Tel Aviv: The Latest Architecture and News
SFERA 2020: BIOURBANISM is an international conference on building better cities using knowledge about the natural world around us.
SFERA 2020: BIOURBANISM is a conference in Tel Aviv that will bring together international innovators – urbanists, biologists, architects, programmers and designers, – to discuss how we can build better cities using knowledge about the natural world around us.
Not only is Tel Aviv an urban gem, but the inspiration for its unique design comes from nature. A biologist by education, Patrick Geddes was a revolutionary urban planner who incorporated ideas from natural sciences in Tel Aviv’s tree-laden boulevards, countless public gardens, and
When members of the Bauhaus school fled Germany, many of these talented visionaries made their way to Tel Aviv. At the time, the city was in its fledgling stages and served as the ideal blank canvas for this idealistic concept. Today, the city boasts over 4,000 Bauhaus buildings and has earned distinction as a UNESCO World Cultural Heritage site. Last year, for the 100th anniversary of Bauhaus, the city opened the White City Center in partnership with the German government to actively promote the preservation of this iconic architectural style. The White City Center hosts exhibitions where visitors can learn more about this iconic style. The Bauhaus Center is also worth a visit and hosts weekly guided tours on Fridays for a small fee. For those who are planning a visit here’s our list of the top six must-see Bauhaus buildings in Tel Aviv.
Emporis has announced the results of its annual Emporis Skyscraper Award, recognizing the best new supertall buildings completed in the previous year. This year, the top prize was given to the Lotte World Tower in Seoul, South Korea, designed by Kohn Pedersen Fox Associates and Baum Architects. The tapered tower, South Korea’s tallest, also houses the world’s highest glass-bottomed observation deck, for architects who can handle the 1820-foot (555-meter) drop.
Kohn Pedersen Fox (KPF) has unveiled the design of their landmark Azrieli Tower in Tel Aviv. The 340-meter-tall elliptical building, Tel Aviv’s tallest, seeks to establish a dynamic new identity in a cluster of perfectly square, circular and triangular towers.
Designed in collaboration with MZA and Azrieli Group, the KPF scheme takes for the form of a spiraling scroll, with the outer layer of the spiral wrapping around an existing retail base. As the motif ascends, the façade wraps around the shaft of the new tower, narrowing to shape optimum office floorplates. At the top, the smaller floorplates will accommodate residential and hotel programs.
Penda has released images of its proposed high-rise residential tower in Tel Aviv, featuring brick arches and cascading terraces influenced by the city’s Bauhaus era and the materiality of its Old Town. The 380-foot-high (116-meter-high) scheme will house a range of one to four bedroom apartments, as well as double-height penthouses.
Thousands of people in Tel Aviv put together over 500,000 plastic building blocks to create the tallest LEGO structure in the world. The project was created in memory of 8-year-old Omer Sayag, who loved the toy blocks before he was taken by cancer in 2014.
The name Niemeyer stands for one thing above all: curves. Whether undulating lines, soaring domes, or swooping pillars that repeat in perfect rhythm, his designs reject “the straight line, hard and inflexible, created by man” in favor of “the curved Universe of Einstein,” as he wrote in his 2000 memoir The Curves of Time. Indeed, a late interview with him was headlined “the architect who eradicated the straight line.”
But what happens to an artist who becomes wedded to a certain philosophy of form and pursues it exclusively for decades; does it become restrictive? I wonder whether Niemeyer ever questioned his monogamous dedication to the curve. Perhaps a certain restlessness drove the uncharacteristically sharp-edged plan of the Tel Aviv house he designed for hotel magnate Yekutiel Federmann—or perhaps it reflects the political and personal upheaval of the moment.
With the completion of the citywide light-rail expected in 2020, connecting Tel Aviv’s city center to neighboring Ramat Gan, Ramat HaHayal, Bat Yam, Jaffa, and Givatayim brings a new wave of residential architecture to transform the skyline. The city of Tel Aviv boasts the highest land value in the Middle East, and with this new connectivity it is only projected to increase demand and value.
The city Tel Aviv is deemed a UNESCO World Heritage Site for its collection of over 4,000 Bauhaus and Eclectic Architecture-style builds. The original city plan was made in 1925 by Sir Patrick Geddes, and is about to witness a significant shift. To promote density, the “TAMA 38” policy gives developers the opportunity to add additional units and floors in exchange for updating the existing units and infrastructure.
The exhibition Social Construction: Modern Architecture in British Mandate Palestine, tracing the influence of international Modernism on the architectural vernacular that developed in Palestine during 1917–48, is on display at the Yale Architecture Gallery from August 31to November 18, 2017. Originally organized by the Israel Museum, in Jerusalem, the show draws inspiration from the extensive research of architects Ada Karmi-Melamede and Dan Price, whose accompanying book, Architecture in Palestine during the British Mandate, 1917–1948, explores not only the functional aspects of this new architecture but also the social values that shaped the defining language of this new architectural style. The original exhibition was curated and designed by Oren Sagiv, chief of exhibition design at the Israel Museum, with Eyal Rozen.