The 4-minute film "Community by Design: Skid Row Housing Trust," directed by Myles Kramer, has been selected by as the winner of the AIA's annual I Look Up Film Challenge. Winning out against 81 other entries, the film investigates the impact and approach of the Skid Row Housing Trust, which creates homes for homeless people in Los Angeles, with the help of renowned architects such as Michael Maltzan Architecture and Brooks + Scarpa Architects.
I've been ArchDaily's Managing Editor since July 2014, after starting as an ArchDaily intern and spending around 18 months climbing the ladder. I have a BA in Architecture from Newcastle University, and I am particularly interested in how overlooked elements of architectural culture - from the media, to competitions to procurement processes - can alter the designs we end up with.
With the launch today of Apple's iOS 11—and with it, the release of the company's powerful system for augmented reality apps, ARKit—Morpholio has released a new update to their popular Trace app that allows users to sketch over photographs with perfect accuracy. While it has always been an option to sketch over photographs in Trace, the new "Perspective Finder" tool superimposes a scaled grid over the photograph that helps designers follow the perspective of the image and measure their drawings accurately.
Vincent Callebaut Architectures has released a design proposal for a new eco-tourism resort in The Philippines inspired by natural coastline forms. Making extensive use of cradle-to-cradle and other sustainable design principles, the resort features a series of spiraling apartment buildings and shell-shaped hotel buildings, themselves positioned on two Fibonacci spirals of land in a coastal lagoon. At the center of the ensemble, a mountain-like complex combines a school, recreational swimming pools, sports halls, the resort's kitchens, and a suite of laboratories for environmental scientists.
Architecture is art, but art vastly contaminated by many other things. Contaminated in the best sense of the word—fed, fertilized by many things.
– Renzo Piano
Italian architect Renzo Piano (born 14 September 1937) is known for his delicate and refined approach to building, deployed in museums and other buildings around the world. Awarded the Pritzker Prize in 1998, the Pritzker Jury compared him to Leonardo da Vinci, Michelangelo, and Brunelleschi, highlighting "his intellectual curiosity and problem-solving techniques as broad and far ranging as those earlier masters of his native land."
Chinese architect Zhang Ke, the founder of the firm standardarchitecture, has been awarded the 2017 Alvar Aalto Medal. Presented by the Museum of Finnish Architecture, the Finnish Association of Architects SAFA, the Architectural Society, the Alvar Aalto Foundation and the City of Helsinki, the medal recognizes an architect who, in the words of the Museum of Finnish Architecture, is "exceptionally accomplished in the field of creative architecture and has carried on Aalto’s legacy of sustainable, humane design."
Andrés Duany (born September 7, 1949) is a founding partner of Miami firms Arquitectonica and Duany Plater-Zyberk & Company, and a co-founder of the Congress for New Urbanism. As an advocate of New Urbanism, since the 1980s Duany has been instrumental creating a renewed focus on walkable, mixed-use neighborhoods, in reaction against the sprawling, car-centric modernist urbanism of the previous decades.
If you follow MAD Architects on social media, the chances are good that in recent months you've seen a number of updates regarding their Chaoyang Park Plaza project in Beijing. Located at the southern edge of the largest park in Beijing, the project comprises a complex of 5 buildings, including a pair of asymmetric towers that reach 120 meters tall. Now, with the building almost complete, photographer Khoo Guo Jie of Studio Periphery has provided us with this sneak peek of the project.
Known as Chicago's "Father of Skyscrapers," Louis Sullivan (September 3, 1856 – April 14, 1924) foreshadowed modernism with his famous phrase "form follows function." Sullivan was an architectural prodigy even as a young man, graduating high school and beginning his studies at MIT when he was just 16. After just a year of study he dropped out of MIT, and by the time he was just 24 he had joined forces with Dankmar Adler as a full partner of Adler and Sullivan.
Completed in 2013 on the western coast of Bornholm—a small Danish island located south of Sweden—the Hasle Harbour Bath by White Arkitekter is one of a number of waterfront bathing facilities appearing in Denmark. Structures such as the Hasle Harbour Bath, the Kastrup Sea Bath, also by White Arkitekter, and the Copenhagen Harbour Bath by BIG + JDS, evoke images of a bracing coexistence with natural elements. If hygge, the Danish art of cosiness, has been one of the country's most successful cultural exports in recent years, the idea of a refreshing dip in the Baltic Sea offers a counterpart—a ying to hygge's yang.
The winner of the Wolf Prize in 2005 and the Pritzker of 2008, French architect Jean Nouvel has attempted to design each of his projects without any preconceived notions. The result is a variety of projects that, while strikingly different, always demonstrate a delicate play with light and shadow as well as a harmonious balance with their surroundings. It was this diverse approach that led the Pritzker Prize Jury in their citation to characterize Nouvel as primarily "courageous" in his "pursuit of new ideas and his challenge of accepted norms in order to stretch the boundaries of the field."
In the past decade or so, smartphones and social media apps have revolutionized our culture's relationship to images. From Instagram to Facebook to Pinterest to Youtube, photographs and videos are now so ubiquitous that they have become literally disposable, with apps such as Snapchat trading on their promise to delete your images after a certain period of time. But while smartphones are a very visible driver of this change, what is often forgotten are the huge developments in image-editing software that have supported this revolution—from the HDR built into your smartphone's camera to the wide range of filters provided by Instagram.
Now, as reported by MIT News, Google and MIT's Computer Science and Artificial Intelligence Laboratory may have created another cosmic leap forward: an algorithm that can provide automatic, professional-level image retouching so quickly that you can see a preview before even snapping the photograph.
It’s always fascinating when architecture breaks the bounds of the profession and becomes a topic of debate in the wider profession. Fortunately, thanks to the internet, there is no shortage of such occasions: whether it’s the click-seeking cluster of articles that found a client for an improbable cliff-hanging design or the forums that suddenly decided that most modern architecture looks “evil,” the viral trend treadmill ensures that there are plenty of opportunities for the layperson to offer their two cents on the output of our profession.
The flavor of the summer of 2017 is Attika Architekten’s Emoticon Facade. This thoroughly sensible and polite building has caught the public’s attention thanks to its inclusion of emoji-shaped decorative additions. While most of the internet has responded with heart-eyes, there’s no shortage of people for whom these carved emojis are a clear indication that architecture, and by extension society, and by extension all of life as we know it, is doomed, never to recover. Such an opinion is legitimized by articles like this one in Wired by Sam Lubell, who in reporting on the building found two experts willing to take a big old smiley poop on Attika Architekten’s work. Given the role that these experts play in directing the conversation among the public, their arguments bear analysis.
As one of the leading architects of the British High-Tech movement, Pritzker Prize-winner Richard Rogers stands out as one of the most innovative and distinctive architects of a generation. Rogers made his name in the 1970s and '80s, with buildings such as the Centre Georges Pompidou in Paris and the Headquarters for Lloyd's Bank in London. To this day his work plays with similar motifs, utilizing bright colors and structural elements to create a style that is recognizable, yet also highly adaptable.
When he was awarded the first ever Pritzker Architecture Prize in 1979, the jury described Philip Johnson (July 8, 1906 – January 25, 2005) as someone who “produced consistent and significant contributions to humanity and the environment," adding that "as a critic and historian, he championed the cause of modern architecture and then went on to design some of his greatest buildings.” However, even after winning the Pritzker Prize at age 73, Johnson still had so much more of his legacy to build: in the years after 1979, Johnson almost completely redefined his style, adding another chapter to his influence over the architecture world.
Through their pioneering theory and provocative built work, husband and wife duo Robert Venturi (born June 25, 1925) and Denise Scott Brown (born October 3, 1931) were at the forefront of the postmodern movement, leading the charge in one of the most significant shifts in architecture of the 20th century by publishing seminal books such as Complexity and Contradiction in Architecture (authored by Robert Venturi alone) and Learning from Las Vegas (co-authored by Venturi, Scott Brown and Steven Izenour).
One of the most highly regarded architects of his generation, Portugese architect Álvaro Siza (born 25 June 1933) is known for his sculptural works that have been described as "poetic modernism." When he was awarded the Pritzker Prize in 1992, Siza was credited as being a successor of early modernists: the jury citation describes how "his shapes, molded by light, have a deceptive simplicity about them; they are honest."
When Catalan architect Antoni Gaudí (25 June 1852 – 10 June 1926) graduated from the Barcelona Architecture School in 1878, the director of the school Elies Rogent reportedly declared: "Gentlemen, we are here today either in the presence of a genius or a madman!"  Well over a century later, this tension is still evident in Gaudí's work; though he is widely regarded as a genius architect, his distinctive style stands as a singularity in architectural history—simultaneously awe-inspiring and bizarre, never fitting into any stylistic movement, and never adapted or emulated, except by those still working to complete his magnum opus, Barcelona's famous Sagrada Família.
Benedetta Tagliabue (born 24 June 1963) is an Italian architect known for designs which are sensitive to their context and yet still experimental in their approach to forms and materials. Her diverse and complex works have marked her Barcelona-based firm EMBT as one of the most respected Spanish practices of the 21st century.