A guide from Graphisoft on how to create powerful design presentations with Archicad through the use of Archicad version 25.

The Kalba Ice Factory, located in the city of Sharjah, on the coast of the UAE, has been renovated by the Sharjah Art Foundation and designed by Peru studio 51-1 Arquitectos, creating a space that seamlessly blends industrial aesthetics with natural surroundings. The transformation of this abandoned fish feed mill and ice storage facility into an art space is a testament to the power of adaptive reuse and preservation. In time for the Sharjah Biennial 15, the Kalba Ice Factory was opened to the public on 8 February 2023 as a venue for the Biennial.

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Venice, a city usually concerned with devastating floods, now faces the opposite problem: canals are starting to run dry following weeks of dry winter weather and unusually low tides. A combination of factors is believed to have caused this rare sight: lack of rain, high atmospheric pressure, and the lunar cycle producing low water levels during ebb tide. Since the canals serve as streets in the city, the phenomenon has implications beyond the disappointment of the tourists. Some of Venice’s smaller calas have dried up almost entirely, making it impossible for gondolas, water taxis, and ambulances to reach areas of the city.

Local governor Toyohito Ikeda of Takamatsu, in Japan, announced that the famous Kagawa Gymnasium will be demolished. Built between 1961 and 1964 by the Pritzker Prize winner Kenzo Tange, the structure is a landmark of the modernist post-war era in Japan. This news has sparked the creation of a petition in an effort to save this 47-year-old monument.

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The National Institute of Fine Arts and Literature (Inbal) announced the selected proposal that will represent Mexico at the 18th International Architecture Exhibition of the Venice Biennale 2023. The selection was derived from 44 registered teams and 14 projects submitted. The selected proposal is called "Utopian Infrastructure: The peasant basketball court" and is made up of the following participants:

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A24 and Atomic Monster have recently confirmed a movie adaptation of The Backrooms, a Youtube short horror film (expanded to a series) created by 17-year-old director and VFX artist Kane Parsons.

Based on the namesake creepypasta, The Backrooms is set in a seemingly infinite labyrinth of yellow-tinted, carpeted office spaces, bathed in fluorescent indoor lighting, like an abandoned building, in 1996. Its kitsch corporate aesthetic is reinforced by the imitation of the VHS tape recording style that allows Parsons to hide imperfections (or avoid an uncanny valley effect) of a simple 3D scenario created in Blender and edited in Adobe After Effects during the post-production stage.

We invite you to participate in the ArchDaily Building of the Year Awards. We ask you to recognize and reward the projects that you feel are creating the largest impact in the built environment, that ArchDaily has published on our projects database in 2022. By voting, you form part of an interdependent, impartial, distributed network of jurors and peers that has consistently helped us celebrate architecture of every scale, purpose, and condition, from countries large and small, and architects of all descriptions. Already 4000 projects have been filtered down to just 75 finalists – representing the best in each project category on ArchDaily.

Remember, registered users will be able to vote for their favorite project for each of the 15 categories included in the Awards. One vote per category. Voting ends on February 23rd, 2023 at 12:01 AM (EST). Thank you once again for helping us continue to democratize architectural excellence across the world.

The ArchDaily Building of the Year Awards is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.

The World Design Capital, a city project dedicated to promoting the design profession around the world, showcases a new capital every two years. The initiative recognizes cities for their constructive use of design to drive social, cultural, and environmental change and improve the overall quality of life. This week, San Diego and Tijuana have been named the World Design Capital of 2024, due to their human-centric design strategies and their cross-border collaboration. In previous editions, the World Design Organization had selected Valencia and Mexico City as design capitals of the world.

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Stefano Boeri has been awarded the Lifetime Achievement Award at the sixth edition of the Madrid Design Festival. According to the organizers, this recognition pays homage to a “great figure in design”. It acknowledges the significance of his contributions to the disciplines of architecture and urban planning, as well as publishing and academia. The award ceremony, held at the Institución Libre de Enseñanza (ILE), was conferred by the architect Rafael Moneo, who personally handed the award to Stefano Boeri.

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The proposal "EN OPERA. Future Scenarios of a Young Forestry Law" by INST/MAPA + Carlos Casacuberta has been selected to represent Uruguay at the 18th International Architecture Exhibition of the Venice Biennale, to be held from May 20th to November 26th, 2023.

When lockdowns first hit and retailers were forced to shut up shop, many took to the digital high street instead, with those investing hardest and quickest in their online personas invariably winning the battle for our bookmarks. As the world opened again, some kept both their physical and digital presence in a hybrid model, while others chose to remove themselves from bricks and mortar altogether.

As we become more accustomed to using both models together, it’s clear that physical retail spaces can offer sensorial experiences that the digital simply can not – yet. These four projects buck the online retail trend and encourage consumers – and therefore other retailers, too – to move back into the physical, by turning the act of shopping into an exciting, invigorating, or relaxing luxury pastime, rather than a chore.

Cleveland-based gallery SPACES has been selected to organize the US exhibition at the 2023 Venice Architecture Biennale in collaboration with the U.S. Department of State’s Bureau of Educational and Cultural Affairs. As curators, Tizziana Baldenebro, the executive director of the gallery, has collaborated with Lauren Leving, a curator at the Museum of Contemporary Art Cleveland, on the proposal. Together they plan to fill the space of the pavilion with works in plastic by architecture professors, designers, and artists. The exhibition, titled “Everlasting Plastics”, aims to examine the role of this material “both literally and as a cultural metaphor”.

The Brick Award is an internationally established award that presents outstanding brick architecture from all around the world. Independent architecture critics, experts, architects and developers are invited to submit innovative and creative buildings and other construction works made of clay building materials. The spectrum of applications ranges from building solutions using classic clay blocks, facing bricks and roof tiles to the creative application of clay pavers and ceramic façade panels.

Architects’ registration boards in UK and US have reached an agreement that enables architects to benefit from a more straightforward process to get licensed in both countries. The Mutual Recognition Agreement results from a negotiation between the National Council of Architectural Registration Boards (NCARB) in the United States and its United Kingdom counterpart, the Architects Registration Board (ARB). This week, the two organizations announced that the agreement has been signed by both parties. It will become active on April 25, 2023, allowing architects to apply for reciprocal licensure in the US and the UK.

This agreement is the result of over nearly four years of research and negotiation between NCARB and the ARB. In 2018 NCARB initiated a process of evaluating the requirements for registration in the United Kingdom, comparing it to the licensing process in the US. The analysis found a substantial overlap between the standards in both countries. These similarities form the base of the mutual agreement, which will provide a streamlined path for architects seeking reciprocal licensure in the two countries, along with the subsequent professional opportunities that could come with it.

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Sir David Adjaye unveils new plans for the new Bedford Stuyvesant Restoration Corporation in Central Brooklyn. This center is the first-ever community development institution in the country, established in 1967. The scheme envisions a space that accelerates wealth creation and closes the racial wealth gap that has affected the United States.

Ceilings were once a symbol of grandeur and opulence, adorning grand buildings, churches and palaces with their intricate and elaborate designs. We still find ourselves looking up in awe at these mesmerizing historical buildings, with our eyes drawn to their magnificent vaulted ceilings, remarkable truss structures or distinctive works of art depicting mythology, historical events and landscapes. Contemporary design, on the other hand, has shifted towards a sleek, minimalistic aesthetic; one where plain white ceilings have become the norm in most modern buildings. As Rasmus Wærn and Gert Wingårdh suggest in their book What is Architecture? And 100 Other Questions, “Ceilings have devolved from being the focal point of a room to being a zone for mechanical equipment.” And yet they have extraordinary creative potential.

Selecting materials for an architectural project is an art form in itself. From the ruggedness of stone to the transparency of glass, materials and their unique qualities can set the tone, influence the mood and define the atmosphere of any interior. They have the power to transform a cold, sterile room into a warm and inviting sanctuary or a modern and sleek environment. Functionality and comfort are also closely tied to material selection; for example, durable, low-maintenance materials like terrazzo are an ideal choice for high-traffic areas, while the softness of carpet or fabric can provide a sense of coziness in hospitality settings.

Pretentious as it may sound, we can say with certainty that bamboo is one of the most promising materials for the future of the construction industry. Neil Thomas, principal engineer at atelier one, says that if we were to design an ideal building material, it would look a lot like bamboo. This is because it grows very fast, is present in many countries around the world, has a highly efficient cross-section, and has impressive load-bearing strength. But beyond its structural use in its raw form, bamboo is also a material that allows a high level of processing and can be laminated for flooring, fixtures and, as we will see in this article, for Structural Engineered Bamboo (SEB) structures, which are very similar to Engineered Wood. We spoke with Luke D. Schuette, founder and CEO of ReNüTeq Solutions, LLC, a company in St. Louis, Missouri, that has been working with this structural material technology.

Opus Architecture & Simon Mahringer have just been awarded first prize in an open competition for the new museum and science center in Oulu, Finland. The competition was held in 2022, and the winners were announced on January 12th, 2023, chosen from a total of 95 proposals. The building is situated in the coastal city of Oulu, right at the center of the Myllytulli area, where the current science center Tietomaa is located. The new proposal will house the current science center and the facilities of the Oulu Art Museum.

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Snøhetta, the Norweigan-based architecture and landscape practice, has been chosen to re-imagine the French Asylum and Administrative Courts of Montreuil. The proposal puts together both institutions on one site, surrounded by luscious green areas and a biophilic landscape. Set to begin construction in 2024, and be completed by 2026, the project includes the design of the buildings, landscape, wayfinding, interior, and furniture.

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The philosopher and sociologist Henri Lefebvre coined the notion of "production of space" in 1974, breaking with the vision of space as a container or scenario of objects and social relations, to move towards space understood as a process. From this vision based on the Marxist tradition, space is a product and a producer of social relations and processes.

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