Raubdruckerin – German for pirate printers – have been traveling around Europe turning city streets into printing presses to develop a range of t-shirts, hoodies and bags. The result is fashion not just for the street but from the street.
Taking inspiration from the urban landscape and the often over-looked surfaces of the city, Raubdrucken apply their eco-friendly ink to man-hole covers, grids and patterned streetscapes and relief-print the outcome directly on to the fabric of their line. It is proof that everything can be inspiration for good design, and that beauty and richness can be found in the mundane, the utilitarian or perhaps in this case, the misunderstood.
The purpose of architectural photography is to show a design in the best possible way, with the artform often characterized by perspective correction and atmospheric lighting. However, few architectural photographers have experimented with other artistic disciplines. Miguel de Guzmán, Paul Vu and Jules Couartou are among those who have challenged the limits of this form of photography, generating an interesting crossover between architecture photography, fashion and performances. In their images, the relationship between space and the user is shown through a scene designed to register an effect on the viewer. The results are images which are full of creativity.
PechaKucha, or “chit chat” in Japanese, is a concise presentation style, comprised of twenty slides at a duration of twenty seconds each that advance automatically. PK Nights invite creative thinkers of all fields to meet, present projects, and exchange ideas in this 20 x 20 format in over 1000 cities around the world.
Our largest annual PechaKucha event, this NYCxDesign special invites forward thinkers to speak about COMMON SENSE in the current political and environmental climate. Topics are always a surprise until night of – join us for a great and unexpected evening of storytelling.
The ShiftxDesign Conference at Harvard, this February 19th, is an annual exploration of all things design. Launched in 2012, the conference is a collaborative effort between student groups at the Harvard Graduate School of Design, Harvard Business School, and Harvard College - and the only cross-school event of its kind. The event brings together creative thinkers, design luminaries, experts from a variety of backgrounds, and students to engage in and reinterpret the design process.
For their latest fashion show scheme for Prada, AMO has gone “back to basics.” Envisioned for the fashion house’s 2017 Fall/Winter Collection, “Continuous Interior” borrows from domestic design, taking the form of a series of curving wooden partitions paired with ordinary materials and emblematic furniture pieces to create a stage that speaks to the importance of authenticity in the political climate of today.
Wall thickness, color, scale, solar dynamic, spaces built with a subtle metaphor immersed around the meaning of life, seem to be elements immersed in all of Luis Barragán's architecture. Elements of an enduring legacy, away from the ephemeral world of fashion, textiles and haute couture; however, it’s the search for the heightening of the senses, present in the architecture of Barragán, that inspired designers to put the name of the architect on catwalks and the world of apparel.
Transcending his architecture to a particular line of design, major firms in the textile industry have used the mystical language of Barragán. A language in which fashion manages to live a furtive beauty in geometry, color, texture, but especially a totally emotional search.
Check out 10 labels whose collections have been partially inspired by Barragán's work and ideas .
MAD Architects has conceived a new design center for international fashion group Xinhee in the coastal Chinese city of Xiamen. Designed as six petals growing from a central atrium, the 61,000 square meter building will sit on a 15,000 square meter site, and will serve as the home of Xinhee and its six subsidiary brands.
“We envision it as a building with skin-and-bones,” reveals MAD founding principal Ma Yansong, “the correspondence of clothing and architecture is they both explore the relationship between the interior and the exterior.”
1. All black. 2. Black with a bit of grey. 3. Black with a bit of white. 4. Match different shades of black.
Done. Go home.
All jokes aside, there has never been a set uniform in the architecture profession. The truth is, there are a large variety of different architectural practices, and one’s attire to do architectural work often depends on each firm’s unique culture. There are corporate firms composed of hundreds of people in office blocks where “corporate” clothing is expected, or there are atelier style firms where jeans and a simple shirt are more appropriate for the design-build.
The architecture world is unique in that we are expected to be creative like artists, execute like engineers, negotiate like businessmen, and make like craftsmen but at the same time are asked to discover our own unique style and approach. Hybridity and improvisation abounds in architecture, which is definitely reflected in our fashion choices. In general though, the architect’s wardrobe is governed by four key words: eccentric, professional, relaxed and... well, still largely black. Here we’ve profiled a few tips on how to dress by these four qualities.
In the latest scenographic set for Prada's fashion collections, AMO have created a set "conceived as a stratification of architectures" – Total Space. Remnants from previous shows sit around the periphery of the room creating a foundation and aesthetic background for the house's 2017 Spring/Summer collection. A linear structure, which sits centrally and divides the room, is designed to "amplify its perceived proportions."
AMO has released the 16th edition of PradaReal Fantasies - a conceptual reinterpretation of the 2016 Spring/Summer Prada collection.
"AMO graphically reinterprets the Indefinite Hangar as a synthetic sunset fixed within a 3 dimensional blank space. The abstract hangar is populated with geometric objects and furniture. Characters move through a neutral scene between the undefined and distilled fragments of daily life. The horizon and scale constantly shifts, manipulating the frame and disrupting a linear sequence: an artificial landscape where fiction and collection collide," says the OMA research studio.
When it comes to the modern-day fashion show, the internet has fundamentally changed the way audiences interact with models and designers, say OMA/AMO, arguing: "The assemblage of recorded impressions and digital reactions inserts itself into the once autonomous narrative of the fashion show. The statement of the collective spreads. The mass of fragmented instant data is uploaded and critiqued by a multitude of voices."
With their latest fashion show design for Prada, which was used to showcase the designer's upcoming fall/winter menswear collection in Milan yesterday, the firm sought to enhance this sense of public judgement. "This consumption of images is like a public trial, a contemporary transposition of the Auto-da-fé," explains their press release, referring to the ceremonies of public penance which took place in the Portuguese and Spanish Inquisitions in the 15th-17th centuries.
“To me, light and space is the great luxury” - Calvin Klein
Like architecture, fashion is an art dealing with structure and shape, one that relates to the form and function of the human body. Oftentimes the introduction of a small element, such as a zipper or a doorknob, can completely alter the perception of a work. In the end, image is in the details. So it should come as no surprise that legendary designer Calvin Klein holds a strong relationship with architecture.
In his lecture earlier this month at the Harvard Graduate School of Design, Klein describes how architecture has played a role in his designs and campaigns over his 40-plus year career. His self-proclaimed love of minimalism is displayed in photoshoots in locations ranging from the white walls of Satorini, to the earthen forms of Taos Pueblo, to Donald Judd’s Chinati Foundation, and his Madison Avenue store helped to accelerate the career of acclaimed minimalist architect John Pawson. Watch the video above for more of Klein thoughts on architectural fashion and designs for his own living spaces, and visit the Harvard Gazette here for more on his visit.
The Palazzo della Civiltà Italiana (also known as the 'Square Colosseum') is perhaps the most emblematic architectural project realised during Benito Mussolini's Fascist dictatorship, which governed Italy between 1922 and 1943. Now, sixty years later and having never been used, Italian fashion house Fendi and architect Marco Costanzi have—amid controversy—renovated the historically charged building into their headquarters, with office space to accommodate around 450 employees. Having reportedly signed a fifteen year lease with the municipality of Rome, the haute fashion house will be paying around €240,000 ($265,000) in annual rent.
http://www.archdaily.com/776091/fendi-fashion-house-relocates-to-the-palazzo-della-civilta-italiana-in-romeAD Editorial Team
Shohei Shigematsu, the Director of OMA New York, has been selected to lead the design of the exhibition space for the Costume Institute’s Spring 2016 Exhibition at the Metropolitan Museum of Art. Titled manus x machina: fashion in an age of technology, the exhibition will focus on the intersection of technology and fashion and “how designers are reconciling the handmade and the machine-made in the creation of haute couture and avant-garde ready-to-wear.” Organized by Andrew Bolton, the Curator of The Costume Institute, the exhibition will feature over 100 samples of “haute couture and avant-garde ready-to-wear, dating from an 1880s Worth gown to a 2015 Chanel suit.”
For this edition of The Urbanist, Monocle 24's weekly "guide to making better cities," the team examine how fashion is weaved into the very fabric of our cities. They visit New Delhi to explore the role of ethics within the industry, head to Paris to see how the French capital is benefitting from its status as the 'Fashion Capital', and spend time at the only Eco Fashion Week in Vancouver. The episode also asks whether it's possible to identify a city by what people wear.
Because of - rather than in spite of - Frank Gehry's seeming inability to design something rectilinear, CEO of Louis Vuitton Bernard Arnault specifically sought him out to design the Fondation Louis Vuitton, a private art gallery in Paris. Arnault asked Gehry to create something worthy of the foundation's first artistic act; "a haute couture building." The resulting glass palace is immediately recognizable as a Frank Gehry design, with a form that conjures images of sailboats and fish. In this article for Vanity Fair, Critic Paul Goldberger considers the building within the prestigious history of Paris museums, and within Gehry's larger body of work. Click here to read the story.
Le Corbusier donned signature glasses; Frank Gehry designed footwear; early twentieth-century architect Adolf Loos even wrote "Why A Man Should Be Well-Dressed." Now Zaha Hadid is making her way into swimwear. But are the nuances of fashion too much for architects to dip their feet into? Read the full article at the Telegraph.