As an update to last year’s post on WOHA‘s ‘Breathing Architecture’ exhibition, their work has seen great success in Frankfurt and Taichung. Now on its last leg, it will travel to Taipei and be on display from March 22-May 10 at the “Mobile Museum – SEED project”. Reminding us of bold visions of the future, in which plants reclaim nature for themselves, the architects realize the permeation of buildings and landscape, and of interiors and exteriors in projects. WOHA’s tropical architecture is permeable, leafy and interspersed with community spaces, which truly capture the essence of how architecture is breathing. For more information, please visit here. More images can be viewed after the break.
Exhibited at the ‘Next Play: Shifting Ground’ Exhibition in Taipei, the Tower of Colony is the Hong Kong project by Groundwork, which responds to a theme of ‘Displacement’, to transform a one acre site at Huashan, a cultural district at the heart of Taipei City. The architects were interested in how migrants react on a foreign land. By building on the site, they ‘colonized’ one acre of grassland from site, therefore colonizing a fragment of Taipei. Hong Kong, a colony by nature, now has its own colony. Their abstraction of the act of colonization can be observed at two scales: The Tower and The Performance. More images and architects’ description after the break.
Nearly two years after OMA was announced winner of a two-stage international competition, the construction of the new Taipei Performing Arts Center has commenced. This ambitious project, led by OMA partners Rem Koolhaas and David Gianotten, generated a lot of debate among architects when it was announced back in 2009 due to its particular form. Morphed by a series of programatic operations, the form intersects three types of theater in order to accommodate a variety of performances.
The main theater, which seats 1,500, is expressed on the exterior as a large sphere while the two smaller theaters, each capable of seating 800, are represented as peripheric cubes. All the stage accommodations are brought together within the central cube, allowing for more flexibility as theaters can be used independently or combined, thus expanding the possibilities for experimental performances – an art which is very strong inTaiwan. At the same time, and in a similar way as OMA’s CCTV building in Beijing, China, a “public loop” channels circulation through the building, exposing the spaces that make the TPAC work, areas typically hidden from the public but are as revealing as the performances themselves.
In this aspect, the building is like a machine at work with its engine exposed, somehow reminding me of OMA’s Prada Transformer – a machine-like building (the anti-blob) that changed its configuration to host different types of events.
The 180 million dollar project is set to be completed in 2015. More details, including sections and updated renders, after the break:
Architect: Marco Casagrande
Location: Taipei City, Taiwan
Project Managers: Delphine, Peng Hsiao-Ting / JUT Group, Nikita Wu / C-LAB
Casagrande Laboratory for Cicada: Frank Chen, Yu-Chen Chiu, Shreya Nagrath, Arijit Sen
Measures: 34 m long, 12 m wide, 8 m high
Interior space: 270 sqm
Project Year: 2011
Anemone is an art/architectural installation by Oyler Wu Collaborative aimed at weaving together aesthetic experience and tactile engagement, a combination generally considered off limits within the world of contemporary art. All too often, art installations are considered precious, almost sacred objects; while they are meant to be appreciated for their aesthetic beauty, they offer little in terms of human interaction. In other words, they are meant to be seen, not felt. Recognizing that human engagement is one of the key factors in creating a rich experience, Anemone has been designed with the idea of interaction as one of its key design objectives. More images and project description after the break.
The New Taipei City Museum of Art (NCArt) should propose a new paradigm for celebrating art in Taipei, one that brings lifestyle, art, recreation and education together to celebrate the vibrant cultural identity of the community. The fusion of art with all aspects of one’s daily experience is driven by ideas about the intrinsic relationship between art and life relevant in Taiwan’s popular contemporary culture. The new museum seeks to embody these ideas and provide an iconic venue for the spontaneous unfolding of contemporary life.
Here’s the proposal Zerafa Architecture Studio presented for this project.
INFLUX_STUDIO shared with us their proposal for the New Taipei City Museum of Art competition as contemporary art museums are becoming hybrid programs and transforming the way people approach art to become real places to be. The key issue they were dealt with was how to gather people and art while integrating the landscape into the museum and the museum into the park. More images and architects’ description after the break.
The objectives of this competition to build a world-class museum of art in a call for proposal through a conceptual design international competition, creative and visionary schemes are sought in order to give the New Taipei City Museum of Art a fresh look and versatile art exhibition space. The design teams from all over the world are invited to challenge their imagination, pursue new possibilities for modern art museums and help New Taipei City create an artistic icon for the new century!
The planning and design guidelines in this design brief are for reference only. The designer must propose the new positioning for the new possibilities for modern art museums, define the exhibition method, and propose new space requirement, then proceed the planning and design based on the new required spaces and design guidelines.
For more information go to the competition’s official website.