In its 21st edition, Barcelona Building Construmat (BBConstrumat), the International Construction Exhibition of Fira de Barcelona, will feature central spaces designed by an architecture firm for the second time.

'Silogismos' is an architecture and illustration project that bases its research on archives, publications, and photographs tracing the history of modern construction in Mexico. It offers a graphic narrative on the continuity and transformation of seminal 20th-century works through the synthesis, interpretation, and juxtaposition of their ideals. These paired concepts confront thought and form through deductive inference. Ultimately, the sum of these parts reveals critical architectural meanings and motives for future reconstruction.

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ALL Arquitectura is a Mexican firm that focuses on developing projects at both urban and architectural scales through methodologies rooted in participatory design. One of these projects is Cancha “LA DOCE”, a collaborative initiative born from a network and a proposal for change driven by the need to develop high-quality public spaces in marginalized areas of various cities worldwide. Drawing on an activity deeply woven into the lives of local residents, ALL Arquitectura leveraged soccer as a design catalyst to encourage participation, observation, and community life.

As part of Montevideo's urban housing management framework, the local government, together with the Ministry of Housing, Spatial Planning, and Environment, launched a national public ideas competition to develop a housing and public space program on the site formerly occupied by the Raincoop company in the La Unión neighborhood.

The objective was for contestants to design, on a nearly 3-hectare plot, a housing development within a public space that promotes the integration of compatible activities and services, thereby ensuring mixed-use land and inclusion. Learn more about the winning projects in the words of their authors.

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Proyecto Panorama is a civil association made up of a diverse group of young people from Cancún, who have been actively working for more than two years on public space interventions in Quintana Roo through urban art. These interventions have proven to generate a positive impact on the residents' environment, strengthening the sense of identity and belonging in one of the country's most important developing regions. Since its founding in 2016, and thanks to collaborations with renowned national and international artists, Proyecto Panorama has intervened in more than 30 public spaces, as well as an elementary school in Cancún and another in the Riviera Maya, resulting in 116 murals.

On May 28, the winners of the Binational Public Competition for Preliminary Architectural Projects, organized by the Administrative Commission of the Uruguay River (CARU), were announced. The competition was open to architects from both Argentina and Uruguay, with the support of the Association of Architects of Uruguay (SAU), the Association of Architects of the Province of Entre Ríos (CAPER), and the sponsorship of the Argentine Federation of Architectural Organizations (FADEA).

The project called for the construction of a Control Laboratory for the environmental analysis of the Uruguay River, to be located adjacent to the head of the Libertador San Martín International Bridge, on the eastern bank of the river, in the city of Fray Bentos, Uruguay.

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The Mexican state of Oaxaca is one of the most visited destinations in the country, drawing travelers from around the globe with its rich culinary, cultural, and architectural heritage. Located in the southeastern region of the country, it spans 93,757 km² and is divided into 570 municipalities, making it the fifth-largest state in Mexico.

On the occasion of the XI Ibero-American Biennial of Architecture and Urbanism (XI BIAU), held for the first time in Paraguay, we spoke with Ana Román and Arturo Franco, curators of the event and founders of the platform redfundamentos and the biannual specialized journal rita_.

In the heart of Palermo, a large iron and glass structure houses species whose origins date back to distant eras predating the dinosaurs. This is the main greenhouse of the Carlos Thays Botanical Garden in Buenos Aires.

On Thursday, June 13, the new Cinemateca Distrital de Bogotá opened its doors to the public, bringing the seventh art to the edge of the Colombian capital's historic center. 

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CUBO is the name of the installation created by the School of Architecture, Art, and Design at Tecnológico de Monterrey, which was presented in March at Alameda Central in Mexico City. The pavilion was designed as an open, flexible, and itinerant meeting point, hosting cultural events as well as exchanges of ideas and goods. CUBO (Urban Cell for Well-being and Opportunities) is a social innovation project that served as a stage for civic engagement, fostering participatory processes in communities through recreation, reconciliation, and learning.

The new edition of the Ibero-American Biennial of Architecture and Urbanism (XI BIAU) poses a different challenge. This time, along the shores of the peaceful Paraguay River, the Ricardo Brugada neighborhood, known as La Chacarita—one of the oldest in Asunción's historic center—takes center stage.

Together with the residents—who also exhibited the biennial's award-winning projects in their own private homes—national curators led 13 working groups to develop proposals for the improvement and transformation of a sector historically overlooked by the city, often associated with crime and unemployment. Some of these initiatives have already been put into practice.

CityMakers is working alongside ArchDaily to publish a series of articles, conversations, and interviews with the key figures of urban co-production behind the Barcelona CityMakers Lab 2019, an event taking place from October 14 to 20.

In this edition, we feature Salvador Rueda, director of the Urban Ecology Agency of Barcelona, who will give a Masterclass at the Barcelona CityMakers Lab 2019 addressing concepts of "Ecosystemic Urbanism," the foundation of a new urban model for the city of Barcelona.

Brick is, without a doubt, the building material most widely validated by the collective imagination; from children's fables to the most experimental narratives, many have drawn inspiration from the diverse meanings shaped by its distinctive character.

So begins "Arquitecturas Argentinas con Ladrillo" (Argentine Brick Architecture), a book edited by Bisman Ediciones and co-published by the Universidad de Morón and Grupo UNICER, with the participation of the Universidad Católica de Córdoba. Conceived as a compendium, it features a meticulous selection of recently built projects in Argentina sharing a clear common denominator: the study and use of brick as a fundamental building material to create architecture.

Through various graphic resources such as floor plans, photographs, and unprecedented construction details, the book functions as a true catalog of typologies, exploring the diversity and versatility of masonry applications in the region. The volume compiles history, technique, and contemporary reference projects, demonstrating how brick has inevitably established itself as a characteristic and defining material of Argentine and Latin American architecture.

In Bogotá, a third of all households live in gated communities. This phenomenon is a misguided application of the model idealized by post-war American suburbs, which projected an idyllic, safe, happy, and perfect life—a life where mobility prioritizes motorized vehicles, utilizing simple, replicable, and, of course, highly profitable construction models.

Ciudad Isla is an exhibition by architects and professors at the Universidad Nacional de Colombia, Ramón Bermúdez and Sebastián Serna, in collaboration with the Institute of Science, Technology and Policy (ISTP) at ETH Zurich, which brings this issue to light. It presents a collective research project on gated housing complexes and their relationship with public space in the city of Bogotá.

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Construcciones Modernas, S.A. is a series comprising an album of popular, remembered, and forgotten buildings in Mexico City—a record and the beginning of an atlas. It is a subway line featuring all the architectural icons missing from the train cars, a tribute to the city, its modernity, and its decay.

Alberto Cruz, one of the Chilean architects who re-founded the School of Architecture of the Pontificia Universidad Católica de Valparaíso and founder of Amereida and the subsequent Open City, left behind more than 2,200 notebooks and folders, 200 drawings in various techniques, formats, and mediums, and around a thousand documents when he passed away in 2013.

Five years earlier, his granddaughter, historian Sara Browne, began working with Cruz to catalog his private output. Today, this entire archive is part of the Alberto Cruz Covarrubias Foundation, a space dedicated to honoring the memory of the 1975 National Architecture Award recipient.

In this email conversation with Browne, the historian examines the challenges of conserving and digitizing this historic archive, while also reflecting on Cruz Covarrubias's legacy.

The 2019 Architecture Prize was a call for entries launched by the National Endowment for the Arts (FNA). Geared toward young architects, it aimed to highlight and showcase cultural projects built in Argentina, including museums, theaters, auditoriums, concert halls, art galleries, radio studios, cinemas, libraries, bookstores, art studios, production workshops, rehearsal spaces, and community, private, or public cultural spaces.

One of the first things I hear upon arrival is that the sixth edition of the Academic Event of the School of Architecture (EARQ) was not only organized by students, but is also part of the graduation requirements to become an architect at the Pontifical Catholic University of Ecuador (PUCE-SI). This management work, without a doubt, carries conditions that closely align with what we recognize as necessary in our discipline today.

Oneblock proposes a record that not only investigates the uses and potential of everyday objects—and their resulting actions or spaces—but presents drawing as a tool "requiring constant updating to represent, at all times and with the utmost clarity, what it truly aims to convey, responding to the needs of society at every point along the unstoppable timeline." Read below for an in-depth look at the work in the authors' own words.

At a time when micro-housing has moved to the center of debate—driven by rapid urban densification and emerging social needs—the proliferation of micro-units such as capsule hotels in Europe has sparked conversations about the future of our cities, offering new ways to adapt to contemporary living. Against this backdrop, the MUGAK Basque Country International Architecture Biennial presented an installation titled "Nakagin 1:1," a full-scale replica of one of the capsule units from the Nakagin Capsule Tower by Kisho Kurokawa in Tokyo, Japan. Located next to the San Sebastián Royal Yacht Club, the installation overlooks one of the Basque Country's most iconic spots, La Concha Bay, allowing visitors to experience firsthand what it feels like to inhabit these micro-housing units of just 10 m² at a 1:1 scale.

Tomorrow, Chile celebrates Cultural Heritage Day, marking two decades since its inaugural edition. This year, a wide range of buildings will open to the public, featuring free tours and activities on Saturday, May 25, and Sunday, May 26.

Below, we highlight 10 unique initiatives that promise a distinct experience.

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During June, Mexico City hosted one of the world's most famous workshops for the first time: Porto Academy. Held annually at the Faculty of Architecture of the University of Porto—designed by 1992 Pritzker Prize laureate Álvaro Siza—this event is the result of a deep passion for architecture and for those who believe that practice, as the exercise of the profession, is fundamental to the future of the discipline.

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The Flower and Garden Festival FYJA is an event held in Mexico City that brings together landscape architects, architects, artists, designers, artisans, gardeners, and students. In each edition, participants create a route featuring various activities and exhibitions, offering everyone—from experts and enthusiasts to the curious—the chance to engage with horticulture and experience the benefits of plants.