Bricks: The Latest Architecture and News

Manuel Herz has been chosen to design the expansion of the Tambacounda Hospital in rural Senegal, conceived and funded by the Josef and Anni Albers Foundation and American Friends of Le Korsa.

The extension is viewed as an urgent project to address overcrowding in the vital facility, with the demands of 20,000 annual patients resulting in hot, overcrowded communal spaces, and children sharing beds in wards. The Foundation described Manuel Herz as the “unanimous choice” with an approach showing “a mix of visual flair, practical understanding, and profound humanitarianism.”

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French designer, Nathanaël Abeille's metalized pieces in 'Proyecto Reflexión' shows how a building could reflect sunlight and share it with another building in some of the narrow spaces of Villa 21 de Barracas, Buenos Aires. These "metal bricks" came about as a combined team effort with architects Francisco Ribero and journalist Cecilia Fortunato.

Review the full project after the break.

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This week we present a selection of the best images of brick houses published on our site. These 11 Mexican projects reveal the diversity of expression that architects in the country have achieved through creative arrangements of the brick modules. read on for a selection of images from prominent photographers such as Carlos Berdejo Mandujano, Onnis Luque, and Patrick Lopez.

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Danish firm Schmidt Hammer Lassen Architects has been selected to design the redevelopment of Kimmel Quarter, a historic district in the heart of the Latvian capital of Riga, after an international competition. The 19th-century Kimmel Brewery complex, now mostly abandoned, will be transformed into a mixed-use center featuring a new office building, hotel, and an array of public facilities. Schmidt Hammer Lassen was one of eleven participants, with firms such as Henning Larsen and Zaha Hadid invited to the open competition.

The proposal for the 120,000-square-foot (11,500-square-meter) district manifests as a vibrant, public-orientated program, including a gym, child care center, café, food court, and spa. A series of courtyards and plazas are laced throughout the scheme, connecting old and new in a “timeless, classic appearance that is also uniquely contemporary.” The design took 2nd place in a competition in which no first place winner was selected, as the jury felt that no entry fully met the competition criteria. As the highest-placing entry, the competition organizers have committed to begin negotiations with Schmidt Hammer Lassen to refine the design.

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Gonzalo Viramonte has released a series of photographs that focus in on the use of bricks by engineer Eladio Dieste in his Atlántida Cristo Obrero church.

Viramonte shows us the essence of the project with an artful register that places the serial yet simple material element (the brick) at the forefront. This gallery also celebrates the potential and versatility of bricks by highlighting the artfully geometric interior and exterior spaces and the apertures that allow natural light to cast upon the walls, floors, and other surfaces. 

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The mayor of Strasbourg, Roland Ries, has announced the winner of the architectural design competition for a residential tower. The site is located near the Rhine, within the ‘Strasbourg, Presqu’ile--Citadelle’ neighborhood -- dense with low-rises, not exceeding five levels. The winning design by KCAP Architects & Planners and OSLO Architectes is commended for its contextual sensitivity and formal relationship with Germany which sits just on the other side of the Rhine river.

Developed by researchers and students from the Faculty of Architecture at HKU and supported by Sino Group, the 'Ceramic Constellation Pavilion' is built on a wooden structure that supports a series of "walls" formed by about 2,000 clay bricks. Each of these individual components is unique and has been manufactured using robotic technology and 3D printing, allowing to generate different types of transparency and opacity in their different faces.

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Videos

A design by Ashari Architects for an architectural installation in Iran is a direct response to the need to reconnect with the senses. The project, a pavilion built from a cube that holds a suspended brick volume, shows the potential of the use of this material by creating distinct atmospheres.

The Brick Industry Association (BIA) has announced the winners of the 2017 Brick in Architecture Awards, given to “the country’s most visionary projects incorporating fired-clay brick.” This year, 35 projects from 19 states were selected as winners, with a best in-class project awarded across eight categories: Commercial, Educational (Higher Education), Educational (K-12), Renovation / Restoration, Municipal/Government, Residential (Multifamily), Residential (Single Family) and Paving & Landscape.

“The winners demonstrate brick’s aesthetic flexibility, and its integral role in any sustainable, low maintenance and durable building strategy,” said Ray Leonhard, BIA’s president and CEO.

See the Best and Class winners below.

The work of artist Alex Chinneck is grounded in architecture. From melting buildings to a slumping facade to a structure ripped in half and hovering, Chinneck’s work plays with the expectation of materials and tectonics, resulting in captivating mind-bending illusions. His latest work (and first permanent sculpture), Six Pins and Half a Dozen Needles, continues this exploration, taking the form of a large brick wall ripped down the center.

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VTN Architects has revealed plans for a new training complex for Vietnam’s largest mobile network operator located within a training center campus at Hoa Lac Hi-Tech Park, 30 km outside of the capital city of Hanoi. Currently under construction, the Viettel Academy Education Center has been designed as a “cooling microclimate” with short-term residential accommodation aimed at creating a quiet, peaceful space for the company’s new trainees to focus on their studies away from the distraction of the city.

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A design by C-re-a.i.d. for a Maasai village in northern Tanzania, is a morphological response to the imposed need to settle, using sustainable, local and accessible materials to redefine its construction culture.

The project is built by a series of earthbags and glass bottles that in addition to generating private and comfortable spaces, allow a quick and easy construction.

Videos

In a 12-day workshop, Building Trust International and Terraepaglia joined the Ciuffelli Agricultural Technical Institute in Todi, Italy, with the aim of exploring a series of construction techniques with raw soil. In addition to producing earth bricks and rammed earth structures -in collaboration with experts such as Eliana Baglioni and Pouya Khazaeli-, a curved wall was erected with a wooden structure and a cane framework, on which a massive layer of earth and straw was spread.

The activity generated a series of internal spaces as a kind of laboratory, to show the construction methods and the materials in situ.

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It can't be denied that architects love brick. The material is popular both for its warmth and for the diversity of expressions that can be achieved by applying it in a creative way—depending on the arrangement of individual bricks or the combination of bonds, it’s possible to arrive at a result that is both original and attractive. That ingenuity is what photographers like Hiroyuki Oki, Gustavo Sosa Pinilla, and François Brix, among others, have attempted to capture in their photographs. In these images, light is a key element of good composition, allowing the photographers to control the intensity of color and the contrast of masses and voids, as well as enhancing the incredible textures of the brick we love so much.

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In the heart of a suburb just east of London stands an incongruous red brick villa. With its pointed arched window frames and towering chimneys, the house was designed to appear  like a relic of the Middle Ages. In reality, its vintage dates to the 1860’s. This is Red House, the Arts and Crafts home of artist William Morris and his family. Built as a rebuttal to an increasingly industrialized age, Red House’s message has been both diminished by the passage of time and, over the course of the centuries, been cast in greater relief against its context.

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