The latest rendering for Pritzker Prize-winning architect, Jean Nouvel's 53W53 has been released in anticipation for its completion next year as construction reaches the 58th floor out of the proposed 82. Capturing the entire design of the new landmark, the render provides a look to the tapering structure distinguished by its sculptural quality and the three floors of gallery space in the tower’s base adjoining the Museum of Modern Art as part of their expansion.
As 53W53 grows in front of New York’s eyes, the concrete skeleton currently standing forms the basis for the exposed structural system referred to by Nouvel as ‘diagrid’ as the tower’s silhouette is an ode to the iconic buildings that already grace the horizon in New York.
The Ateliers Jean Nouvel-designed LouvreAbu Dhabi is ready to make its grand first appearance, as the museum announced it will open to the public on November 11th.
Opening celebrations will take advantage of the unique structure, with a series of concerts, performances and events planned for a variety of spaces beneath the building’s 180-meter geometric dome. Comprised of nearly 8,000 arabic motif stars, the steel pattern will filter sunlight into a dramatic ‘rain of light’ on the museum’s walls and floors that calls to mind shadows created by overlapping palm trees.
For Hamburg-based photographer Sebastian Weiss, buildings are dramatis personae, or "characters". Inspired by Ash Amin and Stephen Graham's 1997 book The Ordinary City, in which the authors described the city as the "theater of life", this photo-essay of architectural landmarks in the French cities of Arcueil, Nanterre, and Paris examines the personalities of public buildings.
The winner of the Wolf Prize in 2005 and the Pritzker of 2008, French architect Jean Nouvel has attempted to design each of his projects without any preconceived notions. The result is a variety of projects that, while strikingly different, always demonstrate a delicate play with light and shadow as well as a harmonious balance with their surroundings. It was this diverse approach that led the Pritzker Prize Jury in their citation to characterize Nouvel as primarily "courageous" in his "pursuit of new ideas and his challenge of accepted norms in order to stretch the boundaries of the field."
Construction is an exercise in frugality and compromise. To see their work realized, architects have to juggle the demands of developers, contractors, clients, engineers—sometimes even governments. The resulting concessions often leave designers with a bruised ego and a dissatisfying architectural result. While these architects always do their best to rectify any problems, some disputes get so heated that the architect feels they have no choice but to walk away from their own work. Here are 6 of the most notable examples:
The world of architecture can be a serious place. Though the rest of the world holds quite a few stereotypes about architects, unfortunately none of them include us having a sense of humor—and perhaps that seriousness explains why one of the most popular memes involving architects isn't exactly favorable to the profession. Here at ArchDaily we thought we'd do just a little to correct that with some memes riffing on some of the profession's most beloved names—as our gift to the entire architectural profession. Read on to see what we've come up with, and don't forget to get involved with your own architecture funnies.
http://www.archdaily.com/802255/a-selection-of-name-based-architecture-memesAD Editorial Team
Ateliers Jean Nouvel and Australian firm Architectus’ 70-story mixed-use tower, 383 La Trobe Street, will be the newest addition to the Melbourne skyline, after its approval by the Victoria Department of Planning.
Jean Nouvel is engaged in talks to provide master planning concepts for the town of North Adams, Massachusetts, home to the renowned art institution MASS MoCA and a few miles from the Tadao Ando-designed Clark Art Institute. Initial discussions have included preliminary design proposals for three buildings in the city center along Heritage Park and on Main Street.
The biggest temptation is to jump right in. There are solutions that come to you. There are images that spontaneously appear. My method is rather to hold back as long as possible, to really imagine it spatially, so to be sure I have something to say.
Award winning documentarian and critic Matt Tyrnauer (director of Valentino: The Last Emperor, Citizen Jane: Battle For The City) has released a new documentary taking a look into the mind of world-renowned architect Jean Nouvel and his design process.
This article originally appeared on guggenheim.org/blogs under the title "Nine Guggenheim Exhibitions Designed by Architects," and is used with permission.
Exhibition design is never straightforward, but that is especially true within the highly unconventional architecture of Frank Lloyd Wright’s Guggenheim Museum. Hanging a painting in a traditional “box” gallery can be literally straightforward, whereas every exhibition at the Guggenheim is the reinvention of one of the world’s most distinctive and iconic buildings. The building mandates site-specific exhibition design—partition walls, pedestals, vitrines, and benches are custom-fabricated for every show. At the same time, these qualities of the building present an opportunity for truly memorable, unique installations. Design happens simultaneously on a micro and macro scale—creating display solutions for individual works of art while producing an overall context and flow that engages the curatorial vision for the exhibition. This is why the museum’s stellar in-house exhibition designers all have an architecture background. They have developed intimate relationships with every angle and curve of the quarter-mile ramp and sloping walls.
Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. With this year’s edition featuring not just one pavilion but four additional “summer houses,” the program shows no sign of slowing down. Each of the previous sixteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 16th Pavilion this month, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.
Jean Nouvel has unveiled the design of his latest project: a 22-story tower located near Avenida Paulista in São Paulo. The skyscraper, dubbed Rosewood Tower, is part of Cidade Matarazzo, a 27,000-square-meter site containing historic buildings that once made up the Filomena Matarazzo maternity hospital. A heritage-listed site, the Allard Group is restoring the buildings and creating a cultural center, of which Nouvel’s new tower will be a central component.
Set to contain a hotel as well as residential units, Nouvel’s tower is designed to be a vertical continuation of the local landscape. Thus, the nearly 100-meter-tall tower develops at different levels, forming terraces and large gardens with small and medium-sized trees.
Claude Parent, a celebrated French architect and Commandeur de la Légion d'honneur, died on the evening of the 27th February 2016, the day after his 93rd birthday. Born in 1923 in Neuilly-sur-Seine, Parent was a member of the Académie des Beaux-Arts in Paris and, throughout his career, developed a limited but extremely influential body of built work ranging from nuclear power stations to shockingly unconventional shopping centers, such as his project in Sens. Described as both a utopian and a 'supermodernist' in his own lifetime, the methodology he shaped has played a significant role for his peers of all generations and for contemporary artists and thinkers including Jean Nouvel, who began his professional life as a collaborator.
Peter Zumthor, Jean Nouvel, Norman Foster, Diébédo Francis Kéré and three other great architects come together in this Louisiana Channel video to share their thoughts on how to design for different cultures. For most of them, understanding context, collaborating with locals and using architecture to address larger social issues are what makes global architecture a success.
Opened in January 2015, the Philharmonie de Paris was designed by Jean Nouvel, though he later distanced himself from the project. The concert hall, a 2400 seat venue, seeks to "invent a model all its own," according to the Philharmonie de Paris website. It breaks from the pack of concert halls by mathematically creating a more intimate space -- "the distance between conductor and the farthest spectator is only 32 metres (compared to 48 metres at the Salle Pleyel for a smaller audience)." The architect worked with various acoustic experts to "develop a bold system of cantilevered balconies and floating clouds, combining envelopment, intimacy and spaciousness." Here we see the project as photographed by Danica O. Kus. Read on for the full set.
Jean Nouvel has won approval for "Tours DUO" in Paris. The mixed-use project, planned to rise on a former industrial site on the edge of the Seine in the Paris Rive Gauche district, aims to become a "top business real estate destination" and neighborhood amenity. Its two towers will house an eight-story hotel, office space, retail, a top floor restaurant-bar, gardens and green terraces, as well as a "renewed access" to the Seine.