This guide shows how to use a D5 Render a free live-sync plugin to improve SketchUp workflow.

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Studio Campo Baeza, based in Madrid, together with Quito-based Maoda, has won the international competition to design the new National Museum of Ecuador (MUNA) in Quito. Their proposal, titled Echoes of the Sun, was selected by a national and international jury from 17 finalist entries in the second phase of the competition. The public competition initially attracted 148 teams from around the world, with 20 shortlisted to develop design proposals before the winning scheme was announced during a public ceremony in Quito on July 6, 2026.

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A new space dedicated to contemporary art on the Île Seguin, in the Greater Paris area, is opening in October 2026. The new cultural institution, named "Large," will be housed in a building designed by Catalan architects and Pritzker Prize recipients RCR Arquitectes, the studio's first project in Paris. It is situated on La Pointe des Arts, a large-scale redevelopment of the Île Seguin's former industrial area into a mixed-use complex spanning more than 53,000 m² and focused on arts and culture. The project's architectural massing follows the stratification concept set out in the masterplan by Ateliers Jean Nouvel. The institution will open with the exhibition "Imaginary Engine: From Masterpieces of the Collection Renault to Artists of Today," bringing together 55 artists from 23 countries to explore the relationship between humanity and machines, in tribute to the site's industrial history and Renault's decades-long collaboration with artists.

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Urban planning is often confused with adjacent disciplines: urban design, environmental policy, civic strategy, local politics, and data analytics. Truthfully, the overlap makes the field difficult to define clearly. In practice, it is often easier to recognize bad planning than to articulate what good planning is. When planning works well, it disappears. It removes friction from daily life so completely that people rarely think to credit a planner at all. At its core, urban planning is the relationship people have with their environments, and when that relationship is functioning, the mechanics of housing, transportation, affordability, access, and inclusion should feel ordinary and expected.

This has not always been the case, and in many places, it still is not. Urban planning has historically served as an instrument of division, used to segregate, exclude, and erase communities under the language of progress and order. Zoning maps, infrastructure investment, and land-use decisions are expressions of who holds power and which interests that power chooses to protect. That history is embedded in the boundaries that organize cities around the world. It is embedded socially, too, in the assumption that participation in planning requires expertise or formal training that most residents lack.

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The Architects' Association of the Province of Buenos Aires – District 2 (CAPBA D2) has presented "Paisajes a la deriva / Derivas sur urbanas," an editorial project that offers a critical, sensitive, and contemporary perspective on the territory and architectural works of the Buenos Aires metropolitan south. The nearly 700-page book is the result of nearly three years of research, editorial production, and collective effort, bringing together reflections, projects, cartographies, photographs, and debates surrounding the landscapes, infrastructures, architectures, and ways of inhabiting District 2, which encompasses a vast territory of the southern AMBA (Buenos Aires Metropolitan Area).

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