailhoustet was presented with the 2022 Royal Academy Architecture Prize, "Infinite Freedom, A World for a Feminist Democracy" opened at the 2022 Biennale of FRAC in France, and ArchDaily presented SkyFrame’s Women in Architecture’s documentary, following Toshiko Mori, Gabriela Carrillo and Johanna Meyer-Grohbrügge, three architects in three different countries, in different contexts, at different stages of their life and career, but with a lot in common. And that's just to name a few...
After arguing in 2021 “why is it still important to talk about "female architects"? and contributing to “rebalancing forces and adjusting narratives” in 2022, for its 3rd edition of the annual International Women’s month coverage, ArchDaily will focus on the achievements of female architects working specifically on global challenges, and finding innovative approaches to the problems of today. Fitting partially with the theme selected by the United Nations for the 2023 International Women’s Day, centered on Innovation and technology for gender equality, ArchDaily will reflect on what is innovation in the face of global challenges.
The United Nations estimates that the world population will reach 10.4 billion by 2100. Already by 2050, 2 out of 3 people will call cities home, coming in search of the opportunities, services and amenities on offer. That puts even more pressure on urban areas given all these people will need access to water, food, public space, good infrastructure and, above all, housing. In fact, estimates suggest more than two billion homes will need to be built by the end of the 21st century to accommodate this population explosion. As cities grow, so does urban sprawl, which brings its own set of environmental and social challenges. In the face of climate change, sustainable urban development must ensure that future housing solutions –new and renovated– are built to support healthy communities, prioritizing both human and environmental well-being. In turn, cities will need to be built denser and faster, but not without meeting a long list of stringent criteria. Only this way can we avoid the negative, often overlooked, effects of uncontrolled hyper densification that give urban development a bad name.
The construction industry is one of the largest in the world, and cement and concrete are literally the building blocks of its success. Evolving from prehistoric caves to today’s towering skyscrapers, concrete structures have and will continue to be vital components of modern civilization, providing long-lasting, reliable support for buildings, roads, bridges, tunnels and dams. So much so that concrete is the most consumed material on Earth, second only to water, while the steel used to reinforce it is by far the most commonly used metal. But this doesn’t come without high environmental costs: concrete accounts for 8% of global CO2 emissions, much of which come from the extraction and transportation of aggregate materials such as sand, gravel and crushed stone.
In October, the ArchDaily team spoke with Henry Glogau during his stay in London, where he was working on a number of projects. At only 26 years old, his resume includes an impressive amount of international awards, which he has received for the relevance of his work to issues both so basic and urgent for humanity: access to potable water, sanitation and quality of life. Born in New Zealand, Henry moved to Copenhagen in 2018 to study at the Royal Danish Academy and for the past two years has been working at the 3XN GXN office as an architect in their innovation unit, alongside a multidisciplinary team. Below, read the conversation we had about some of his projects, his beliefs about the role of architecture, and his views on our responsibility to the planet.
Sodium chloride, most commonly known as salt, is everywhere. Ancient in its uses and abundant in nature, it preserves local ecosystems, de-ices roads, is vital in a variety of industrial processes, and is likely sitting on your kitchen table as a seasoning for your meals. Today, it is attributed relatively little value –considering it used to be as worthy as gold–, and unlike other nature-derived alternatives such as algae or mycelium, there doesn’t seem to be enough research and interest around all of its physical, mechanical or aesthetic properties. And yet it is a material with infinite, extraordinary potential. Apart from its life-supporting qualities, salt is affordable, easily available, antibacterial, resistant to fire, can store humidity and heat, and is great at reflecting and diffusing light.
URB to develop the world's largest agritourism destination in Dubai, providing food security and to foster sustainability of the local communities, heritage, and cultural landscapes. In line with the city's ambition of making its rural areas restorative land facilities, "Agri Hub" targets to create 10,000 new jobs across various sectors, including a new agricultural research institute and a public farm for educational and retail purposes.
From smartphones to space rockets and self-driving cars, the power of technology in this modern digital era is enormous (and practically limitless). It has impacted every aspect of our lives and will continue to open up endless possibilities that today we cannot even begin to fathom. When applied in a socially and environmentally responsible way, technology has the power to enhance productivity, communication and sustainability, enabling global communities to function efficiently, addressing people’s everyday needs and improving their quality of life. Simply put, good technology serves humanity. And just as the healthcare or manufacturing industries have taken advantage of this, the architecture, design and construction world cannot fall behind.
A new urban tech district is planned for the Creekside of Al Jaddaf area in Dubai. Developed by URB, the district aims to generate over four thousand jobs in urban technologies, education, and training, while also welcoming entrepreneurs to encourage a collaborative tech ecosystem. The district will provide facilities for training, research, conferences, business incubations, shared-desk spaces, and dedicated offices. It will also be home to an urban tech institute, which hopes to drive innovation by investing in applied research and by enabling public-private partnerships.
Since the 1980’s, 3D-printing has offered new ways of developing architecture, engineering, and objects of daily use. When it comes to digitizing analogue processes, it is vital for users to become familiar with current tech innovations and their benefits. HIVE Project reshapes the art and craft of building in clay by combining traditional ceramics, smart geometry, and robotic precision to construct a masonry wall composed of one hundred seventy-five unique 3D-printed clay bricks.
Fungi are almost everywhere - in the air you breathe, the soil you walk on, we eat them and yes, they do also live inside of us.
Standing at 78 meters tall, the Museum of the Future (MOTF) is far from reaching Dubai’s famous skyline, which features skyscrapers like the unparalleled Burj Khalifa – the world’s tallest tower. However, with its bold shape and striking façade illuminated by more than 14,000 meters of Arabic calligraphy, it certainly succeeds in taking its place among the city’s most iconic buildings. The award-winning project by Killa Design and Buro Happold, described by many as ‘the most beautiful building in the world’, opened in February of 2022 in Dubai’s Financial District. In a total built up area of 30,000 sqm, it accommodates exhibition spaces for innovative ideologies, services, and products, as well as theater spaces, a laboratory, and a research center.
After water, concrete is the second most-consumed material on the planet and its production is substantially growing, expected to increase from 4.4 billion tons, reaching production up to 5.5 billion tons by 2050. Unfortunately, this comes at a huge environmental cost, accounting for almost eight percent of the global carbon emissions. With this estimated expected growth, stakeholders in the construction industry must work on integrating sustainable building materials and innovative processes.
Digital spaces and fabrication technology have become as prominent as ever within the current state of our post-pandemic society, becoming increasingly more accessible and enabling quick and spontaneous acts of iteration and evolution. These technologies have resulted in the ability to mass-produce non-standard, highly differentiated building components within the same facility as their standardized counterpart, transforming how buildings and their respective components are conceived, designed, and represented, and how they are manufactured, assembled, and produced.
The beauty of digital fabrication is its ability to blend aspects of mass and artisanal production to the point where costs nearly disappear. Technology’s capacity to fabricate so simply and almost seamlessly raise the issues for its potential to significantly alter our current perception of architecture, thus producing the question: has the influence of mass production in architecture resulted in a loss of intentional design?
'Innovation' and 'design thinking' could possibly be two of the most extensively-used phrases both online and offline during the past decade. To respond to the global need of "changing the status quo", established companies, start-ups, and even universities have used this framework to generate novel ways of solving problems and create new products, taking into account their desirability, feasibility, and viability. And with that, a new archetype was conceived: the design thinker, someone who has the creative toolkit to generate something disruptive. So what is the meaning behind design thinking and what is its relationship with architecture?
.jpg?1643423986 "Villa Savoye, Le Corbusier, 1929. Image © Flickr User: End User")
.jpg?1643425181 "Villa Savoye, Le Corbusier, 1929. Image © Flickr User: End User")
_V%C3%ADctor_Pati%C3%B1o_George.jpg?1643424298 "Villa Stein, Le Corbusier, 1927. Image © Víctor Patiño George")
