Uzbekistan's National Pavilion at the 19th International Architecture Exhibition- La Biennale di Venezia in 2025 presents "A Matter of Radiance." Curated by the architecture studio GRACE, led by Ekaterina Golovatyuk and Giacomo Cantoni, the exhibition explores Uzbekistan's modernist architectural legacy in response to the Biennale's overarching theme, "Intelligens. Natural. Artificial. Collective."
Out of 45 participating submissions for Chile's Pavilion at the 2025 Venice Architecture Biennale, the winning proposal has been recently announced. 'Reflective Intelligences,' the curatorial project by Serena Dambrosio, architect, researcher, and lecturer at Universidad Diego Portales; Nicolás Díaz Bejarano, architect, researcher, lecturer, and PhD candidate in Architecture and Urban Studies at Pontificia Universidad Católica de Chile; and Linda Schilling Cuellar, architect, urban designer,educator and doctoral candidate at the Centre for Research Architecture at Goldsmiths University.
During a live presentation for the 19th International Architecture Exhibition, curator Carlo Ratti offered a glimpse into the programming of this year's edition. The 2025 Venice Architecture Biennale will include 66 National Pavilions, with 4 countries represented for the first time: the Republic of Azerbaijan, Sultanate of Oman, Qatar, and Togo. The exhibition, divided between the Giardini (26), at the Arsenale (22) and in the city center of Venice (15), explores the theme of "Intelligens. Natural. Artificial. Collective", gathering over 750 participants, including individuals and organizations forming interdisciplinary and multigenerational teams. According to the numbers released, this year's edition is shaping up to become the largest Architecture Biennale held in Venice.
Saudi Arabia has just announced its participation in the 19th International Architecture Exhibition-La Biennale di Venezia with the National Pavilion presenting The Um Slaim School: An Architecture of Connection. Designed by Syn Architects, the Riyadh-based practice, and curated by Beatrice Leanza, the pavilion offers an exploration of contemporary urban conditions in Saudi Arabia through spatial practice and alternative architectural pedagogy. Syn Architects was selected as one of ArchDaily's Best New Practices of 2024, recognized for its engagement with local architectural heritage and contemporary spatial practices.
The National Pavilion UAE has opened at the 19th International Architecture Exhibition - La Biennale di Venezia with the exhibition titled Pressure Cooker. Curated by Emirati architect Azza Aboualam, assistant Professor at Zayed University and Co-founder of Holesum Studio, the exhibition explores the evolving relationship between architecture and food production in the UAE, proposing innovative solutions for sustainable and self-sufficient food systems. Positioning the built environment as a catalyst for ecological resilience, it asks: In the face of climate and resource challenges, how can design shape more secure and sustainable food systems?
2025 promises to be a landmark in architecture, heralding a vibrant renaissance of creativity and exploration. As societies confront challenges such as climate change, rapid urbanization, and technological evolution, architecture is both a mirror to these dynamics and a compass pointing toward a sustainable and inclusive future. This year's architectural calendar offers abundant opportunities to celebrate the discipline's transformative power — from boundary-pushing festivals to thought-provoking exhibitions that explore pressing cultural and environmental narratives.
From well-established biennials to inaugural gatherings, including the World Architecture Festival 2025, Desert X Al Ula, and the COP Climate Conference, the 2025 calendar highlights themes such as sustainability, heritage, and community. These events underscore architecture's unique ability to shape a better future, addressing global challenges while honoring cultural diversity and design ingenuity.
The Board of La Biennale di Venezia has just announced the appointment of Koyo Kouoh as the Curator of the Visual Arts Department. Kouoh will lead the curation of the 61st International Art Exhibition, scheduled for 2026. This announcement follows a recommendation by Pietrangelo Buttafuoco, President of La Biennale, who emphasized Kouoh's extensive experience in the global art world and her ability to engage with contemporary artistic and cultural discourse. Born in Cameroon, Koyo Kouoh will become the first African woman to curate the Venice Art Biennale.
The 19th Biennale Architettura, which opened in Venice on May 10th, 2025, sees the Belgian pavilion transformed by an exhibition titled "Building Biospheres," curated by a team comprising landscape architect Bas Smets and biologist Stefano Mancuso. Initiated by the Flemish government and the Flanders Architecture Institute, this thought-provoking exhibit explores a transformative approach to architecture through the lens of plant intelligence.
Architectural grafting, a concept recently popularized by Jeanne Gang in The Art of Architectural Grafting, presents a transformative approach to urban regeneration and sustainability. Drawing inspiration from botanical and horticultural practices — where new growth is added to existing plants for enhanced resilience — this architectural method integrates new structures with existing ones, allowing them to coexist and adapt. Rather than pursuing demolition, grafting prioritizes adaptation, extending the life of buildings while safeguarding their cultural and historical significance.
While Studio Gang has played a pivotal role in advancing this method, architectural grafting embodies a broader principle that architects have long used to enhance sustainability, conserve resources, and honor heritage. Across scales — from individual buildings to urban landscapes —grafting reshapes the relationship between past and present, adapting existing structures for contemporary needs while addressing environmental demands. By reimagining historic buildings for modern use, this approach fosters a sustainable evolution of cityscapes.
In honor of World Cities Day, which concludes Urban October, this year's theme, "Youth Leading Climate and Local Action for Cities," reflects a growing momentum for sustainable urban solutions championed by local communities and progressive policies. Around the world, cities face intensified demands for resilience, preservation, and innovation as they address challenges from the climate crisis to cultural heritage conservation. These initiatives illustrate a global trend in urban planning, where sustainability, adaptability, and inclusive community priorities take center stage.
In this roundup, ArchDaily consolidates this year's transformative updates in cities worldwide, organized into thematic clusters that capture the evolving nature of urban design and policy in 2024. Projects like the extensive renovations of Barcelona's La Rambla and the preservation efforts around Chicago's historic skyscrapers highlight preservation of urban heritage, while initiatives in Venice and Los Angeles respond to overtourism and housing pressures, balancing livability with growth. Meanwhile, ambitious master plans have been announced, including the revitalization of industrial sites in Tallinn and Connecticut, reflect how cities are reimagining their urban fabric. Finally, post-disaster rebuilding in Kharkiv and Türkiye underscores the urgency of resilience-driven design, ensuring that cities can endure and evolve even in challenging times. Together, these updates offer a glimpse into the global forces reshaping urban landscapes
Iceland presents the Lavaforming at its National Pavilion for the 19th International Architecture Exhibition – La Biennale di Venezia. Led by architect Arnhildur Pálmadóttir, founder of s.ap architects, the pavilion is commissioned by Halla Helgadóttir, Iceland Design and Architecture. Lavaforming envisions a provocative and speculative future in which the elemental force of lava is no longer seen solely as a natural hazard but instead embraced as a generative, architectural medium. By harnessing and directing controlled lava flows, the project explores the potential of molten rock to shape urban environments, transforming destruction into construction. Through a series of physical experiments and research-driven installations, Lavaforming demonstrates how this often-feared geological phenomenon could become a renewable and expressive material in the creation of future cities.
The relationship between architecture and naval design has been a fascinating interplay of form and function that has evolved significantly. Both disciplines have a shared history of innovation, aesthetics, and functionality that have informed and inspired each other. This "love affair" has seen architects drawing inspiration from boats, particularly in the modernist era when ships' streamlined, efficient designs influenced the aesthetic of buildings. Conversely, architectural principles have also been adapted to enhance the functionality and form of boats, demonstrating a reciprocal exchange that continues to shape both disciplines.
Contrary to common belief, artificial islands have a lengthy historical background in many regions worldwide. This heritage dates back to the reclaimed islands in Ancient Egypt, the hundreds of Stilt crannogs found in Scottish and Irish lakes and waterways, and the ceremonial islands constructed during the Aztec Empire. By definition, an artificial island is an island that has been constructed by humans rather than formed through natural processes. Artificial islands can be built for many different reasons, and these reasons are only increasing as the world faces the looming issue of space scarcity.
In the past, these islands were intended for ceremonial or agricultural purposes, often verging on solutions for urban space. More recently, the islands have been built to mitigate overcrowding, reclaim land, provide new urban expansions, and meet infrastructure and industrial needs. Artificial islands also have certain strategic advantages and economic gains and can lead to geopolitical benefits. However, these types of projects come at a significant cost to our ecosystem, harming the environment in severe and vast ways.
This article was originally published on Common Edge in 2021 to celebrate Venice's 1,600th birthday.
"We native Venetians and long-term residents number just over 50,000. We are dying out. Soon, we will disappear. The city prefers to be inhabited by someone else: not so much by other categories of human beings but by another way of being in the world.” – Tiziano Scarpa
March 25, 2021, dawned quietly in Venice. The city was still in full lockdown, a Zona Rossa. The Piazza was empty, the calli were eerily still. It was a subdued day to celebrate the birth of Venice. According to 16th century Venetian historian Marin Sanudo, the city was founded in 421 AD. In a city brought to a halt by the pandemic, the joyful clamor of bells ringing out across the city commemorating 1,600 years of existence was a welcome respite from the dreaded silence.
A new exhibition presenting the works of artist Zeng Fanzhi has opened in the historic Scuola Grande della Misericordia in Venice, Italy. Running from April 17 to September 30, 2024, concurrent with this year’s edition of the Venice Arts Biennale, the “Zeng Fanzhi: Near and Far/Now and Then” exhibition showcases the latest breakthroughs in the artist’s practice in a space adapted by architect Tadao Ando.
Carlo Ratti, the curator of the 19th International Architecture Exhibition - La Biennale di Venezia, along with The President of La Biennale di Venezia, Pietrangelo Buttafuocco, have just revealed highly anticipated details for the upcoming edition. Titled "Intelligens," the exhibition will be running from May 24th to November 23rd, 2025 in Giardini, the Arsenale, and various landmark locations throughout Venice.
The 3rd edition of Shaping the City, a forum on sustainable urban development, took place in Venice between November 24-25, following successful events in Chicago and New Orleans. Organized by the European Cultural Centre, this forum was running in parallel to the 2023 Venice Architecture Biennial exhibition, Time Space Existence. The event, hosted at Palazzo Michiel del Brusà in Cannaregio, brings together global urban planners, architects, academics, and politicians. Notably, Japanese architect Kengo Kuma was among the experts invited to explore the intersection of nature and the built environment in Japanese architecture.
Over two days, the conference set out to explore crucial themes such as education, urban commons, displacement, nature integration, and the future of architecture media, a subject discussed during a panel talk attended by ArchDaily’s managing editor, Christele Harrouk. While on-site in Venice, the ArchDaily team sat down with Kengo Kuma to discuss his unique approach to nature-inspired and site-specific designs.
Italian architect and industrial designer Gaetano Pesce has passed away at the age of 84, as announced today on the creator's official Instagram page. Known for the famous UP5 Chair (2000) by B&B Italia which can be compressed like a sponge, and the Organic Building in Osaka, Japan (1993), with a vertical garden irrigated by a complex, computer-controlled hydration system, Pesce dedicated over six decades to his craft, accumulating a portfolio that spanned architecture, product design, and art.
During Milan Design Week 2024, a monographic exhibition titled "Nice to See You" showing at Biblioteca Ambrosiana, is set to feature unreleased works of Gaetano Pesce. Additionally, Gaetano was presenting "L’Uomo Stanco" an outdoor installation in Piazza San Pio XI.
