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  1. ArchDaily
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  3. What is Deconstructivism?

What is Deconstructivism?

What is Deconstructivism?
What is Deconstructivism?, Tschumi's Parc de la Villette . Image Courtesy of The Architectural Review
Tschumi's Parc de la Villette . Image Courtesy of The Architectural Review

If we define “deconstructivism” (although it is not a verified word in the dictionary), it literally translates to the breaking down, or demolishing of a constructed structure, whether it being for structural reasons or just an act of rebellion. It is perhaps for this this reason that many misunderstand the Deconstructivist movement.

Deconstructivism is, in fact, not a new architecture style, nor is it an avant-garde movement against architecture or society. It does not follow “rules” or acquire specific aesthetics, nor is it a rebellion against a social dilemma. It is the unleashing of infinite possibilities of playing around with forms and volumes.

The City of Culture in Santiago de Compostela, Spain. Image Courtesy of Eisenman Architects Frank Gehry House. Image © Liao Yusheng Port offices of Antwerp, Zaha Hadid Architects. Image © Helene Binet Eisenman's The Memorial to the Murdered Jews of Europe. Image Courtesy of Flickr user dalbera licensed under CC BY 2.0 + 15

During the First World War, Russian avant-gardists, known as Russian Constructivists, broke the rules of classical architecture and composition and presented a series of drawings that defied the “geometric norms” at the time. Their critical point of view and experimentation with forms disturbed the traditional perception of architecture and opened people’s eyes on the endless possibilities of breaking architecture rules. Post war, the country was undergoing radical changes and revolutions, and the impact of these revolutions on architecture was inevitable. Architecture was seen as a high form of art, influencing and being influenced by society, and so, social revolution = architecture revolution. Geometry, whether in art or architecture, became irregular. Vladimir Tatlin designed a bent monument trapped inside a twisted frame for the Third International in 1919. Aleksandr Rodchenko presented an experimental design for a radio station that portrayed all sorts of geometric experimentation and irregularity. However, these radical structures, as well as hundreds of others, never saw the light of day, and were left as sketches with an intriguing conceptual approach that were yet to be explored.

In parallel to the Russian Constructivist movement, the Modern Movement was paving its way. Perhaps it was the timing of both movements that forced people to blindly choose Modernism. The World War has just ended and people were desperate for the stability and refinement they so missed; Russian Constructivism didn’t stand a chance. Ornamentation was stripped off, only to leave people with clean-cut, elegant yet naked functionality.

Tatlin Tower. Image Courtesy of Flickr User Andy Roberts under CC by 2.0
Tatlin Tower. Image Courtesy of Flickr User Andy Roberts under CC by 2.0

What is Deconstructivism with respect to Russian Constructivism and Modernism?

Courtesy of Elizabeth W Garber
Courtesy of Elizabeth W Garber
Villa Savoye Le Corbusier
Villa Savoye Le Corbusier

Misconceptions surrounding deconstructivism may be the result of the terminology itself. The word translates to the act of demolishing, or tearing apart an existing structure, implying an act of rebellion. Deconstructivism was not really an impactful architecture movement or an artistic style that took the world by storm and altered architecture as we know it. It was a mélange of Russian Constructivism and Modernism, with a little bit of influence from Post-modernism, expressionism, and Cubism.

The term first appeared in the 1980’s, as an idea developed by French philosopher Jacques Derrida. Derrida, a friend of Peter Eisenman, developed the idea of fragmenting a building and exploring the asymmetry of geometry (inspired by Russian Constructivism), while maintaining the core functionality of the space (inspired by Modernism). The public first noticed the deconstructivist movement in the 1980’s during the Parc de la Villette competition, thanks to the winning entry by Bernard Tschumi, as well as Derrida’s and Eisenman’s design entry.

The style gained more attention during MOMA’s 1988 Deconstructivist Architecture exhibition, organized by Philip Johnson and Mark Wigley, which featured works done by Zaha Hadid, Peter Eisenman, Daniel Libeskind, amongst many others. Back then, Deconstructivism was not considered an established movement or a style such as Cubism or Modernism. Johnson and Wigley saw the similarities in the architects’ approach to design, and combined them under one roof.

Peter Eisenman. Image © Chris Wiley
Peter Eisenman. Image © Chris Wiley
Tschumi's Parc de la Villette . Image Courtesy of The Architectural Review
Tschumi's Parc de la Villette . Image Courtesy of The Architectural Review

The projects in this exhibition mark a different sensibility, one in which the dream of pure form has been disturbed. It is the ability to disturb our thinking about form that makes these projects deconstructive.The show examines an episode, a point of intersection between several architects where each constructs an unsettling building by exploiting the hidden potential of modernism. — Phillip Johnson and Mark Wigley, excerpt from the MoMA Deconstructivist Architecture book.

1988 Deconstructivism Exhibition. Image via MoMA
1988 Deconstructivism Exhibition. Image via MoMA

Following Derrida’s theories and the “avant-gardist” approach of Russian Constructivism, architects began exploring spaces and volumes. The style was characterized by a loss of symmetry or continuity. It was architecture on steroids. Design rules were broken and “form follows function” was neglected, but somehow, the refinement and elegance of modernism remained. The structure’s skin was manipulated and altered into unpredictable geometric forms, but the building’s function was preserved. Basically, architects began having fun, and instead of asking themselves whether the design was practical or not, the main question was: Why not?

However, most architects have rejected the label of being “Deconstructivists”, distancing themselves from any sort of movement. Bernard Tschumi believed that “calling the work of these architects a ‘movement’ or a new ‘style’ was out of context and showed a lack of understanding to their ideas”, claiming that the style was merely a move against postmodernism. Unfortunately for them, the term resonated with the public, and their works have been referred to as “deconstructivist” ever since. In fact, their Deconstructivist approach to design created some of the world’s most iconic and award-winning structures to date, influencing hundreds of up-and-coming architects.

Frank Gehry House. Image © Liao Yusheng
Frank Gehry House. Image © Liao Yusheng
Louis Vuitton Foundation, Frank Gehry Architects. Image © Todd Eberle
Louis Vuitton Foundation, Frank Gehry Architects. Image © Todd Eberle
Port offices of Antwerp, Zaha Hadid Architects. Image © Helene Binet
Port offices of Antwerp, Zaha Hadid Architects. Image © Helene Binet

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About this author
Dima Stouhi
Author
Cite: Dima Stouhi. "What is Deconstructivism?" 12 Aug 2018. ArchDaily. Accessed . <https://www.archdaily.com/899645/what-is-deconstructivism/> ISSN 0719-8884
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Tschumi's Parc de la Villette . Image Courtesy of The Architectural Review

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