Skidmore, Owings, and Merrill'sVeterans Memorial Coliseum in Portland, Oregon has been on the chopping block for some time now: since the city’s NBA team moved to the Moda Center (known also as the Rose Garden) next door in 1995, the building has struggled to find the funding necessary for maintenance, and since 2009 calls have been made for the demolition of the iconic modernist structure. The threat reached peak levels last October, when the Portland City Council nearly voted to approve a proposal for demolition before ultimately denying it by a narrow 3-2 margin.
Skidmore, Owings & Merrill (SOM), in collaboration with Entasis Arkitekter, has released new images of Karlatornet, a 230-meter tower project in Gothenburg, Sweden. Selected by jury in 2014, the tower is scheduled for completion in 2019, and will be Sweden’s tallest building. The project is part of Lindholmen, a new district being built adjacent to the city’s harbor. The full plan – ten blocks of office, retail, and residential space – is slated for completion in 2021, to coincide with Gothenburg’s 400th anniversary.
Skidmore, Owings & Merrill (SOM) has released the plans for Manhattan West, a new office and residential development spanning five million square feet over the 2.6-acre platform that covers the active rail tracks connecting Penn Station to New Jersey and Upstate New York.
Until recently, the only options for providing clients and the public with visualizations of what a prospective building would look like were almost exclusively hand drawn renderings, or scale models built by hand. Both of these practices are still in use today, but now there is a much wider range of options with 3D modeling software providing the bulk of renderings, the growing presence of 3D printing, and even video fly-throughs with special effects that rival the latest Hollywood action movie. This 16mm film created by architecture firm Skidmore, Owings & Merrill (SOM) in 1984, and digitized by illustrator Peter Little, reminded us of what the early days of digital 3D modeling looked like.
Update:The Chicago Tribune's architecture critic Blair Kaminhas now reported that 140 architects from 60 cities have expressed their interest in designing the Barack Obama Presidential Center in Chicago by submitting qualifications. Of these, 99 are based in the United States, although names have not been released. The below article, originally published on September 1st, lists 11 architects that Kamin was able to confirm had been invited to submit qualifications by the Barack Obama Foundation.
Last week, it was reported that the Barack Obama Foundation was searching globally for an architect to design Obama's Presidential Library and Museum (officially known as the Barack Obama Presidential Center). With the list of invited candidates for Obama's Presidential Center still a closely-guarded secret, though, the Chicago Tribune's architecture critic Blair Kamin has turned investigator, uncovering a list of 11 firms among the "fifty or more" which are believed to have been invited. Kamin states that the 11 firms he has confirmed to be in the running are "A) Of high caliber; B) Represent a broad geographic and aesthetic spectrum; and C) Include the established firms one would expect to be invited."
Architect Magazine has unveiled its list of the 50 best architecture firms in the US, with Adrian Smith + Gordon Gill Architecture, Skidmore, Owings & Merrill and Gensler taking the top three slots in the overall ranking, respectively. The rankings are based on scores from three categories: business, sustainability and design. This year the methodology was updated to include three new factors: percentage of women and minority designers; range and value of employee benefits and the rate of employee turnover. Adrian Smith + Gordon Gill Architecture also ranked first in the business category, followed by Kirksey Architecture and EYP Architecture & Engineering. EYP also headed the sustainability rankings, followed by Gensler and ZeroEnergy Design, while the design rankings were led by NADAAA, Skidmore, Owings & Merrill and Studio Gang Architects. Learn more about the methodology and view the full rankings here.
Since the Moda Center, better known as the Rose Garden, was built next door and became the new host of the Portland Trail Blazers basketball team, the Memorial Coliseum has been in a state of decline. Currently, the building generally only hosts infrequent concerts, as well as minor league hockey. However, Friends of Memorial Coliseum see it as much more than just an outdated venue, which is why since the building was first threatened with demolition in 2009 they've been campaigning for its preservation.
Skidmore, Owings and Merrill (SOM) has released a conceptual masterplan for Egypt's new capital city following its unveiling at the Egyptian Economic Development Conference. The 700-square-kilometer "Capital Cairo" hopes stimulate Egypt's ailing economy and alleviate Cairo's rising population density, while adhering to the cultural and climatic conditions of its site.
Having joined Skidmore, Owings & Merrill after World War Two at the age of 27, Walter Netsch was promoted to become a partner at the age of 31. Netsch entered the firm during what was arguably its defining era, when the reputation of Gordon Bunshaft and the image of a corporate-driven, teamwork-minded made SOM one of the most recognizable practices in the US. He was also, at the age of just 34, responsible for one of SOM's most recognizable projects of the decade, the Air Force Academy in Colorado Springs and its striking geometric chapel.
To honor what would have been Netsch's 95th birthday, SOM recently republished an interview between Netsch and architecture theorist and writer Detlef Mertins, which had originally been published in 2001 in SOM Journal 1. In the following extract from this interview, Netsch discusses the story of how he developed the design, and what it was like to participate in one of America's most influential practices among a host of strong characters.
Skidmore, Owings & Merrill’s Broadgate Exchange House (1990) in London has been announced as the 2015 recipient of the American Institute of Architects’ 25-Year Award. The first UK project to ever win the award, the ten-story Exchange House was commended for “standing the test of time” with its “simple yet ingenious structural system that unifies design and function in the mid-century Modernist tradition.”
The first tenant has moved into the One World Trade Center, making Monday, November 3, the official opening of the (arguably) tallest building in the Western hemisphere 13 years after the tragedy of 9/11. The “extraordinary moment was passed in the most ordinary of ways,” described the New York Times, as employees of Conde Nast entered into the white marble lobby (taken from the same quarry that produced marble for the original twin towers) and headed straight to the elevators to start their work day.
To celebrate its completion, renowned architectural photographers Iwan Baan and James Ewing took it to the sky to capture the One World Trade Center in all its glory. The images, after the break.
Inside the Wood Pavilion at this year's AIA Convention, we had the chance to chat with Benton Johnson of Skidmore, Owings & Merrill (SOM) about SOM’s research on using wood for highrise buildings. Although wood is a sustainable and efficient material, it hasn’t entered the world of skyscraper construction yet. However, through their Timber Tower Research Project, SOM has come up with a structural system for skyscrapers that uses mass timber as the main structural material and consequently minimizes the building’s carbon footprint.
“Architects should focus on using wood for these types of structures because we do think of it as the way of the future. Energy and resources are just going to become more and more important going forward, and mass timber technology has no way to go but up,” Johnson explains.
SOM, working alongside Danish practice Entasis Arkitekter, has been selected to design a new residential building in Gothenburg that will be Sweden's tallest tower. Coming out on top against an international shortlist that included Zaha Hadid Architects, SOM's 230m tall proposal 'The Pole Star' features four connected prisms which twist 90 degrees near the top.
The competition, run by developers Serneke, called for proposals for a 32,000 square meter mixed-use masterplan, including a 200+ meter residential tower, in Gothenburg's Lindholmen area. A particular focus for the jury was for proposals to "demonstrate how the skyscraper can be integrated into the structure of the neighborhood," adding that "the building should be a part of the area’s social and architectural context, not stand as a solitary monolith."
Read more about the jury's decision after the break
Skidmore, Owings & Merrill LLP (SOM) has been chosen to design a new teaching and learning facility for Barnard College - Columbia University’s world-renowned liberal arts college for women. The selection committee chose SOM after deeming them the best candidate in three categories: “a history of creative and innovative architecture,” a proven recorded on similar academic projects, and “an internal commitment to woman’s leadership reflected by women holding key roles in the firm.”
Originally posted under the title "Well-Oiled Machine" on Metropolis Magazine, this fascinating article by Ian Volner profiles the international behemoth that is SOM, exploring how the practice has remained so prominent - and relevant - after 78 years, and what it is that stylistically unites a practice spread across five continents with more than 10,000 buildings to their name.
Frank Lloyd Wright called them the “Three Blind Mies.” Louis Skidmore, Nathaniel Owings, and John O. Merrill were the architectural troika whose namesake firm—founded in Chicago in the mid-1930s—became something like the Julia Child of postwar design, delivering European sophistication to middle America at midcentury. Through hundreds of buildings in cities all across the country (and, later, around the world) the office turned the stringent aesthetic of German master builder Ludwig Mies van der Rohe into an architectural metonym for big business. Whether you look at rows of sleek glass skyscrapers and see grace and economy, or only the “thousand blind windows” of Allen Ginsberg’s monstrous “Moloch,” it’s no stretch to say that you have Skidmore, Owings & Merrill (SOM) to thank for them.
.jpg?1465573576 "via City of Portland Archives")
.jpg?1427129017 "Train Station. Image © SOM")
