Steven Holl Architects has been selected to design a new extension to one of India’s oldest museums, the Mumbai City Museum, also known as the Dr. Bhau Daji Lad Museum. Selected over OMA, Studio Mumbai Architecture, Zaha Hadid and four others, Holl is now the first architect ever to be chosen through an international competition to design a public building in Mumbai.
Continue reading to learn more about Holl’s winning design.
Curated by the Charles Correa Foundation, the Z Axis is an annual conference bringing together pioneers, thought leaders, influencers, professionals, and students in the fields of architecture and urban design to create an intellectual community focused on issues related to the context of India and the developing world. Fifteen speakers will gather from across the globe to explore the theme of Great City…Terrible Place, including Charles Correa, David Adjaye, Alfredo Brillembourg of Urban Think Tank, Spain’s “guerrilla architect” Santiago Cirugeda, Simone Sfriso of Studio TAM Associati and more.
Brooklyn based architectural photographer James Ewing has placed first in the American Photographic Artists’ APA Awards for architecture. The image, as Ewing describes, “was created to describe the verdant landscape that surrounds the Matrimandir and the community of Auroville.”
“The land was in an advanced state of desertification when the Auroville project was started in the 1960s. Heavy erosion had removed most of the topsoil and left a barren scorched earth. Through many years of careful engineering and land management Auroville has created a lush, wooded, garden city. I sought out an elevated vantage point that allowed me to present the building in context with its landscape. The building without the landscape would only be half of the story. The cyclists in the foreground show scale and provide a contrast between the familiar low-fi technology of the bicycles and the fantastic sci-fi form of the Matrimandir itself.”
On his recent visit to Santiago, Chile we caught up with Rahul Mehrotra, founder of Mumbai-based RMA Architects and a professor of Urban Design and Planning at Harvard’s Graduate School of Design. Mehrotra is known for his advocacy work in Mumbai and has carried out projects on a myriad of scales including interior design, architecture, urban design, conservation and planning. His projects include everything from a house on a tea plantation to a campus for NGO Magic Bus, the KMC Corporate Office in Hyderabad and housing for mahouts and their elephants. Mehrotra has also written and lectured extensively on architecture, conservation and urban planning in Mumbai and India.
“I think that the most important issue facing architects and architecture–generally, around the world–is the question of inequity,” Mehrotra told us. “I think architecture is a deadly instrument in hardening the boundaries between the communities in society. It hardens thresholds very easily; we don’t realize it.” In the full interview, Mehrotra speaks more on inequity, what architecture means to him and how his practice and teaching inform each other.
Indian Architect & Builder, through a two-part series titled ‘Practices of Consequence’ (Volumes I and II) delves deeper into contemporary Indian practices that have carved a unique identity and place for themselves in the country today. This article, part of the first volume of the series, takes a closer look at Anagram Architects, a New Delhi based architectural firm.
Led by Madhav Raman and Vaibhav Dimri, Anagram Architects is a growing studio that works in architecture, installation, urban design and material innovation. The firm is often experimental in nature, and each project is developed with a distinct, independent framework. Beyond architecture, Anagram Architects has also designed objects and installations with a strong, cohesive sense of material, detail and execution. Indian Architect & Builder’s interview with the founders, after the break…
“The Indian poor live in perpetual darkness, while the Indian rich live in perpetual light.” This fact is obviously embedded in Mumbai, where luxury condominiums rise in the middle of slums. Many of these extravagant buildings were designed by India’s most commercially successful architect, Hafeez Contractor, who believes his arrestive work is the beginning of slum redevelopment. Learn about his crusade and how he’s been criticized in this New York Times article by Daniel Brook.
Indian Architect & Builder, through a two-part series titled ‘Practices of Consequence’ (Volumes I and II), delves deeper into contemporary Indian practices that have carved a unique identity and place for themselves in the country today. This article, part of the first volume of the series, takes a closer look at ‘Abin Design Studio’, a Kolkata-based architectural firm.
In a city that, though culturally rich, has remained fairly neglectful of contemporary architectural developments, Abin Design Studio’s dynamic philosophy attempts to trigger a ‘think revolution’ by challenging the conventional and recreating the city-scape of Kolkata. Abin Design Studio was founded in October 2005 by Abin Chaudhuri, who partnered with Jui Mallick in 2006. What started off as a small three-person firm is now a frontline organisation rendering complete design solutions from conceptualisation to realisation of space, object and visual.
The projects have a strong spatial quality which fuse lessons from past traditions with aspirations of the present in a sparkling coup of energy. Their passion to transform and nerve to challenge is almost incomparable. Indian Architect & Builder’s interview with the founders, after the break…