The Office for Metropolitan Architecture (OMA) has launched a new website in an effort to make their work more accessible. A collaboration with Oslo-based Bengler and NODE, oma.eu "functions as an omnivorous sensor," says OMA, that "redefines the office’s digital presence and offers a tool for many different users." Check it out for yourself, here.
The world of architecture is small. So small in fact, that Rem Koolhaas has been credited with the creation of over forty practices worldwide, led by the likes of Zaha Hadid and Bjarke Ingels. Dubbed “Baby Rems” by Metropolis Magazine, this Koolhaas effect is hardly an isolated pattern, with manifestations far beyond the walls of OMA. The phenomenon has dominated the world of architecture, assisted by the prevalence and increasing necessity of internships for burgeoning architects.
In a recent article for Curbed, Patrick Sisson dug into the storied history of internships to uncover some unexpected connections between the world's most prolific architects. With the help of Sisson's list, we've compiled a record of the humble beginnings of the household names of architecture. Where did Frank Gehry get his start? Find out after the break.
New York developer Related Companies has reportedly commissioned OMA to design their newest High Line project on West 18th Street. The Rotterdam-based practice is the latest to join a list of internationally acclaimed architects who will be leaving their mark on the elevated Manhattan parkway, including Zaha Hadid who also was tapped by Related Companies to design an 11-story, luxury apartment project on 520 W. 28th Street. Few details have been released; the commission will be OMA’s first major project in New York City. They will be working on the project alongside practice’s comprehensive “Rebuild by Design” strategy for Hoboken.
On Sunday, Prada ditched the classic runway to kickoff their 2015 Fall/Winter menswear line in a “disorienting landscape” designed by OMA’s research counterpart AMO. The partitioned catwalk transformed an exiting room inside the Fondazione Prada at Via Fogazzaro 36 in Milan into an intimate series of interconnected spaces affectionately referred to as “The Infinite Palace.”
“The existing room is disguised into a classic enfilade of rooms, gradually changing proportions as in an abstract mannerist perspective. As opposed to a single stage, the new sequence of spaces multiplies and fragments the show into a series of intimate moments,” described AMO.
Alongside the launch of Faena Circle, an experimental collaboration between Faena Art in Miami Beach and its sister institution in Buenos Aires, comes new images of the OMA-designed Faena Forum. The new center for arts and culture planned for Miami Beach is designed to “catalyze experimentation within and across artistic disciplines and foster cross-cultural collaborations among artists throughout the Western Hemisphere.” A series of flexible spaces formed by interlocking cylindrical and cuboidal volumes will provide for a range of projects, commissions, performances and events.
UPDATE: OMA has released new images of the Norra Tornen project (previously named “Tors Torn”), as the close-to 300 apartments planned for the residential towers have been put on the market. The ground-breaking of the Stockholm towers is currently set for May 2015.
OMA has won the design competition for Tors Torn in Stockholm, beating out four competing practices for the opportunity to build the third tallest twin skyscrapers in Sweden.
Existing urban guidelines call for a gateway to the new Hagastaden area of Stockholm, and OMA’s proposal accommodates a mixed-use program with a set of “rough-skinned” towers. The protrusions and inversions at different heights produce an alternating pattern of indoor living spaces and protruding outdoor spaces. OMA explains that their design “challenges the expected uniformity and homogenous façade treatment that is often assigned to tower structures. Instead, it extends the skin to expose the individuality of the separate living units in the two blocks - a true vertical, urban agglomeration."
More on OMA’s winning proposal after the break…
Resiliency has become a keyword when it comes to city planning and development, so much so that former AIA president, Clark Manus, declared last year that “resilience is the new Green.” To address resiliency on a global level and help cities around the world become more resilient to social, economic and physical challenges, The Rockefeller Foundation kicked off its 100 Resilient Cities Challenge in 2013. Under the initiative,100 cities will be selected to be part of the challenge, where they will receive help and funding to hire a Chief Resilience Officer and assistance in developing and implementing a resilience strategy.
So far 33 cities have been selected and last week the first-ever Chief Resilience Officer summit was held in New Orleans. To learn more about the summit in New Orleans, the overall initiative, and how cities can become more resilient, we spoke with President of 100 Resilient Cities, Michael Berkowitz, who said: "When you think about what makes a resilient city, you have to think in holistic terms. The reality is that resilience building is a multi-sector, multi-level kind of enterprise."
Read the full interview with Berkowitz after the break
The New York chapter of the American Institute of Architects (AIA) has awarded its 2014 Community Development Award to the Rebuild by Design competition organized by President Obama's Hurricane Sandy Rebuilding Task Force. The results of the competition were announced in June this year, with six schemes, including proposals by BIG and OMA awarded a total of $920 million to repair the damage caused by Hurricane Sandy and improve the resilience of the coastline in the region.
More on the award after the break
.jpg?1412498083)
In “Elements,” an exhibition and accompanying book for the 2014 Venice Architecture Biennale, Rem Koolhaas seeks to explore the omnipresent components of buildings that have never been intentionally articulated by architectural theory. Breaking down the history of architecture into its fundamental components, the text is divided into 15 volumes and functions as “a technophilic treatise on the state of architectural thinking in the twenty-first century.” Despite providing lessons in architectural history, does the book deliver a compelling synthesis of all its parts? In his full review of the book for Metropolis Magazine, Samuel Medina argues that Koolhaas "fails to unpack the language of his argument," resulting in a book that is "ambitious, overreaching, maddening" - much like the exhibition itself. Read the full review here.
Building on the model set forth by Rebuild by Design, the U.S. Department of Housing and Urban Development (HUD) and Rockefeller Foundation have announced a $1 billion National Disaster Resilience Competition. The two-phase competition invites communities affected by natural disasters to compete for funds that will help them recover from prior disasters and improve their ability to withstand future threats. See if your community complies with the competition rules here.
OMA has announced the addition of four new equity partners, all promoted from Associate level, to take its total number of partners to ten. The move is a reflection of OMA's increasing workload in both architectural projects, and also the increasing involvement of AMO, the company's research offshoot. With two of the new partners based in their overseas offices, it also represents a move to strengthen their work in markets outside of their European base. Read on after the break for details of all four new partners.
The Rockefeller Foundation has kicked off its 2014 100 Resilient Cities Challenge, which aims to help “build resilience to the social, economic, and physical challenges that cities face in an increasingly urbanized world.” Each of the 100 cities selected will receive funding to hire a Chief Resilience Officer and assistance in developing and implementing a resilience strategy.
“We can't predict the next disruption or catastrophe. But we can control how we respond to these challenges. We can adapt to the shocks and stresses of our world and transform them into opportunities for growth,” the 100 Resilient Cities' site reads. While shocks include events like earthquakes, fires and floods, stresses include high unemployment, inefficient public transportation, endemic violence or chronic food and water shortages. The Challenge aims to help cities be better prepared for these adverse events and better able to deliver basic services in both good and bad times to all members of the population.
Learn more about the Challenge after the break…
OMA's Taipei Performing Arts Center (TPAC) has topped out in a ceremony including Taipei’s mayor Hau Lung-pin, and OMA's Partners in charge of the project, Rem Koolhaas and David Gianotten. Even in its current skeletal state, the rigidly geometric form is clearly expressed with it's central cube supporting three protruding auditoriums, two cubic and one spherical. The design of the TPAC is in many ways experimental, incorporating a looped public path which shows off the building's backstage areas, and flexible auditoriums which can even be combined, offering extraordinary stage spaces that allow performances which would be impossible in any other theater.
Ahead of the topping out ceremony we spoke to partner in charge David Gianotten, who explained the building's design concepts and the challenges (or rather, surprising lack of challenges) in the construction, and told us "you will only understand it when you have seen it. It's super exciting, we encourage everybody that loves architecture to come and see it because it's spectacular."
Read on after the break for the full interview
Following the controversial decision to scrap plans by OMA earlier this year, Miami Beach officials have selected Arquitectonica for the redesign of the Miami Beach Convention Center. In a significant scaling-down of OMA's $1 billion masterplan, the new scheme calls for the existing center to be kept and renovated to 'Class A' standards, along with the addition of a new ballroom, meeting space and rooftop parking. The center's existing parking lot will be converted into a 6.5 acre public park, designed by landscape firm West 8.
More on the Convention Center Controversy after the break
Though the professional practice of architecture can be broadly defined, we often just focus on the design work in relation to the completed building, leaving behind other areas in which architects find more opportunities. In this infographic created by OMA in preparation for the Monditalia exhibition at the Venice Biennale, we see how the professional activities are distributed among these sub-areas such as planning, landscape design, interior design and feasibility studies--a relationship which can also allow us to extrapolate the outcomes and products that emerge from these countries.
Click the infographic to get a closer look and browse the projects we've published from the represented countries:
OMA has unveiled its latest design project to blend the worlds of fashion and architecture: the refurbishment of a late 19th century industrial building for French high-end retail group Galeries Lafayette’s Fondation d’Entreprise, in Paris.
OMA is no stranger to the world of fashion, having collaborated on bold catwalk designs for Prada over the last decade as well as the renovation of a 16th century palazzo in Venice for Benetton. For Galeries Lafayette, a five-story, U-shaped, courtyard building built in 1891 will be transformed into a space for exhibitions and production. Located in Le Marais, one of Paris’ oldest neighborhoods, the architecture is protected under a heritage preservation plan. The building is to be fully preserved, cleaned and restored, and OMA’s design also includes the construction of a new exhibition tower for the courtyard. The tower will contain two sets of mobile platforms that can be split into four independent platforms, adding additional space and flexibility.
See photos and read a project description from OMA after the break.
Yesterday, US Housing and Urban Development (HUD) Secretary Shaun Donovan announced OMA, BIG and four other teams as the winner of "Rebuild by Design", a competition aimed at rebuilding areas affected by Hurricane Sandy focusing on resilience, sustainability and and livability.
In total, HUD have allocated $920 million to the six projects in New York, New Jersey and Long Island to enable the completion of this vision.
Read more about the winning schemes after the break
Today marks the fifth anniversary of the opening of OMA’s Prada Transformer. This fantastical temporary structure, erected in 2009 adjacent to Gyeonghui Palace in Seoul, Korea, is one of Rem Koolhaas’ most popular projects to date. Composed of a stark white membrane stretched across four steel frame shapes, The Transformer was often referred to as an "anti-blob" --a hexagon, a rectangle, a cross, and a circle leaning against each other to create a tetrahedron-like object reminiscent of a circus tent. The name Transformer came from the idea that any one of the pavilion's sides could serve as the building's floor, allowing for four unique spaces in one building devoted to exhibitions of modern art, fashion and design.
The Prada Transformer played host to four such events, being lifted up and repositioned onto a different face each time via crane. The first was a garment exhibition, displayed using the hexagonal floor plan. The second, a film festival that took place on the rectangular floor plan. A fashion show was staged using the Transformer's circular floor plan, and an art installation was shown using the cruciform floor plan. As patron Miuccia Prada stated in an interview with The New York Times, “In my mind they [the arts] may be mixed but I want to keep them separate… So the Transformer concept was not for a generic space, but to be very specific, with all things separate in one building.”
We asked OMA's Vincent McIlduff to tell us more about this project. See his answers, a photo gallery and a time-lapse video of the transformation after the break!
