Brutalist Beirut: Showcasing a Forgotten Modern Heritage

In recent years, people started to regain interest in a movement that dates back to the last century; a movement, first introduced during the 1940s and 1950s, through the works of Le Corbusier and Alison and Peter Smithson. With monolithic structures, modular shapes, and impressive massing, Brutalism highlights architectural integrity. This movement is highly characterized by rough, raw, and pure surfaces that underline the essence of the substances in question. Spread across the globe, architects have adopted and developed their own vision of this modern movement, creating contextual variations.

In the midst of all the chaos currently taking place in the city of Beirut, we look back on the Lebanese capital’s hidden Brutalist gems. To shed the light on a movement that's often neglected and forgotten, Architect Hadi Mroue created a series of images that highlight the Lebanese Brutalism movement as well as its evolution as an important part of the Lebanese modern heritage.

While people are not very familiar with their cultural legacy, they often miss to see the value of these buildings dating back to the last century. Mroue photographed these concrete structures and imagined them standing tall, alone, without their crowded context, in order to underline the purity of their form, their truth, and their philosophical approach. Built between 63 and 97, this selection showcases buildings, in the greater Beirut perimeter, that can be directly associated with the architectural movement and others that join in philosophy rather than in style.

Read on to check some of the overlooked, under the radar, concrete treasures of the capital, shedding light on a piece of heritage that needs to be saved and preserved.

Khalil Khoury, 1971, Hamra. Image © Hadi Mroue

Beirut, the city of all the contrasts, displays a skyline of bullet-riddled buildings, French colonial, and ottoman structures as well as post-war luxurious redevelopment projects. Amongst this mix of constructions, and confusion of identity, monolithic concrete buildings pop every now and then, as a reminder of a once cultural awakening and prosperous era. In fact, it was in the 1960s that Brutalism was first introduced to the country, relatively later than its emergence on the international scene.

Khalil Khoury, 1971, Hamra. Image © Hadi Mroue

Inspired largely by the works of Le Corbusier and the Brazilian movement, led by Lebanese pioneers in the exposed concrete style, such as Joseph Philippe Karam, Khalil Khoury, Georges Khoury, Antoine Romanos, and Gregoire Serof to name a few, brutalism presented to the world a new vision of an advanced and modern Lebanon, where architects expressed themselves in an unprecedented way.

Batimat Architects, 1997, Furn El Chebbak . Image © Hadi Mroue

Although a small amount of these modern treasures became well known in the capital in these past years, a larger bunch are still overseen. The “famous” buildings include “the egg”, in downtown Beirut, designed by Philippe Karam in 1965, a cinema that never fulfilled its purpose, because of the detonation of the civil war. Lesser renowned modern buildings comprise of famed governmental institutions like the Banque du Liban (BDL), or the Central Bank in Hamra created by Addord and Julliard, between 62 and 64, after “only 13 months of study and execution”. In addition, this list also features the Headquarters of the Electricité du Liban (EDL) in Mar Mikhael designed by Pierre Neema, and the Interdesign spaceship-like showroom in Hamra, imagined by Khalil Khoury and his brother Georges Khoury, and built between 75 and 97, due to war-related disruptions. Other edifices, also part of the series of images are residential buildings and offices.

Addor and Julliard – 1963 – Hamra, Beirut

Banque du Liban - Addor and Julliard, 1963, Hamra . Image © Hadi Mroue

Kevork Karajerjian – 1967- Hamra, Beirut

Kevork Karajerjian, 1967, Hamra. Image © Hadi Mroue

Khalil Khoury -  1971 – Hamra, Beirut

Khalil Khoury, 1971, Hamra. Image © Hadi Mroue

Antoine Romanos – 1972 – Achrafieh, Beirut

Antoine Romanos, 1972, Achrafieh. Image © Hadi Mroue

Khalil Khoury – 1975 – Hamra, Beirut

Khalil Khoury, 1975, Hamra. Image © Hadi Mroue

Khalil Khoury – 1975-1997 – Hamra, Beirut

Interdesign - Khalil Khoury, 1975-1997, Hamra. Image © Hadi Mroue

Maurice Hindie – 1972 – Achrafieh, Beirut

Maurice Hindie, 1972, Achrafieh. Image © Hadi Mroue

Pierre Bassil and Kamal Homsi – 1980 – Achrafieh, Beirut

Pierre Bassil and Kamal Homsi, 1980, Achrafieh. Image © Hadi Mroue

Robert Geammal – 1980 – Achrafieh, Beirut

Robert Geammal, 1980 ,Achrafieh. Image © Hadi Mroue

Gregoire Serof – 1982- Corniche Al Naher, Beirut

Gregoire Serof, 1982, Corniche Al Naher. Image © Hadi Mroue

Pierre El Khoury – 1984 – Fanar, Beirut

Pierre El Khoury, 1984, Fanar. Image © Hadi Mroue

AAA – 1996 – Achrafieh, Beirut

AAA, 1996, Achrafieh. Image © Hadi Mroue

Batimat Architects – 1997 – Furn el Chebbak, Beirut

Batimat Architects, 1997, Furn El Chebbak, Lebanon. Image © Hadi Mroue

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About this author
Cite: Christele Harrouk. "Brutalist Beirut: Showcasing a Forgotten Modern Heritage" 21 Nov 2019. ArchDaily. Accessed . <> ISSN 0719-8884

Antoine Romanos, 1972, Achrafieh. Image © Hadi Mroue


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