Cities in Southeastern Europe do not wait to be read. They accumulate, layer upon layer of socialist planning, post-socialist disruption, and the quieter, less legible work of citizens remaking space from the ground up. Here, space and legacy insist on their own terms. What happens to architectural research when the cities that we observe already seem to know something our discipline has not yet learned to see?
What if industrial leftovers weren't waste, but the start of architectural design? At Rieder's headquarters in Maishofen, Austria, over 1,300 cubic meters of timber, 180 ceiling elements, and hundreds of upcycled glassfiber-reinforced concrete fragments come together in a building shaped as much by reuse as by planning. The new production hall, designed by Kessler² Architecture, treats material leftovers as a design resource. Developed as part of a long-term investment in sustainable manufacturing, the timber-concrete hybrid building introduces a facade technique that inverts conventional architectural workflows: instead of designing first and producing components afterward, the building envelope is generated from the material remnants already available on site establishing a new language for industrial architecture.
As part of the CONTEMPORANEA programme, the House of Architecture of Rome promotes the Call for Proposal 2026, addressed to architects, planners, landscape architects and/or conservation specialists, and aimed at selecting a research project to be developed through the use of the space known as "Monitor P" at the Casa dell'Architettura of Rome for a three-month period, between April and June 2026.
What does it mean to practice ecological responsibility beyond performance metrics or carbon calculations? How can fabrication become a design method rather than a final outcome? Founded in Seoul, Yong Ju Lee Architecture is a practice led by architect and researcher Yong Ju Lee. Across installations, research-driven proposals, and cultural projects, the studio positions architecture as an experimental discipline rooted in making: a process in which design emerges from material behavior, prototyping, and fabrication logic as much as from drawing or representation. Bridging professional practice and academia, his work consistently expands the architectural toolkit through computational design, experimental material research, and an evolving commitment to ecology as a responsibility and a design driver. In 2025, the studio was selected as a winner of the ArchDaily Next Practices Awards.
In architecture, most practices revolve around delivering projects to clients. Offices are shaped by deadlines, budgets, and clear briefs. While this structure produces buildings, it rarely leaves space for architects to question broader issues — about how we live, how cities are changing, or what the future demands of design. But alongside this production-focused system, a quieter movement has emerged: studios, collectives, and foundations that prioritize research, experimentation, and reflection. These are the architecture think tanks — spaces designed not to build immediately, but to think first.
The idea of a think tank is not new. Traditionally found in politics, economics, or science, think tanks bring together experts to study complex problems and propose solutions. In architecture, their rise reveals a tension at the heart of the discipline. If architecture is to remain socially and environmentally relevant, can it continue to rely only on client-driven practice? Or must it carve out space for slower, deeper inquiry?
The Canadian Centre for Architecture (CCA) recently launched a new research project and institutional collaboration with M+ in Hong Kong titled How Modern: Biographies of Architecture in China 1949–1979. The project unfolds through an exhibition presented in the CCA's Main Galleries from 20 November 2025 to 5 April 2026, a series of commissioned films and oral history videos by artist Wang Tuo, online editorial content, public programming, and a companion book co-published by the CCA and M BOOKS. This collection of content seeks to reframe architectural histories of modernism in the first three decades of the People's Republic of China, revealing how design operated under shifting ideologies and socioeconomic pressures through the perspectives and experiences of architects, institutions, and residents. The project aligns with the CCA's ongoing interest in producing new readings of modern architecture across different sociopolitical contexts and geographical frameworks, including Architecture in Uniform: Designing and Building for the Second World War (2011) and Building a new New World: Amerikanizm in Russian Architecture (2020).
Snaptrude announced the launch of the Snaptrude Student Plan, a free offering that gives architecture students worldwide full access to Snaptrude's professional platform and intelligent AI workflows. The initiative reflects Snaptrude's commitment to strengthening architectural education and ensuring that emerging designers can build real-world skills while still in school. Full access to the professional platform and AI tools empowers students to design faster and build portfolio-ready work.
Historically, the first universities in the contemporary model were established in Europe to educate elites for the State and the Church, rather than to promote social emancipation. With the rise of capitalism, they became privileged centers for producing and reproducing modern Western culture. However, from the 1960s onward—particularly after the student uprisings of May 1968—the academic focus shifted toward market-oriented values, displacing humanist and critical ideals. The humanities lost prominence, while technical fields gained central importance, often at the expense of reflecting on the social impact of their work.
Harvard University Graduate School of Design (GSD) has announced Maura Marinelli, co-founder of franzosomarinelli, as the winner of the 2025 Wheelwright Prize. The annual $100,000 grant supports emerging architects in pursuing investigative research that addresses contemporary architectural challenges with a global perspective. Marinelli's winning proposal, "Topographies of Resistance: Architecture and the Survival of Cultures," explores how architecture can sustain and revitalize rural, mountainous regions that confront climate change, infrastructure limitations, and cultural erosion. His research aims to develop design strategies that promote autonomy, sustainability, and local identity by comparing contexts in the Alps, Andes, and Himalayas. Through fieldwork and analysis, the project seeks to propose architectural approaches that empower communities and challenge urban-centric perspectives.
Foundations established by architects have increasingly become involved in architectural education through scholarships, fellowships, and interdisciplinary academic programs. These initiatives often aim to support students, promote research, and facilitate broader engagement with architecture and the built environment. Some architect-initiated foundations, such as the Zaha Hadid Foundation, which recently launched the Zaha Hadid Scholars Program at the American University of Beirut, along with the Norman Foster Foundation and the SOM Foundation, have introduced educational programs connected to their missions. While these programs differ in structure and focus, they commonly seek to extend the legacies of their founders by addressing contemporary challenges in design education. Their activities range from localized scholarship offerings to global research collaborations, reflecting a diverse approach to nurturing emerging talent and advancing architectural discourse.
How many software tools and platforms are involved today in developing a contemporary project? From designing a single-family house to a public library, relying on just one or two programs is no longer common. Instead, multiple tools combine, overlap, and interact throughout various stages, including analysis, design, rendering, coordination, and construction. This widespread use of software in the virtual world reflects not only the technical complexity of today's practice but also a more subtle yet equally significant shift: software has become less a specific tool and more an environment that accompanies and even challenges the process.
Innovation comes in many shapes and forms. 2025 is poised to witness continued advancements in the areas of artificial intelligence, sustainability, and biotechnology. These breakthroughs often arise from experimentation in industries like technology and healthcare, where companies have strong research and development teams and significant budgets. This enables them to produce new products and services that address society's evolving needs.
In a world confronting complex challenges, innovation in architecture plays a distinctive role. Unlike industries driven by rapid innovation cycles, architecture must balance creativity with practical solutions that are deeply rooted in human experience. What will it take for the architecture industry to fully harness its potential in shaping the future of our built environment?
Maria Lisogorskaya and Kaye Song from the London-based collective Assemble, along with Lviv-based architects Anna Pomazanna and Mykhailo Shevchenko, have been announced as the 2025 Experimental Fellows at Bauhaus Earth. Selected from 120 submissions, their projects are set to explore earth as a material in contemporary architecture. The annual Bauhaus Earth Fellowship program was established in 2022 by architect Prof. Regine Leibinger. It aims to support diverse projects that explore new modes of practice across various geographies, that can contribute to ecological and social resilience. Fellows receive financial support, mentorship, and access to a network encouraging collaboration among architects, manufacturers, and local stakeholders.
The Arabian Peninsula represents one of the world's leading exporters and users of fossil fuels, an economic reality that influences the area's visions for the future and, implicitly, architecture and urban planning's role in these scenarios. A number of emerging offices are however countering these narratives, turning to contextual research to reframe the area's production of architecture. Among these, cultural practice Civil Architecture has become recognized for its provocative works that explore alternative narratives for the identity of the Middle East. While in Bahrain, ArchDaily's Christele Harrouk had the chance to sit down with Ali Karimi, who, together with Hamed Bukhamseen, co-founded Civil Architecture. In the video interview, they discuss the practice of architecture in the Gulf region and the narrative and research-focused approach of the office.
Can academic projects explore new directions and contribute to public discourse on global and local issues? The 2024 Politecnico di Torino Students Award aimed to address these questions, showcasing how architectural research, training, and experimentation can be integrated into a school curriculum.
Politecnico di Torino is ranked among the top 10 architecture schools in Europe (QS World University Rankings by Subject 2024 - Architecture and Built Environment). With over 3,000 students, the Department of Architecture and Design offers a Bachelor's degree in Architecture and three Master's programs—Architecture for Sustainability, Architecture Construction City, and Architecture for Heritage—all featuring dedicated English tracks. The Department offers also two Bachelor's and one Master's programmes in Design.
The Harvard Graduate School of Design (Harvard GSD) has announced the Class of 2025 Loeb Fellows. Ten practitioners and activists from around the world have been selected to join the Loeb Fellowship program to expand their careers and advance their programs and initiatives focused on equity, resilience, and collective action.
The ten selected practitioners are mid-career professionals coming from diverse backgrounds. Each one has been recognized for initiating practices that are transforming public spaces and urban infrastructures, addressing public health concerns and environmental injustices, as well as housing needs and efforts to preserve the cultural, natural, and architectural heritage of diverse regions from all continents.
The UIA World Congress of Architects 2023 is an invitation for architects from around the world to meet in Copenhagen July 2 – 6 to explore and communicate how architecture influences all 17 UN Sustainable Development Goals (SDGs). For more than two years, the Science Track and its international Scientific Committee have been analyzing the various ways in which architecture responds to the SDGs. The work has resulted in the formulation of six science panels: design for Climate Adaptation, design for Rethinking Resources, design for Resilient Communities, design for Health, design for Inclusivity, and design for Partnerships for Change. An international call for papers was sent out in 2022 and 296 of more than 750 submissions from 77 countries have been invited to present at the UIA World Congress of Architects 2023 in Copenhagen. ArchDaily is collaborating with the UIA to share articles pertaining to the six themes to prepare for the opening of the Congress.
In this third feature, we met with co-chairs of Design for Resilient Communities Anna Rubbo, Senior Researcher, Center for Sustainable Urban Development (CSUD), The Climate School, Columbia University, and Juan Du, Professor and Dean of the John H. Daniels Faculty of Architecture, Landscape and Design, University of Toronto.
The UIA World Congress of Architects 2023 is an invitation for architects from around the world to meet in Copenhagen July 2 – 6 to explore and communicate how architecture influences all 17 UN Sustainable Development Goals (SDGs). For more than two years, the Science Track and its international Scientific Committee have been analyzing the various ways in which architecture responds to the SDGs. The work has resulted in the formulation of six science panels: design for Climate Adaptation, design for Rethinking Resources, design for Resilient Communities, design for Health, design for Inclusivity, and design for Partnerships for Change. An international call for papers was sent out in 2022 and 296 of more than 750 submissions have been invited to present at the UIA World Congress of Architects 2023 in Copenhagen. ArchDaily is collaborating with the UIA to share articles pertaining to the six themes to prepare for the opening of the Congress.
In this first feature, we met with the Head of the Scientific Committee Mette Ramsgaard Thomsen, Professor and Head of the CITA (Centre for IT and Architecture), Royal Danish Academy of Fine Arts, School of Architecture, Design and Conservation who is also co-chairing the panel design for Rethinking Resources with Carlo Ratti, Professor and Director of the Senseable Lab, MIT, Founding Partner of CRA-Carlo Ratti Associati.
