Early this month at Design Miami/, Olson Kundig Architects celebrated the opening of “38 Beams,” a temporary collectors lounge named after the thirty-eight salvaged glulam beams that made up the structure. Originally milled in the 1950s, the Northwestern Douglas fir beams were once used to construct a Los Angeles building before being repurposed.
Approximately 15×30 inches around and up to 30 feet in length, 38 Beams formed a 2,400-square-foot lounge with an open lattice-work stacked 15-feet-high. The focal point of the space was a 28-foot Perrier-Jouët champagne bar lit by a chandelier of one hundred suspended light tubes designed by LILIENTHAL l ZAMORA.
More about the structure and images, after the break.
The first to use this type of free-form geodesic geometry in the United States, HOK’s Salvador Dali Museum is a Floridian landmark in St. Petersburg known for housing one of the most important collections of a single artist’s work in the world. Referring to it as “The Dali,” architect Yann Weymouth and museum director Dr. Hank Hine discuss their intentions behind the building’s design in this interview with TheCoolist.com.
“Salvador Dalí was a monumental pioneer of twentieth-century art and this is perhaps the best collection of his work in the world,” said Weymouth. “Our challenge was to discover how to resolve the technical requirements of the museum and site in a way that expresses the dynamism of the great art movement that he led. It is important that the building speak to the surreal without being trite.” You can learn more about the building, here.
Madrid-based Aranguren & Gallegos Arquitectos has been tapped to design their first US project, a permanent museum building for the Institute of Contemporary Art, Miami (ICA Miami). The 37,500-square-foot building, planned to open in time for Art Basel 2016 on Northeast 41st Street in Miami’s Design District, will feature three stories of exhibition space and a 15,000-square-foot sculpture garden. Final designs will be released in early 2015. Groundbreaking is expected to occur in the summer 2015.
Fentress Architects has released plans for the $500 million redesign of the Miami Beach Convention Center. The news follows the City of Miami’s controversial decision to nix plans provided by OMA, who was originally awarded the commission after a high profile competition against BIG.
Fentress will be working with Arquitectonica and West 8 on a significantly scaled-down masterplan that will include the renovation of the 500,000-square-foot exhibition hall and 200,000-square-feet of existing meeting space, as well as a new 80,000-square-foot ballroom and outdoor event space.
Daniel Libeskind has teamed up with locally-based GS4 Studios to propose a four-tower luxury condominium project for downtown Boca Raton, Florida. North of Miami, the “Mizner on the Green” development will add 500 residential units and a two-acre public park directly adjacent to the Boca Raton Resort and Club golf course.
Architects: Proyecto C
Location: Francisco Beiro, Florida, Buenos Aires Province, Argentina
Project Architects: Arq. Sebastián Cseh, Arq. Juan Cruz Catania
Project Team: Arq. Romina Rissetto, Arq. Lucas Mc Lean, D.I. Pablo Bontempo
Project Area: 330.0 m2
Project Year: 2014
Photographs: Gustavo Sosa Pinilla
Construction has begun on Miami’s tallest tower: SkyRise Miami. Standing 305 meters above the Biscayne Bay, the waterfront tower will offer three viewing decks, a restaurant, nightclub, ballroom, exhibition space, and even the chance to bungee jump off its upper floors.
It’s designers, locally based arquitectonica, hope SkyRise will achieve LEED Gold upon completion in mid-2017.
The Spring House, also known as the Clifton and George Lewis II House, is the only private house designed by Frank Lloyd Wright that was ever built in Florida. The design embodies the final and shortest stylistic phase in Wright’s career – the hemicycle style. The plan is characterized by concentric and intersecting circles, while the elevations are consistent with Wright’s other designs in how they accentuate the horizontal.
After the death of her husband in 1996, Clifton Lewis formed the Spring House Institute, a not-for-profit organization dedicated to preserving the historic property and turning it into a public legacy. In order to restore and complete the house (some elements were never built, including a semi-circular pool on one of the terraces), the organization needs to raise $256,250, which will then be matched by the Division of Historical Resources to pay the $512,500 purchase price. To meet the Division of Historical Resources’ October 15th deadline, they have launched an IndieGoGo campaign with a target of $100,000. For more on the historical landmark and the organization’s fundraising efforts, keep reading after the break.
The city of St. Petersburg, Florida is once more seeking candidates for the design of its new pier. The call comes two years after a pier design by Michael Maltzan Architecture was selected over rival schemes by BIG and West 8, but was eventually turned down after significant public criticism. To avoid a repeat of that incident, the current selection process for candidates and their subsequent proposals will incorporate more community input.
More on the competition after the break
While other cities in the United States are shrinking, the world’s largest retirement community – The Villages - is booming. Completely devoid of crime, traffic, pollution, as well as children, the fastest growing metropolitan area in the country raises serious questions about the concentrated demographic’s future infrastructural needs. After all, by 2050, the over-60 set is expected to almost triple to 2 billion. To learn more, check out this fascinating article on Bloomberg.
Florida International University’s Stempel Complex, designed by Perkins + Will, will be completed this fall. The complex will house the Extreme Event Institute, which will bring together a number of the university’s research and academic programs to study “extreme natural events.” The form of the building itself takes inspiration from natural disasters such as hurricanes and earthquakes, and is centered around an oval-shaped courtyard.
Non-profit organization DawnTown has chosen Design with Company as the winner of its second official design-build competition. The Chicago-based practice’s winning entry, Pavilion MMM (Miami Many-a-chair Monument), will tell the multicultural story of Miami through metaphor by constructing a temporary monument of recycled chairs collected from local yard sales on Miami’s Cultural Plaza.
The Sarasota Architectural Foundation (SAF) has announced that a replica of Paul Rudolph’s Walker Guest House will be constructed at the John and Mable Ringling Museum of Art in Sarasota, Florida. It is hoped the iconic, 24′ x 24′ vacation cottage will be opened to the public by 2015, after which it will be disassembled and transported to select museums around the country.
More information about the Walker Guest House, after the break…
Miami-based Arquitectonica and 360 Architecture have unveiled preliminary details for a 25,000-seat, open-air Major League Soccer (MLS) stadium at the Port of Miami. One of 30 locations currently being reviewed as a potential site, the downtown location could serve as the home for David Beckham’s MLS expansion team as early as 2018.
Alan Faena — prominent argentine developer — is partnering with an all-star cast of celebrated artists, architects and Hollywood darlings to revive the decadence of the roaring twenties, envisioning a booming cultural “epicenter” for the city of Miami. The development, Faena Miami Beach, would include the restoration of the historic Saxony Hotel (the original symbol of opulent resorts along Florida beaches), the construction of new luxury apartments by Foster + Partners and the Rem Koolhaas/OMA-designed Faena Arts Center and Artist Residency. Review them all after the break.
Alfonso Architects have been awarded the building project for the Museum of the American Arts and Crafts Movement (MAACM) in St. Petersburg, Florida. Hundreds of objects from the early 20th century movement – including furniture, pottery and paintings – have been offered by the museum’s patron, art collector Rudy Ciccarello, in collaboration with the Two Red Roses Foundation.
Galleries and exhibit spaces, says lead architect Alberto Alfonso, are inspired by the “detailing and customization of materials and joinery” characteristic of the era. The four-story, 90,000 square-foot museum “is a tremendous gift by Mr. Ciccarello for the city of St. Petersburg and our state,” adds Alfonso.
54 years after the death of Frank Lloyd Wright, Florida Southern College, home to the largest collection of Frank Lloyd Wright buildings in the world, opened another structure designed by the famed architect last Friday. Originally called the Usonian house, it was envisioned as a professor’s home in 1939 but wasn’t built until this year using blueprints left by Wright.
Each December, Design Miami/ commissions early-career architects to build a designed environment for the fair’s entrance as part of its biannual Design Commissions program. This year’s winning proposal, dubbed “Tent Pile,” was designed by the New York-based architectural practice formlessfinder. Its design harnesses the properties of sand and aluminum to create shade, seating, cool air and a space to play for Miami‘s public.