The global reference for architecture

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In an industry defined by engineering tolerances and performance certainty, interior finishing still relies on a process that introduces variability into every project. Even experienced applicators often depend on judgement-based mixing—estimating water ratios and adjusting by feel until the material appears workable. While skill reduces variability, it does not eliminate it. The result is inherent inconsistency that transfers directly onto the finished surface.

As Europe experiences one of its earliest and most intense heatwaves in recent years, World Environment Day 2026 arrives amid renewed discussions about climate adaptation, urban resilience, and the capacity of cities to respond to increasingly extreme temperatures. Across Portugal, France, Italy, Spain, Germany, Switzerland, Ireland, and the United Kingdom, temperatures have surged well above seasonal averages, prompting heat alerts, school closures, emergency planning measures, and growing concerns about the performance of buildings and public infrastructure under prolonged heat stress. The convergence of these highlights a reality that is becoming increasingly worldwide: climate change is no longer solely an environmental concern but an issue that is fundamentally reshaping the spaces where people live, work, and gather.

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BIG – Bjarke Ingels Group is nearing completion of the EVE Music Hall in Čepin, eastern Croatia, designed in collaboration with SIRRAH projekt and Theatre Projects. The 10,000 m² project contains a live music venue, congress facilities, exhibition spaces, a café, and rooftop event spaces. The venue is expected to host concerts, conferences, exhibitions, and cultural activities, accommodating nearly 4,000 guests indoors and up to 25,000 outdoors. The new cultural building marks the office's first project in Croatia and is expected to become its first completed music performance venue in early 2027.

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Videos

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What happens when materiality becomes the driving force of design? How can a cultural infrastructure express its own identity? The Spanish Design Pavilion for World Design Capital Frankfurt Rhein-Main 2026 brings together the country's creative innovation to address contemporary challenges through a reinterpretation of Gaudí's architectural legacy. Conceived as a reversible cultural infrastructure, the project activates public space while expanding the conversation around material use, circularity, and reuse. Rather than reproducing historical forms, the pavilion adopts a contemporary, operational approach. It highlights collaboration among Spanish industry, design and culture, exploring structural and constructive principles rooted in geometry, material efficiency, and the relationship between form and system.

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This week, architecture's cultural dimension took center stage through a series of new platforms, institutional developments, and public-facing projects that expand how the discipline is discussed, preserved, and experienced. From the announcement of participants for the inaugural Pan-African Biennale in Nairobi and the unveiling of Concéntrico Festival's urban interventions across Logroño, to the opening of La Biennale di Venezia's new archival headquarters at the Arsenale, architecture emerged as a vehicle for research, exchange, and collective reflection. Alongside these initiatives, projects such as the expansion of Crystal Bridges Museum in Arkansas and the opening of the 2026 Serpentine Pavilion demonstrate how cultural institutions continue to invest in new spaces for gathering and engagement. This week's selection spans Kenya, Spain, Albania, Saudi Arabia, Italy, Lebanon, the United Kingdom, and the United States, reflecting the diverse contexts in which cultural institutions, public events, and architectural initiatives continue to evolve.

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