Historic England: The Latest Architecture and News

The Southbank Centre is a cultural complex in London built between 1963 and 1968 and widely regarded as a representative example of British Brutalism. Today, the site hosts a wide range of events, including visual arts, theatre, dance, classical and contemporary music, literature, poetry, and debate. The building was designed by a team from the Architects' Department of the London County Council, led by architect Norman Engleback. It became a controversial example of modern architecture following its opening in October 1967, when engineers voted Queen Elizabeth Hall "the supreme ugly" in a poll of new buildings, and the Daily Mail referred to it as "Britain's ugliest building." Fifty-nine years later, on February 10, 2026, the complex was granted Grade II listed status by the UK government's Department for Culture, Media and Sport (DCMS), following a 35-year campaign advocating for its protection as modern architectural heritage.

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The most recent edition of The Cathedrals of England brings to a new generation the classic 1930s Batsford guide to England’s religious architecture. Concisely written and speaking to a broad readership, the book serves as a practical guide today as it did almost a century ago, acting as a reference catalogue for every Church of England cathedral in the country at the time.

Historic England has given protection to 17 Post-Modern buildings through their new listing publication. The bold, playful examples of a critical reaction to Modernism, designed between 1970 and 1990, have been listed to stem losses for the valued architectural style, following a recommendation from the UK government’s Department for Digital, Culture, Media, and Sport.

The listed schemes vary in terms of location and use, encompassing culture, housing, education, civic, commercial, and law. From Crown Courts in Cornwall and warehouses in Slough to libraries in Cambridge and housing schemes in London, the listings reflect a revived interest in Post-Modernism, which was spurred by the 2011 “Style and Subversion” exhibition at the V&A in London.