Wife and husband pair Alison (22 June 1928 – 16 August 1993) and Peter Smithson (18 September 1923 – 3 March 2003) formed a partnership that led British Brutalism through the latter half of the twentieth century. Beginning with a vocabulary of stripped down modernism, the pair were among the first to question and challenge modernist approaches to design and urban planning. Instead, they helped evolve the style into what became Brutalism, becoming proponents of the "streets in the sky" approach to housing.
When it was announced in 2012 that London's Robin Hood Gardens – Alison and Peter Smithson's world-famous Brutalist housing estate – was to be demolished, there was outrage among the architectural community. Since then, many have called for the profession to act in order to protect "one of Britain’s most important post-war housing projects," which led to a fresh bid to save the scheme in March of this year. Richard Rogers, Simon Smithson (a partner at RSHP and son of Alison and Peter Smithson), and academic Dirk van den Heuvel have now called upon members of the public to voice their concerns to the UK Ministry for Culture, Media and Sport, before the end of the week:
"Previous efforts in 2009 to have the building listed failed, but the case has now been re-opened and we understand that the new Minister for Sport, Tourism and Heritage will be reviewing the arguments at the end of this week [w/c 15th June 2015]."
It has been reported that London's Robin Hood Gardens housing estate, which was thought to be finally condemned in March 2012, has re-entered a state of flux due to governmental indecision. The former UK Culture Secretary, Andy Burnham, gave the housing scheme an immunity from listing certificate in 2009, meaning that no concerned party could bid for it to gain protected status under British law. This certificate, designed to ensure that the buildings would be swiftly demolished, has now expired. This has led the Twentieth Century Society (C20) to launch a new bid for the estate to be both saved and protected.
Great movements in architecture are usually set in motion by a dull societal ache or as a response to a sudden, unforeseen reorientation of a community at large. The Dutch city of Rotterdam - vast swathes of which were cast into oblivion during the blitz of May 1940 - has been at the forefront of many shifts in approach to the built environment. It is therefore fitting that the latest exhibition at the Nieuwe Instituut (formerly the NAi), simply titled Structuralism, is being held in the city that was recently named Europe’s best.
Furthermore, Dutch Structuralism is a timely subject for Dirk van den Heuvel and the Jaap Bakema Study Centre (JBSC) in Delft to tackle. With major civic buildings like OMA's extension to Rotterdam's City Hall taking shape, it appears that a resurgence of Structuralist formal thought is appearing in the contemporary city. The exhibition seeks to shine a new light on the movement by uncovering drawings, models and texts which profoundly shaped 20th century architectural thinking.
In 1970 the BBC followed architects Alison and Peter Smithson through the construction of their seminal housing project, Robin Hood Gardens (London). The impact of their architecture continues to resonate well into the 21st century, most recently in the British Pavilion at the 2014 Venice Biennale. Robin Hood Gardens was demolished in 2013, bringing an end to the Smithson's utopian vision. Listen to Alison Smithson explain the European Housing Condition (as the vision stood in 1970), the state of British infrastructure as it was, and hear Peter Smithson discuss the impetus for their most famous collective housing project.
Peter Smithson (18 September 1923 – 3 March 2003), the acclaimed British architect often associated with New Brutalism, would have turned 91 today. He attended the school of architecture in Newcastle, but left to serve in the war in India and Burma. After returning to complete his degree in 1948, he enrolled in the Royal Academy architecture school. In 1950 he set up his own practice with his wife Alison, and the two went on to become some of the most influential British architects of the mid-20th century.
The British Pavilion at the 2014 Venice Biennale takes the large scale projects of the 1950’s, 60’s and 70’s and explores the "mature flowering of British Modernism at the moment it was at its most socially, politically and architecturally ambitious but also the moment that witnessed its collapse." The exhibition tells the story of how British modernity emerged out of an unlikely combination of interests and how "these modern visions continue to create our physical and imaginative landscapes." To those who know the UK's architectural heritage, this cultural and social history is delivered in a way which feels strangely familiar, whilst uncovering fascinating hidden histories of British modernity that continue to resonate in the 21st century.
We caught up with Sam Jacob, co-founder of FAT Architecture (of which this exhibition is their final project), and Wouter Vanstiphout, partner at Rotterdam-based Crimson Architectural Historians, outside the British Pavilion to discuss the ideas behind, and significance of, A Clockwork Jerusalem.
After many years spent fighting to preserve the famous Robin Hood Gardens social housing complex in East London, the architecture community mourns another loss. Tower Hamlets Council and the London Thames Gateway Development Corporations have approved the demolition of the 1960s Brutalist complex in an effort to make way for a new £500 million sustainable development comprised of energy efficient, mixed-tenure homes and an enlarged central park. The historic building was built by modernist architects Alison and Peter Smithson and remains an important piece to Great Britain’s architectural history. Continue reading for more.