A guide from Graphisoft on how to create powerful design presentations with Archicad through the use of Archicad version 25.

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The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.

A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.

This week David and Marina of FAME Architecture & Design discuss one of the ways they begin projects with new clients with their Project Starter Service. Embarking on a project can be daunting for those unfamiliar with the architecture, design, and construction industry. The initial onboarding phase—prior to the contract being awarded—also poses challenges for architects and professionals. In this episode, they discuss one way to have a smoother start for everyone that establishes a strong foundation for the project to build on.

Moving towards a sustainable future is a global challenge that involves all disciplines working together. According to the 2021 Global Status Report for Buildings and Construction, almost 40% of carbon emissions come from the construction industry. This places a heavy responsibility on the industry, which must be open to exploring innovative strategies, technologies, and materials in order to pave the road towards a universal sustainability goal: reaching carbon neutrality by no later than 2050.

With that in mind, this article presents three specific products and systems –low-carbon glass, low-carbon concrete, and lightweight materials– that architects are applying in their projects to contribute to a low-impact architectural design.

In 1999, Birgit Lohmann and Massimo Mini co-founded designboom, self-proclaimed as the "first online architecture and design magazine." Seven years later, Facebook transitioned from Ivy League universities to massive audiences, while the first tweet was posted on formerly-known Twitter. Sixteen years have passed since these milestones.

While 16 years may be a short period in architecture, digital media and social networks are far from being considered emergent in the history of the internet. In fact, they form the core of the current Web 2.0 model, characterized by a dual interaction between content producers and consumers: sharing, liking, remixing, and reposting.

Indeed, the speed and magnitude of the transformations that digital media have undergone, and in turn, driven, provide the opportunity to begin documenting the history of the digital era and its impact on architecture.

This article was originally published on Common Edge.

A simple walk in the park will relax even the most tightly wound individual. But what about the places where people spend far more of their time, such as schools, office buildings, and hospitals? What role can design play in incorporating nature into those environments? And at what additional cost? Bill Browning has published a book—The Economics of Biophilia: Why Designing With Nature in Mind Makes Financial Sense, 2nd Edition (written with Catie Ryan and Dakota Walker)—arguing that the cost of bringing nature into building projects isn’t prohibitive but additive. An environmental strategist with a long history in green building, Browning is one of the founding partners (with architects Bob Fox and Rick Cook) of the sustainable design consultancy Terrapin Bright Green. Recently I talked with Browning about biophilic design—and, because he was a founding member of the U.S. Green Building Council’s board of directors, about the strengths and shortcomings of the LEED rating system.

Good architectural design can encompass a myriad of aspects, but can be generally regarded as buildings/constructions that are planned, designed and devised to be functional, aesthetic and durable. They can often be timeless designs, made for the benefit of the people who will inhabit them, and demonstrate a multi-disciplinary approach to space and interaction design. This is the spirit of the A’ Design Award and their “Good Architectural Design” super-category, which seeks to reward the best in architecture and design around the world.

The experience of a space depends on various factors, including its size, lighting, views, temperature, and uniqueness. In essence, multiple architectural elements evoke emotions in individuals, both intentional and unintentional. For architects, alongside considerations like client preferences and project proposals, there exists a formal intention, an aesthetic aspect that aligns with the artistic dimension of their discipline. Striking the right balance between these aspects forms the foundation of architectural thinking. This commitment to balance guides the work of spaceworkers, a firm founded by Carla Duarte, who serves as the financial director, and creative directors Henrique Marques and Rui Dinis.

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A type of wetland that provides an incredible carbon-storing capacity. This could be an excellent way to describe a peatland. Found in practically every climate zone in the world, this type of ecosystem is much more than this short description, as it plays an important role in mitigating the climate crisis. But what is it, and how can we use it responsibly?

How can a building be more efficient? It is a concern that architects face on a daily basis, as they try to keep up with the demands of an industry that is increasingly aware of its environmental impact. Today more than ever, there is an effort to design buildings that integrate sustainability, efficiency and thermal comfort, which are fundamental pillars of a healthier built environment. 

Having an effective solar control strategy is crucial to achieving a more efficient architecture. In addition to providing solar protection and economic savings, these strategies also carry benefits in terms of aesthetics, acoustics, thermal comfort, durability and maintenance. 

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How to design livable spaces, making the most of the available square meters? Currently, the design of housing in major urban centers is often linked to finding ways to optimize interior spaces, integrate environments for better lighting and ventilation, and establish a connection with the outdoors. According to the needs of its inhabitants, project requirements, and often construction costs, architecture professionals seek to provide flexibility, spaciousness, and adaptability to spaces through renovations, transformations, and more, which provide good living conditions and consider the possible changes that future generations may have to face.

Exploring materiality, contextuality, and approach, our editors developed thought-provoking articles seeking to question and describe some of the aspects that make any Architecture, a good one.

Discover in this piece a selection of editorial writings that aim to answer this interrogation, grouped under the themes of cities, materials, history, context, and Interior Spaces. Moreover, find at the end an excerpt from the ArchDaily book.

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Construction administration processes can pose significant challenges to project productivity. The processing of submittals and requests for information (RFIs—a necessary part of the project lifecycle) is a tedious and time-consuming task for most project teams. In the case of larger projects, teams can be flooded with thousands of submittals and hundreds of RFIs.  

The AEC industry is moving at a lightning-quick pace, requiring architects and engineers to quickly process and resolve RFIs and submittals to maintain their tight deadlines and keep costs within budget, which poses an ever-present challenge for teams.

In today's fast-paced and highly connected urban environment, people are increasingly realizing the vital importance of nature in improving both our physical and emotional health. This awareness directly impacts the quality of the spaces where people reside. Discussions and studies on topics such as neuroarchitecture and biophilia are becoming more prominent in the field of modern architecture and interior design. These discussions prompt us to think critically about the deliberate and mindful selection of design elements that shape our shared living environments.

In this scenario, the use of materials such as wood, whether in residential, commercial, or corporate environments, has shown positive effects on how we feel and experience the spaces by eliciting a connection with the natural environment, reconfiguring the way we perceive our living and working spaces and how we are affected by them. By incorporating wooden elements, we can create places of greater tranquility that allow us to disconnect from the stress and busyness of urban life.

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The priority when it comes to a building’s exterior surface material is durability. Having to literally stand up to the tolls of rainwater, wind, sunlight, temperature fluctuations, and many other weather conditions, we demand a lot of them. On the opposite side of the insulated coin, meanwhile, interior surfaces instead tend to prioritize their finish – with the characterful color, pattern, and texture of materials such as paints, ceramic tiles, or wood panels.

Traditionally, these two worlds, exterior and interior, never need to be met. Opposing requirements, it was thought, need opposing surfaces. But as our external and internal environments continue to collide into a singular typology of simply liveable space, more and more projects both large and small, commercial and private, are taking surface design inspiration from the outside world. Dragging the materials, themes, and the history of facades inside. Here are four recent projects from the Architonic Archive that do just that.

Wood in contemporary construction is often associated with coziness, simplicity, and a certain sense of nobility. Despite requiring more frequent maintenance compared to materials like concrete, wood is increasingly considered a viable option within the concept of regenerative design, owing to its place in the natural organic cycle of our planet. While wood has been a staple in architectural design, carbonized wood, known as yakisugi, is gaining significant attention as a finishing choice.

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