This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

The National Ideas Competition for the Todos Hermanos (Fratelli Tutti) Themed Promenade was organized by the Merlo chapter of the Association of Architects of the Province of San Luis. The objective was to create an open public space for reflection on peace and fraternity, addressing themes such as overcoming social, cultural, religious, and environmental conflicts. At the same time, the space will support recreational, cultural, and leisure activities, landscape contemplation, and other programs that engage the public.

In Peru, communal kitchens (ollas comunes) are self-managed neighborhood initiatives located in vulnerable areas. Driven by the food and educational insecurity triggered by the pandemic, these spaces have assumed a vital role in child development, transforming themselves into neighborhood schools. Within this context, "DIT: Building a Space for Children" emerged—a project selected for the XII Ibero-American Biennial of Architecture and Urbanism. Through this initiative, architects Gian Franco Pedreschi, Sergio Iván Puch, and Jhordano Zabanick, together with the community of the AA.HH. Horacio Zevallos, intervened in the public space adjacent to a communal kitchen in the Rímac district, improving the residents' quality of life.

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In the latest edition of the FAD Awards for Architecture and Interior Design, the Kindergarten in the Cerro Colorado Community, located in the city of Arequipa, was selected as a 2022 International FAD Finalist. Designed by architects Ander Bados Sesma and Betsaida Curto Reyes, the school was developed as an expansion of the Villa Magisterial school by the NGO All Hands and Hearts following severe flooding in the city.

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Like the armadillo from which the studio takes its name, Tatú Arquitectura is based in the southern reaches of Latin America. From there, the Montevideo-based group quickly launched its practice, receiving an award in the competition organized by the Universidad de la República for the RIFA 2014 house. Their work has expanded through a steady, persistent presence in architectural competitions and their first private commissions. The studio's exploration presents itself as an unyielding dialogue with the landscape, regardless of the scale of the commission.

ArchDaily presents the following interview, where the young Uruguayan firm shares details about their projects, motivations, challenges, and ways of working.

Many of us agree with Roman Mars of 99% Invisible when he says that "we tend to not notice well-designed things"—yet many also agree that design is often perceived as being for only a select few. Consequently, we must ask ourselves what is truly democratic when it comes to design, and from there, help define and contribute our vision toward a more just society.

From the perspective of design and architecture, we can approach the democratization of design from various angles—from incorporating design into everyday needs to designing inclusively. At the core of it all lies the search for solutions that improve accessibility and livability in our daily lives.

The construction industry is one of the largest producers of pollutants and waste globally in its daily operations. To put this into perspective, in the mid-1990s in Great Britain, construction processes generated nearly 10 million tons of post-industrial waste. Approximately a decade ago, over 3.5 billion new bricks were used annually, while around 2.5 billion were demolished; of that total, only about 140 million were reused, with the rest sent to landfills.

The growing focus on sustainable architecture drives architects to explore alternative sustainable construction materials that can be implemented in new buildings. The research “Totora as a Thermal Insulation Material: Properties and Potential” was published by architect Leyda Aza Medina as a master's thesis in 2016 and won the ADUS 2021 academic practice award. The study offers a sustainable alternative, utilizing the renewable resource of totora reeds to develop thermal insulation for buildings in the Peruvian highlands.

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Founded in 2013 and based in Mexico City, David Pompa is a studio comprising designers, engineers, and makers established in Mexico and Austria. David Pompa grew up in both countries and studied product design in London. Over time, the studio has shown a strong interest in traditional materials and techniques, maintaining a commitment to Mexican culture since its inception—a dedication reflected in the creation of aesthetic and accessible design objects. On this occasion, they are presenting a new collection for Milan Design Week 2022 on Via Simone Saint Bon as part of Fuorisalone from June 5 to 12.

As part of an initiative by the Ministry of Urban Development and Mobility of the Government of Michoacán, the Ministry of the Environment, and the Michoacan University of San Nicolás de Hidalgo, the First Ideas Competition to renovate and adapt the Morelia Zoo (one of the largest in Mexico by number of species) to the new environmental, social, and cultural conditions of its context was launched.

Spanish architect Lluís Comerón, who recently passed away at 62, has been recognized for his tireless professional practice with the Gold Medal of Architecture. The High Council of Colleges of Architects of Spain (CSCAE) has posthumously awarded the Gold Medal of Architecture to Catalan architect Lluís Comerón Graupera, who served as president of the institution during the 2018–2022 term.

Since the 15th century, the territory of Misiones, Argentina, has witnessed the constant passage and local overlap of a vast number of highly diverse cultures. Indigenous Guaraní, Spanish conquistadors, Jesuit missions, Paulist bandeirantes, people from the Republic of Entre Ríos and later the Province of Corrientes, Paraguayans, Brazilians, and, finally, a sweeping influx of European immigrants fleeing the world wars make up some of the layers of its immeasurable cultural fabric.  

On the path toward poverty reduction, economic growth, and environmental sustainability, both water and sanitation measures play a fundamental role, demonstrating the importance of access to a resource like water in people's lives. To mark World Water Day, celebrated every March 22, we present the Palacio de Aguas Corrientes (Water Company Palace) in Buenos Aires—one of the greatest creations of the 19th-century European foundry industry outside Europe, combining art and engineering in a unique Argentine work declared a National Historic Monument in 1989.

The National Architecture Award of Chile is presented by the Colegio de Arquitectos (Architects Association) to recognize "a lifetime dedicated to the service of architecture," according to the organization. First awarded in 1969, the inaugural recipient was Juan Martínez, architect of landmark projects such as the Law School at the University of Chile and the Votive Temple of Maipú.

Publishing architecture is necessary for the discipline itself to be understood as such. Without it, architecture becomes an endeavor devoid of public inquiry, confined to private practices. Yet its presence opens up a field that translates a material language into a written one, reformulating the discourses emerging from this arena. Among the “smallest” of these publications are fanzines—mediums that arise from a desire for self-management and low-cost, small-run production, capable of adapting to diverse content, whether in the form of a booklet or simply folded paper.

The playful potential of the fanzine has sparked growing popularity in Chile, culminating in its inclusion in the XXI Chilean Biennial of Architecture and Urbanism in 2019. Although awareness of this medium predated this event, there is still a gap in understanding its characteristics. This necessitates asking simple, almost naive questions about the specific conditions of its production—discussions that ultimately reveal an invisible network woven among individuals who, without knowing it, were already connected.

Is there a future for our cities without a sustainable way of life? For some time now, urban sustainability has been viewed primarily through the lens of climate change rather than a holistic vision that integrates society and the way we live in community.

What new ways of living are we experiencing amid social, economic, and ecological shifts? We need to bring to the table different reference cases from around the world and understand the latest trends shaping how we live in our cities.

We want you, our readers, to not only be the first to share examples of co-living, cooperatives, and any new types of social housing you consider benchmarks, but also to share your thoughts on the matter in the form below. Selected comments will be published in an upcoming article.

Following the 60th anniversary of the iconic Casa en Jean Mermoz—a precursor to the ideas of Ciudad Abierta in Ritoque—Igor Fracalossi, PhD, proposed a reconstruction of its wooden formwork system. He knows the building well; since 2012, he has dedicated his research to studying "the most complex residential project in Chile to date.”

While walking through the exhibition of the reconstruction in the gardens and galleries of the Centro Cultural Las Condes in 2022, he explains in detail the innovative and unique construction aspects of this demolished work. The house was originally designed by Fabio Cruz Prieto, architect and founding master of the School of Architecture and Design at the Pontificia Universidad Católica de Valparaíso.

How do we experience cities? What moves us? What do we remember about them? Monuments? Museums? Are we merely tourists, or do we live the city as an experience? Art is part of the urban fabric—a way to create new paths, lifestyles, and reference points that lead us to identify the unique spaces and moments experienced within it. Art is not confined to museums; it is in the streets, on the walls, and on the buildings that shape the city. Public space dialogues with artistic expression, engaging people, neighborhoods, cities, and an interconnected world to create new modes of community within a culture that is attentive to and understands our contexts and ecosystems. 

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Peru, a country of rich heritage and ancestral wisdom, won two awards at Expo 2020 Dubai for the Peru Pavilion, which captivated visitors through the concept of "Timeless Peru." First, the trade publication Exhibitor presented the pavilion with the World Expo Award in the People’s Choice Awards category, following an online vote where people from around the world selected their best overall experience from the expo.

Additionally, on March 30 of this year, the Peru Pavilion won the Gold Award at the BIE Day Awards in the Self-built pavilions – Category B (between 1,750m2 and 2,500m2) category. The award recognized three key aspects: architecture and landscape, exhibition design, and theme interpretation.

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As part of the cultural agenda for Art Week 2022 in Mexico City, guadalajara90210—in collaboration with Michan Architecture and Luis Young—presented the exhibition "YACIMIENTOS," featuring works by 53 artists and architects. The venue, a building currently under reconstruction in the Condesa neighborhood, hosted the exhibition from February 12 to 20.

Pedro Pitarch Architectures & Urbanisms, a Madrid-based architecture office, has recently designed a project for the Special 40th Anniversary Section of the ARCO Fair called "ARCO 40+1." This exhibition space commemorates 40+1 years of the art fair. The exhibition, where nineteen galleries present their works, was curated by María Inés Rodríguez, Sergio Rubira, and Francesco Stocchi.

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Set in the heart of one of the world's most arid deserts, the Nasca aqueducts form a hydraulic system that, for nearly two thousand years, has demonstrated advanced geological and hydrological knowledge. This system allows water to be sourced for both human consumption and agriculture, creating fertile oases in the desert. The Nasca Aqueducts represent a unique hydraulic system in the Americas, owing to their distinct design, construction technique, location, and function. They serve as an exceptional testament to the capacity of ancient societies to overcome adverse conditions, offering solutions that could be applied to the climate challenges of our time.

What do we mean by heritage? This is one of the main questions raised by Alejandro Orellana, director of Relatos de Barrios—a Chilean project that seeks to reclaim the heritage and historical value of housing complexes, highlighting the community dimension behind the lives of their residents.

A documentary and a book are the results of their experience with the “CCU Worker Housing” in La Serena, later renamed the “Rengifo Housing Complex.” Designed in 1957 by architect Carlos Feuereisen Polanco and built in 1958 by Negochea and Vergara, it represents a characteristic housing typology of the city.

This article by Maya Orzechowska was originally published under the title "Five Principles for a Vulnerable and Intimate Architecture: Drawing Alternative Boundaries and Openings to the Home and the Self" in the 31st issue of Dearq journal on September 1, 2021 (DOI: https://doi.org/10.18389/dearq31.2021.04).

This article investigates how the boundaries and openings of the home are not separate from one another; rather, they play an active role in the politics of bodily and social health. For an increasing number of people, both the idea of the home and the reality of housing fail on a daily basis; therefore, this article seeks alternatives to the narrative of the home, of a utopian internal intimacy that endorses withdrawal, and of a non-responsible relationship toward the public realm. It suggests that the result is dystopian, concealing and exacerbating vulnerability and its resistance to change. In contrast, a vulnerable and intimate architecture focuses on the vulnerable body, drawing the uncanny, repressed, and emotional into the home.

We present it below as part of a joint collaboration to contribute to the dissemination of research, analysis, and opinion produced by the national and international academic community on architecture, urban issues, and related fields.

Dear users,

When we launched this project in 2006, the concept of a "Platform" became highly significant for us, as we sought to provide an effective foundation to showcase your work as architects, building a network for knowledge exchange.

Although it was in Spanish, this network grew from Chile to the world, generating significant interest from various regions. This made us realize that the platform was needed in other languages, leading us to launch it in English, and later in Portuguese and Chinese.

At that moment, we wondered what it should be called: Architectural Platform? Plataforma Arquitetura? 体系结构平台?