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Round-Up: The Serpentine Pavilion Through the Years

10:30 - 28 June, 2016
Round-Up: The Serpentine Pavilion Through the Years

Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. With this year’s edition featuring not just one pavilion but four additional “summer houses,” the program shows no sign of slowing down. Each of the previous sixteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 16th Pavilion this month, we take a look back at all the previous pavilions and their significance to the architecturally-minded public. 

Serpentine Pavilion 2013. Image © Neil MacWilliams Serpentine Pavilion 2000. Image © Hélène Binet Serpentine Pavilion 2006. Image © John Offenbach Serpentine Pavilion 2015. Image © © Iwan Baan +34

Between Generic Interventions and Architecture of Relations: A Journey Through Coastal Japan

04:00 - 28 June, 2016
Between Generic Interventions and Architecture of Relations: A Journey Through Coastal Japan, Tetra Pod / Omoe Miyako, Iwate Prefecture. Image © Max Creasy
Tetra Pod / Omoe Miyako, Iwate Prefecture. Image © Max Creasy

In this article, written by Christian Dimmer and illustrated with photographs by Max Creasy, the post-earthquake and tsunami coastal architectural landscape of the Japanese Prefectures of Aomori, Iwate and Miyagi are presented and studied.

Few disasters were as complex and their implications as hard to grasp as the compound calamity of earthquake, tsunami, nuclear meltdown that hit the North-East of Japan on March 11, 2011. While over 500 kilometers of coastline were devastated, the disaster unfolded in each of the hundreds of towns affected differently depending on local topographies, urban morphologies, existing landscape formations, collective memory of past disasters and preparedness, and the social ties within the communities.

Ritsumeikan University / Munemoto Lab + Shinsaku Munemoto Architects & Associates. Community and meeting space for adjacent temporary housing units, designed and built by Ritsumeikan University student volunteers and members of the local community. Image © Max Creasy N Village / Zai Shirakawa Architects. Otsuchicho Namiita Coast. Image © Max Creasy Interior: Ritsumeikan University Munemoto Lab  + Shinsaku Munemoto Architects & Associates. Image © Max Creasy Irony Stations, MotoYoshiChoo (Miyagi Prefecture) / Hirokazu Tohki, Shiga University. New, highly designed filling station that replaces a more simple facility. In addition, the building will function as a roadside market and community shop. Image © Max Creasy +19

MCHAP Announces Finalists for 2014/2015 Most Outstanding Project in the Americas

22:05 - 23 June, 2016
MCHAP Announces Finalists for 2014/2015 Most Outstanding Project in the Americas, Courtesy of MCHAP
Courtesy of MCHAP

Seven projects have been named finalists in the second edition of the biennial Mies Crown Hall Americas Prize (MCHAP). Selected from a pool of 175 nominees, the chosen buildings represent the best built works of architecture realized in the Americas from January 2014 to December 2015. The inaugaral award, which was given to the best project from 2000-2013, was shared by Álvaro Siza's Iberê Camargo Foundation and Herzog & de Meuron’s 1111 Lincoln Road.

Continue after the break for the list of finalists.

A Conversation with Toyo Ito, Kazuyo Sejima, Sou Fujimoto, Akihisa Hirata and Junya Ishigami

16:00 - 2 March, 2016
A Conversation with Toyo Ito, Kazuyo Sejima, Sou Fujimoto, Akihisa Hirata and Junya Ishigami

Columbia University Graduate School of Architecture, Planning and Preservation (GSAPP) hosts a conversation among five of the most influential contemporary Japanese architects: Toyo Ito, Kazuyo Sejima, Sou Fujimoto, Akihisa Hirata and Junya Ishigami. Moderated by Columbia GSAPP professors Jeffrey Inaba and Kenneth Frampton, the conversation aims to explore the relationships and creative exchanges among this prominent group of architects and designers.

AR Shortlists 15 for Women in Architecture Awards

12:53 - 10 February, 2016
AR Shortlists 15 for Women in Architecture Awards, © ArchDaily
© ArchDaily

The Architectural Review (AR) has unveiled the candidates for its 2016 Woman Architect of the Year and the Moira Gemmill Prize for Emerging Architecture awards. Tatiana Bilbao, Jeanne Gang, Kazuyo Sejima and Charlotte Skene Catling are all being considered as the woman of the year for their impact and ability to inspire change within the profession. 

Eleven women are being considered for the Moira Gemmill Prize for Emerging Architecture prize for their "use of innovative architecture to effect positive social change." Read on to see them all. 

Watch SANAA's Grace Farms Come to Life in this Time Lapse

12:00 - 7 February, 2016

Grace Farms by SANAA perfectly illustrates the firm’s sinuous, elegant style, combining their understanding of glass and structure to create spaces so fluid that they’re hard to believe from just a photo. A new time lapse by Work Zone Cam shows the construction of this project in HD, capturing a period between September 2013 and October 2015. Work Zone Cam worked with Project Manager, Paratus Group, to document Grace Farms’ construction, including its central piece “The River”: a ribbon-like roof that blends seamlessly with the landscape. Watch the entire construction of the project in just 180 seconds after the break.

Gallery: SANAA's Grace Farms Through the Lens of Songkai Liu

16:00 - 11 December, 2015
Gallery: SANAA's Grace Farms Through the Lens of Songkai Liu, © Songkai Liu
© Songkai Liu

Columbia University student and architectural photographer Songkai Liu has shared images with us from his recent trip to Grace Farms in New Canaan, Connecticut. The 80-acre non-profit farm, landscaped by OLIN, boasts a newly completed multipurpose pavilion designed by SANAA that provides a non-intrusive space for community events, services and worship.

"SANAA’s goal was to make the architecture of the River become part of the landscape without drawing attention to itself, or even feeling like a building, with the hope that those who are on the property will have a greater enjoyment of the beautiful environment and changing seasons through the spaces and experience created by the River," described the architect.

© Songkai Liu © Songkai Liu © Songkai Liu © Songkai Liu +21

SANAA Selected to Design Hungary’s New National Gallery – Ludwig Museum

09:44 - 27 November, 2015
SANAA Selected to Design Hungary’s New National Gallery – Ludwig Museum , © SANAA
© SANAA

After having tied with Snøhetta in a restricted competition to design the New National Gallery -- Ludwig Museum in Budapest, SANAA’s proposal has ultimately been selected as the winner, following negotiations held over the past few months. The gallery and museum will be located in the 200-year-old Városliget (City Park) and are part of the larger Liget Budapest project, which seeks to revive the park by 2018 with the addition of five new museum buildings, including Sou Fujimoto’s House of Hungarian Music.  

BIG, SANAA and Lacaton & Vassal Preselected in Competition to Design the New Aarhus School of Architecture

16:00 - 18 November, 2015
BIG, SANAA and Lacaton & Vassal Preselected in Competition to Design the New Aarhus School of Architecture, The current Aarhus School of Architecture. Image Courtesy of Aarhus School of Architecture
The current Aarhus School of Architecture. Image Courtesy of Aarhus School of Architecture

After receiving applications from 42 teams to pre-qualify for participation in a competition to design the new Aarhus School of Architecture in Denmark, three teams have been selected: Lacaton & Vassal, along with Powerhouse and Kristine Jensens Tegnestue; SANAA, along with B+G Ingenieure and Sasaki and Partners; and BIG along with Transform, Rambøll and SLA.

Gallery: SANAA's Grace Farms aka "The River" Photographed by Paul Clemence

14:00 - 15 October, 2015
Gallery: SANAA's Grace Farms aka "The River" Photographed by Paul Clemence, © Paul Clemence from ARCHI-PHOTO
© Paul Clemence from ARCHI-PHOTO

Photographer Paul Clemence of ARCHI-PHOTO has shared with us images of SANAA's latest completed work, Grace Farms in New Canaan, Connecticut. Known as "The River" for the way it flows through the site across a level change of almost 44 feet (13.4 meters), the building was conceived to "become part of the landscape without drawing attention to itself, or even feeling like a building" in order to give visitors a greater appreciation of the surrounding natural space that will be preserved by the Grace Farms Foundation. The building itself, meanwhile, will be made available to Grace Community Church and other nonprofit and community groups for a wide range of community and cultural events. Read on for Paul Clemence's full photoset.

© Paul Clemence from ARCHI-PHOTO © Paul Clemence from ARCHI-PHOTO © Paul Clemence from ARCHI-PHOTO © Paul Clemence from ARCHI-PHOTO +32

The Berlage Archive: Kazuyo Sejima (2002)

06:00 - 20 July, 2015

Easy to overlook behind Kazuyo Sejima’s celebrated control of spatial and material effect is her emphasis on program and its role in the ratiocinated process of form-finding. In this 2002 lecture on her “Recent Work,” Sejima delves into the methodology that informs her work, beginning with two ongoing (and since-heralded) projects: the Theatre and Art Centre at Almere and the 21st Century Museum of Contemporary Art at Kanazawa.

In both of these projects, Sejima ruminates on the intrigue of the microunit, the autonomously coherent spatial cogs that accumulate to participate in the purposeful machine. First within the irregularly-intervaled grid of the Theatre (as studios and staging areas), and second within the cytoplasmic circumscription of the Kanazawa Museum (as exhibitions), individual programmatic components with discreet performative roles seem to float, untethered to each other, in voluminous seas of circulatory space. By segregating elemental blocks within these projects, Sejima exaggerates their apparent autonomies in order to paradoxically draw attention to their spatial interconnectedness.

Kengo Kuma, SANAA and Nikken Design New Shibuya Skyscraper

12:24 - 10 July, 2015
Kengo Kuma, SANAA and Nikken Design New Shibuya Skyscraper, © Tokyu Corporation
© Tokyu Corporation

Tokyu Corporation has unveiled a new skyscraper planned will rise adjacent to Tokyo's Shibuya Station. A collaborative design by Japanese firms Kengo KumaSANAA and Nikken, the 230-meter mixed use tower will feature an unprecedented, 3,000-square-meter public sky deck that promises "views of Mt. Fuji" (on a clear day).  

The Shibuya tower is planned to open in 2019, a year before the Tokyo Olympics.

Video: Louvre-Lens / SANAA

16:00 - 9 July, 2015

French architect and filmmaker Vincent Hecht has released the latest in his Japanese Collection series, this time featuring the SANAA-designed Louvre-Lens Museum. A sister gallery of the Musée du Louvre, the Louvre-Lens is a 360-meter-long, steel and glass museum built on a 20-hectare abandoned coal mine. 

1 Minute Series: Exploring 4 of Europe's Most Iconic Sensory Spaces

09:00 - 21 April, 2015
1 Minute Series: Exploring 4 of Europe's Most Iconic Sensory Spaces

Fernando Schapochnik’s 1 minute series – a set of four videos of iconic buildings in Europe – aims to create a sensory interaction with the spaces. Filmed using only a cellphone, the videos rely on textures, sounds, rhythms and varying speeds to narrate the viewer's relationship with the spaces, letting the senses guide the experience. Journey through Le Corbusier’s Ronchamp, Antoni Gaudí’s Park Guell, SANAA’s Rolex Learning Center and OMA’s Kunsthal after the break. 

SANAA and Snøhetta Tie for Budapest's New National Gallery and Ludwig Museum

06:00 - 15 April, 2015
SANAA and Snøhetta Tie for Budapest's New National Gallery and Ludwig Museum, via inexhibit
via inexhibit

SANAA and Snøhetta have been jointly awarded first prize in a restricted competition to build a "New National Gallery - Ludwig Museum" in Budapest's 200-year-old Városliget (City Park). Lauded for their "equally outstanding" proposals, the winning teams will now meet with the jury to be judged "on professional and financial considerations." 

Nieto Sobejano Arquitectos and the joint proposal of Balázs Mihály's Architect Studio and the Faculty of Architecture of Budapest University of Technology and Economics were awarded second prize. 

The competition is part of a larger cultural project that aims to renew the city's Városliget by 2018 with five new museum buildings built inside the expanded park area.

A closer look at the winning schemes, after the break. 

Five Firms Selected for Final Stage of Sydney Art Gallery Expansion

00:00 - 19 January, 2015
Five Firms Selected for Final Stage of Sydney Art Gallery Expansion, Art Gallery of NSW. Image Courtesy of Flickr CC User Jason Starr
Art Gallery of NSW. Image Courtesy of Flickr CC User Jason Starr

Five practices have been selected to move on to the second stage of the Sydney Modern Project, a $450 million expansion of the Art Gallery of New South Wales (NSW). Of the twelve firms invited to participate in the competition, the five that will advance are: Kazuyo Sejima + Ryue Nishizawa / SANAA; Kengo Kuma & Associates; Kerry Hill Architects; RMA Architects (Rahul Mehrotra Architects); and Sean Godsell Architects.

SANAA's Plans For La Samaritaine in Paris Blocked Once Again

00:00 - 14 January, 2015
SANAA's Plans For La Samaritaine in Paris Blocked Once Again, Rendering (2011). Image © SANAA
Rendering (2011). Image © SANAA

An appeals court has revoked permission for SANAA's restoration of the landmark Art Deco La Samaritaine department store in . The plans, which would see a comprehensive overhaul of the 19th-century structure that finally shut its doors in 2005 following four decades in decline, would create an all-new shopping centre and luxury hotel as part of a 70,000m² mixed use development.

The project, commissioned by the LVMH conglomerate - which owns brands like Dom Pérignon, Givenchy, Louis Vuitton and BVLGARI - was halted because "the wavy, etched-glass facade proposed [SANAA] did not meet local planning requirements and was out of character with the surrounding buildings." It is understood that La Samaritaine will now appeal to the Council of State, France's highest administrative court. The city of Paris has mentioned in a separate statement that it would also support this latest appeal.

Japanese and Chilean Architects Collaborate to Design Houses for the Ochoalcubo Project

01:00 - 26 August, 2014
Japanese and Chilean Architects Collaborate to Design Houses for the Ochoalcubo Project, Kengo Kuma's proposal. Image Courtesy of Ochoalcubo
Kengo Kuma's proposal. Image Courtesy of Ochoalcubo

Ochoalcubo (Eight-Cubed) is a pioneering project in Chile that seeks to unite leading Chilean and Japanese practices with ground-breaking architecture. The collaborative enterprise was started by Eduardo Godoy, a design impresario who began working in Chile in the 1980s and who has always been a strong advocate for innovative design and architecture in the country. For a nation that boasts more than forty individual schools of architecture, the ever growing number of professionals seems to have had a relatively small impact on Chilean cities. Faced with the seemingly infinite landscape of 'cookie-cutter housing' in the suburbs, Godoy implemented Ochoalcubo in order to provide opportunities for young professionals, alongside fostering a new kind of appreciation for the profession itself. With a large number of architects having taken part in the first stage, including Smiljan Radic (designer of the 2014 Serpentine Pavilion), the third and fourth stage of what is certainly one of the world's largest active architectural laboratories will be launched in the coming days.

See images from all sixteen proposals from third and fourth stages of the Ochoalcubo project, including those by SANAASou FujimotoKengo KumaAlejandro Aravena and Atelier Bow Wow, after the break.