Temporal Shift by Sahar Coston Hardy. Image Courtesy of Grace Farms
Design for Freedom, an initiative launched by Grace Farms Foundation, has released an updated International Guidance & Toolkit designed to help architects and construction professionals source building materials ethically and avoid products linked to forced labor. The comprehensive online resource addresses the critical issue of forced labor within global supply chains, offering practical tools and strategies for implementation. The toolkit provides detailed information on twelve high-risk materials commonly used in construction, including glass, concrete, steel, timber, and bricks, highlighting the often inhumane conditions under which they are extracted and produced. The release of the guide coincides with Human Rights Day, further highlighting the urgency and global importance of addressing forced labor in the construction industry.
Buildings are deeply interconnected with their surroundings—the climate, culture, landscape, and the lives of their occupants. For Dorte Mandrup, a renowned Danish architect, context is more than a mere consideration; it is the driving force behind her designs. Her work demonstrates a profound curiosity about the people who will inhabit her buildings and the unique stories embedded within each site. Her buildings aren't just structures; they're thoughtful responses to their surroundings, without aiming to disappear within them.
Dorte Mandrup is featured, alongside Tosin Oshinowo, in the second installment of the documentary Women in Architecture, released November 12, 2024. Produced by Sky-Frame in collaboration with ArchDaily and directed by Boris Noir, the film builds upon the first episode, which highlighted Toshiko Mori, Gabriela Carrillo, and Johanna Meyer-Grohbrügge, offering a continued exploration of diverse perspectives within architecture.
Iceland presents the Lavaforming at its National Pavilion for the 19th International Architecture Exhibition – La Biennale di Venezia. Led by architect Arnhildur Pálmadóttir, founder of s.ap architects, the pavilion is commissioned by Halla Helgadóttir, Iceland Design and Architecture. Lavaforming envisions a provocative and speculative future in which the elemental force of lava is no longer seen solely as a natural hazard but instead embraced as a generative, architectural medium. By harnessing and directing controlled lava flows, the project explores the potential of molten rock to shape urban environments, transforming destruction into construction. Through a series of physical experiments and research-driven installations, Lavaforming demonstrates how this often-feared geological phenomenon could become a renewable and expressive material in the creation of future cities.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design discuss the Design-Build model of home construction. They cover the definition of the Design-Build model; lack of licensed architects in Design-Build companies; efficiency and economy; quality of construction; how costs are lowered; lack of transparency; who should / shouldn't engage with Design-Build companies; and more.
https://www.archdaily.com/1022287/the-second-studio-podcast-the-problem-s-with-design-buildThe Second Studio Podcast
Polycarbonate, commonly used in roofing and industrial cladding, has gone beyond its initial applications to become a material widely used across various architectural typologies. Its combination of strength, lightness, easy installation, and ability to allow natural light to pass through has made it an attractive option for residential,educational, and even cultural architecture projects. In homes, polycarbonate not only helps create bright and comfortable environments but also allows for creative use of translucency to generate private spaces without sacrificing visual connection to the outdoors.
Two primary building approaches are commonly identified in architecture and design: solid versus hollow construction. These methods vary significantly across different cultures and regions, specifically for interior partitioning systems, when they appear interchangeable. Each has its own established practices influenced by local materials, labor preferences, climatic conditions, and cultural traditions. When architects and designers focus on their local context, it is easy to overlook the broader construction assumptions, limiting design flexibility and methodology. This raises an important question: How do these two building approaches differ?
Focusing mainly on interior systems, the distinctions between solid and hollow construction largely stem from the availability of materials and workforce preferences. For example, in the United States and Japan, stud walls, both wood and metal, are frequently used for partitioning. Conversely, brick remains the predominant material for partition walls in regions such as Hong Kong and southern China. Why do we build differently, and what are the benefits and challenges of each building methodology?
Architects Belinda Tato and Jose Luis Vallejo of Ecosistema Urbano have designed a plug-in public space designed to address the effects of climate change in ill-equipped urban environments. Titled Polinature, the installation has been funded by the Salata Institute for Climate and Sustainability at Harvard, and is now installed in the backyard of the Harvard Center for Green Buildings and Cities. The pavilion, featuring native plans set into a scaffolding, with an inflatable bioclimatic canopy, aims to demonstrate how small-scale interventions can create compound positive effects for the local micro-climate and biodiversity.
Ephemeral architectures, characterized by their temporary and flexible nature, have emerged as powerful tools for revitalizing urban spaces and fostering architectural creativity. These transient installations transform public areas, engaging communities, and prompting reflections on the potential futures of our cities. By temporarily transforming environments, ephemeral architectures encourage both architects and the public to reimagine the possibilities of urban living. This dynamic interplay, between the temporary and the permanent, challenges traditional architectural practices and opens up new avenues for sustainable and inclusive urban development.
For decades, the construction industry followed a familiar rhythm: design came first, materials followed. The pressing need for sustainable buildings has shattered this routine. Material selection is no longer an afterthought, but a critical decision made at the outset, with the potential to dramatically reduce a project's environmental footprint. This shift is even more crucial given the construction industry's appetite for raw materials – a staggering 3 billion tons extracted annually. To navigate this new landscape, digital material libraries and data-driven evaluation are emerging as powerful tools, creating a culture where materiality takes center stage to shape a more sustainable built environment.
Listed buildings are important architectural testaments to a society's rich and diverse history. Formally recognizing these buildings protects their significant architectural elements from alterations and demolitions while creating socio-economic avenues to aid their conservation. However, these buildings also run at risk of being alienated from new materials and modern building systems that allow them to function optimally today.
Integrating new materials and building services without interfering with the building’s original character is a unique design challenge. Whether adding new materials during structural renovations or integrating modern fire protection systems, there is a need for sensitivity and balance. This applies to various elements of listed buildings, including walls, floors, roofing, and façades, ensuring they are future-proofed for an extended lifespan.
Courtesy of SCHOOL OF ARCHITECTURE AND URBAN PLANNING, NANJING UNIVERSITY
Reading a book is commonly seen as an individual activity, yet libraries have evolved to offer more than just book-lending services in the digital age. Public libraries have transformed into contemporary community centers, offering various social engagement opportunities while utilizing minimal urban space. Emphasizing the importance of building a sense of community, these institutions prioritize connecting individuals with common interests.
Leah Wulfman Poster Image. Image Courtesy of Architectural League Prize for Young Architects + Designers
The Architectural League Prize for Young Architects + Designers is an annual portfolio competition for early-career practitioners in North America. Established in 1981, the competition is entered around a yearly theme. This year, the 2024 Young Architects + Designers Committee proposed the theme “Dirty,” prompting designers to “look beyond their presentations of professionalism, respectability, and expertise” and reject the sanitized ways of working.
The original work of the six winners of the 2024 League Prize for Young Architects + Designers is now on view in an online exhibition. The installations created for this occasion showcase the wide variety of responses and interpretations of the overarching theme. The projects presented online and in some instances also locally on-site, challenge traditional architectural practices and offer an immersive introduction to the works of the winners. In addition to the installations, a diverse program of lectures has been scheduled to develop the theme further.
The Lindau Art Museum is hosting an exhibition titled “Christo and Jeanne-Claude - A Lifelong Journey.” Running from April 13th to October 13th, 2024, this display marks the first comprehensive museum exhibition on Christo and Jeanne-Claude in southern Germany, created in collaboration with the Christo and Janne-Claude Foundation. Featuring artistic drawings, detailed collages, early objects, and photographs, the exhibition documents the lifelong journey that led the artists to their famous large-scale temporary projects.
When he was invited to design the 21st Serpentine Pavilion in London’s Kensington Gardens public park, Chicago-based artist Theaster Gates envisioned a calm space to offer respite and a subtle exploration into the power of sound and music in architecture. Created out of lightweight stained wood, the “Black Chapel” demonstrates more than just artistic and architectural sensibilities. In addition to the use of sustainable materials, the project also pays close attention to how the building materials are sourced, bringing visibility to the problem of modern slavery in the construction materials supply chain.
On May 4, 2024, cultural center Grace Farms opened a new long-term exhibition that aims to shed light on the inner workings of the building industry, offering insights into the methods of producing and distributing building materials, as well as the pervasive practices of forced labor happening in the materials supply chain worldwide. The exhibition also presents the work of “Design for Freedom,” a collaborative global movement launched in 2020 at Grace Farms. The initiative aims to change architecture by raising awareness of these issues and helping disrupt forced labor in the construction industry. Titled “With Every Fiber,” the exhibit is free to visit both at its physical location in New Canaan, Connecticut, and online as a virtual exhibition.
Ever since the Industrial Revolution and the introduction of mass production, the ownership and use of simple products and services like flush toilets with running water, electricity, heating, and cooling are seen as human rights in many areas of the world. With the majority of homes and residential projects being individually designed and built to order – therefore without the speed and cost advantages of mass production – an underperforming housing construction sector means many people – even in the world’s richest countries – are being denied one of the most basic human rights, having somewhere to call home.
The UNHCR (UN Refugee Agency) states that there were over 100 million forcibly displaced people worldwide in 2023 – a figure that has tripled over the last 10 years. For host countries, finding safe, sustainable housing solutions for those in need, both in the short- and the long-term, is an ongoing and dramatically worsening challenge.
Alero Olympio (1959-2005) was an architect and builder known for an intimately ecological approach to architecture. Born in Ghana, she divided her practice between Ghana and Scotland. She focused on work that prioritized people and was sincerely committed to social and environmental sustainability, prioritizing using locally sourced materials.
Her work legacy includes physical buildings like the Kokrobitey Institute, her advocacy for earthen constructions, research on sustainable forestry products, and so much more. However, a gap exists in the institutionalized archives of her work, leading to the current ongoing efforts to build a comprehensive archive of her contributions. The 2024 Womxn in Design and Architecture (WDA) annual conference organized by Princeton University School of Architecture made a significant contribution. It featured exhibitions, seminars, and panel discussions that reflected on Alero Olympio's legacy and examined the architectural insights her work continues to offer.
Historically, architecture has served as a canvas for artistic expression. Building elements have been adorned with relief-carved garlands, inscriptions, fresco murals, portrait busts, and classicizing figurative sculptures, all of which emphasize the unique and intentional nature of each component. However, the industrialization of the 19th century brought about a shift in ideals, that stripped architectural components of their decorative elements. Instead, it preferenced the search for beauty in standardization and the economic accessibility provided by mass-produced building elements.
But is there room for artistry within mass production? Can artists be involved in the industrial-making processes of building elements? And how can new technology facilitate artistic mass customization of building components? These questions prompt us to consider the potential for expression, communication, and reflection in the craft of building elements in both interior and exterior spaces.
