Women Architects: The Latest Architecture and News

The Royal Institute of British Architects (RIBA) announced that Professor Yasmeen Lari, Pakistan’s first female architect, will receive the 2023 Royal Gold Medal for architecture. The award, one of the highest honors for architecture and the first to be personally approved by King Charles III, recognizes Yasmeen Lari’s work in championing zero-carbon self-build concepts for displaced populations. The Royal Gold Metal will be officially presented to Yasmeen Lari in June 2023.

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Atelier Masōmī has just revealed its design for The Ellen Johnson Sirleaf Presidential Center for Women and Development (EJS Center). President Ellen Johnson Sirleaf chose an all-female team to work on the project with lead architect Mariam Issoufou Kamara of Atelier Masōmī, exhibition's architect Sumayya Vally of Counterspace, and the local architect Liberian architect Karen Richards Barnes. The EJS Center, located in Liberia’s capital Monrovia, will provide digital access to former President Ellen Johnson Sirleaf’s personal and professional archives.

In 1950, the famous Le Corbusier was asked to design the new state capital of Chandigarh for Punjab following its separation and recent independence. The opportunity to create a new utopia was unparalleled- and is now seen as one of the greatest urban experiments in the history of planning and architecture. The city employed grid street patterns, European-style thoroughfares, and raw concrete buildings- the zenith of Corbusier’s ideals throughout his career. But what is lesser known about the ideation and realization of Chandigarh, was the woman who brought her experience of designing social housing across Africa to the project. For three years, working alongside Corbusier, and helping him design some of the best-known buildings in Chandigarh, was Jane Drew.

From assigned cubicles to open plan coworks, workspaces have been transforming their design strategies following society’s changing lifestyles. While traditional layouts encouraged more independent work (avoiding social distractions), adjusting to new technologies and ways of thinking has enhanced productivity while respecting communication, wellness consciousness and the benefits of feeling comfortable at work.

Architects have followed these changing trends, proposing diverse workspace typologies, adapting to multiple working styles, and organizing them to create optimal productive spaces. Among them, Spanish women-led architecture offices from different backgrounds and styles stand out for introducing layouts that redefine what is commonly known as a workspace. Below we present a selection of innovative refurbishment projects, all of which showcase flexible and dynamic workspace design. 

The Diversity in Architecture Award (DIVIA) has selected its 5 finalists, from a list of 29 nominees: Tosin Oshinowo (Nigeria), May al-Ibrashy (Egypt), Marta Maccaglia (Peru), Noella Nibakuze (Rwanda), and Katherine Clarke and Liza Fior (UK). The prize, dedicated to women architects, celebrates female figures by awarding and validating their work. Based in Berlin, the award platform promotes equality between men and women, making the discipline observable to all, and setting an example for the next generation of younger women architects.

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As part of our yearly tradition, we have asked our readers who should win the 2023 Pritzker Prize, the most important award in the field of architecture.

For those who don't know, the Pritzker Prize is funded by Jay Pritzker through the Hyatt Foundation in the United States and has been awarded to living architects, regardless of their nationality, whose built work "has produced consistent and significant contributions to humanity through the art of architecture."

We are happy to premiere the documentary “Women in Architecture”, a project initiated by Sky-Frame, directed by Boris Noir.

A better built environment is also an inclusive one. That’s why diversity is key to our profession, as it expands our views of the world and connects us with the real needs of society. So we opened a window into the professional and personal lives of three women in architecture who bring something unique to the world, to inspire others. 

The project has been initiated by Sky-Frame to shed more light on the role of women in architecture, by increasing their visibility and empowering them to realize their full potential.

“To make our world a better place. Everyone should have an idea of how architecture works and what it can have an impact on. We live in the era where humans are changing the planet, architecture is one of the most important tools”, stated film-maker Boris Noir about the idea behind the film. 

We reached out to Toshiko Mori, Gabriela Carrillo and Johanna Meyer-Grohbrügge, three architects in three different countries, in different contexts, at different stages of their life and career, but with a lot in common: recognized practitioners, with a passion for education, working with communities, and a sensibility towards the needs of society and the built environment.

Women's studies officially began in China in the early 1980s. Women awoke and started to take bigger roles in society as it grew. Women had been working as architects for a century, but Lin Huiyin was not recognized as the country's first female architect until the 1920s due to the profession's tardy development in China. But nowadays, more and more female architects are filling crucial positions.

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We are going through times of great change and we are all aware of that. The role of women in the field of architecture is becoming more and more relevant and, unlike other times, such as in the 20th century, the female figure is no longer hidden behind the male figure, as happened to Anne Tyng with Louis Kahn or Lilly Reich with Mies van der Rohe, just to mention a few examples.

In the mid-twentieth century, a set of South Asian countries collectively experienced a catharsis from colonizers’ rule. The period that followed sparked an era of ideas and philosophies for a new future. During this time, architects were pivotal in creating modernist structures that defined the countries’ post-colonial, post-partition and post-imperial identities. South Asian architects used design as an expression of hopeful societal visions, most of which have been actualized. With this success in nation-building, there has been a lack of accreditation for women architects in shaping South Asian histories. 

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What are the stories of the first Ibero-American women architects? This is the main question we seek to answer in celebration of ArchDaily's theme: Women in Architecture.

Seeking to put their motivations, inspirations, and trajectories on the table, we carried out a research project to make visible and highlight some names that have not had their deserved recognition. Meet Doris Clark Núñez, Guadalupe Ibarra, Matilde Ucelay Maórtua, Filandia Pizzul, Dora Riedel, Luz Amorocho, María Luisa Dehesa, Arinda da Cruz Sobral, and Julia Guarino, below.

A few months ago, French architect Renée Gailhoustet was awarded the 2022 Royal Academy Architecture Prize. As housing challenges continue to embattle Paris and other French cities today, Gailhoustet was a timely choice, her body of work in the Paris suburbs – stretching back to the 1960s – still functioning today as compelling case studies to a social housing approach that concurrently embraces community and has a uniqueness of form.

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Architecture criticism and journalism are often expected to announce “the good, the bad, and the ugly” in architecture and the built environment. Its purposes go however further than that. As Michael Sorkin put it, “seeing beyond the glittering novelty of form, it is criticism’s role to assess and promote the positive effects architecture can bring to society and the wider world”. In other words, by telling us what they are seeing, critics are also showing us where to look in order to identify and address the issues plaguing our built environment.

The field of architecture journalism has been led by female writers even in times when the pursuit of a career in architecture was discouraged and inaccessible for women. Ada Louise Huxtable established the profession of architecture journalism by holding the first full-time position of architecture critic at a general-interest American newspaper. In 1970, she also received the first-ever Pulitzer Prize for criticism. Esther McCoy started her career as a draughtswoman at an architecture office, yet, because of her gender, she was discouraged from training as a professional architect despite her ambitions to study the field. Through her writings, she managed to bring attention to the overlooked architectural scene of the American West Coast and advocate for the values of regional Modernism.

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