After years of disconcerting reports that the historic David and Gladys Wright House by Frank Lloyd Wright was under threat of demolition by developers, we announced that a generous benefactor saved it from its fate by providing funds to buy back the property. It seems that this particular story is not unique. An article on ArchRecord by Frank A. Bernstein lists several other modern architecture treasures that may soon fall under the same threat as they hit the real estate market.
Find out more after the break.
Ada Louise Huxtable was a renowned architecture critic who started at The New York Times in 1963. Her probing articles championed the preservation of buildings regarded as examples of historic design still imperative to the life of the city. Her arguments were leveraged by research and an in-depth understanding of architecture as an ever-relevant art form (“the art we cannot afford to ignore”). Alexandra Lange of The Nation points to the connection between Ada Louise Huxtable’s writing and its influence on the culture of preservation that eventually resulted in the establishment of the Landmarks Preservation Commission (LPC) in 1965.
More after the break…
In late March, one of the few Frank Lloyd Wright designs in New York City was demolished quietly at 430 Park Avenue. This seldom-noticed interior retail space was home to the Hoffman Auto Showroom for over five decades and just as it was considered for preservation by the Landmark Preservation Commission, the owners of the building applied for its demolition. For many people, this may seem like an act of corporate greed or “corporate vandalism” and it may be so, but the landmark designation for interior spaces applies strictly to public space only according to NYC’s landmark laws.
So was this space ever anything more than private property? Aside from having been designed by one of America’s most famous architects, did the design have “special historical, architectural or cultural significance”?
More after the break…
WNYC has just released a candid interview they recorded with Wright in 1957, two years before his death, in his Plaza Hotel apartment (where he’d moved to oversee construction of the Guggenheim, which he’d been working on for 14 years). The conversation covers a wide range of topics – from Wright’s quirky personal views on American culture to the significance of architecture for mankind. Some gems from the interview include:
On the Guggenheim and its critics: “You’re going to be awakened to the beauty of that thing [a picture, a painting] from a new point of view. And it’s going to be so enlivening and refreshing, that it will make some of these painters quite ashamed of the protest that they issued against it.”
More quotes from Frank Lloyd Wright, after the break…
Our latest movie in our Films & Architecture series is another ’60s classic, this time by the master filmmaker Alfred Hitchcock. In North by Northwest we see a New York in the heyday of its architectural glory, with one scene taking place at a newly constructed United Nations building. In fact, the last scene takes place in a “house” that, under Hitchcock’s instructions, was meant to seem designed by Frank Lloyd Wright (in reality, the house was just another set design). The film shows a variety of urban spaces, and puts special emphasis on the contrast between the densities of urban and rural realms.
As always, enjoy and comment!
With many museums worldwide seeking to extend to accommodate larger collections, Athens-based Oiio Architecture Office has asked: “What if we decided we needed a little more of Guggenheim?”
More on the design after the break…
LEGO® aficionados, the wait is over. LEGO® has announced the details of their first edition to the 2013 Architecture series! Who better to kick off the new year than LEGO® Architecture staple Frank Lloyd Wright with his Imperial Hotel in Tokyo.
The most celebrated of Wright’s six Japanese buildings, the Imperial Hotel was designed in the, then very chic, Mayan Revival style and constructed largely of stone and reinforced concrete. It was lauded for having survived a sizable earthquake shortly after its opening, however in reality portions of the building sunk leaving residents navigating its wobbly corridors. Eventually it was decided to completely demolish the building in 1968 to make way for the high-rise building that stands on the site today.
But fret not, now instead bemoaning the loss of one of Wright’s great works, for between $90-$100, big kids and little architects can reinstate this landmark building on their very own living room floor with 1,188 glossy miniature blocks.
More photos after the break…
Christmas has come early for the international community of architects and preservationists, as an anonymous benefactor has saved the endangered David and Gladys Wright House in Phoenix, Arizona. Culminating a six month saga, the Frank Lloyd Wright Building Conservancy is proud to announce that it has facilitated the purchase of the historic property through an LLC owned by an anonymous benefactor. The transaction closed today, December 20, and is no longer a demolition threat.
The Wright home will now be transferred to the hands of an Arizona not-for-profit organization responsible for the restoration, maintenance and operation of the structure. The change in ownership guarantees the house will survive and be preserved. Landmark status is expected to follow shortly.
More information on the David Wright House after the break…
Petre Island (sometimes called Petra Island) is an 11-acre, heart-shaped island 47 miles from Manhattan. While Wright hand-picked the site himself in 1949, and drew up plans for a 5,000 square foot ”dream house” the following year, budget concerns forced him to scale down his vision, resulting in the construction of a smaller guest cottage.
Fast-forward 53 years later, and the island’s new owner, John Massaro, decided to make those long-sitting plans reality; he hired architect and Wright scholar Thomas Heinz, who used ArchiCAD to model aspects of Wright’s design that weren’t obvious from the original renderings and updated the house with some modern amenities.
While the Frank Lloyd Wright Foundation refuses to accept the house as authentic (they even tried to sue Massaro for claiming so), that hasn’t stopped AHALife, the web site featuring the island for sale, from proudly selling the “spectacular Frank Lloyd Wright-designed house” for $19,900,000 USD.
More images and info on this Wright-designed island, after the break…
Just when we thought the saga was over, a whole new chapter has begun.
The David Wright House, an unusual home in Arizona that Frank Lloyd Wright designed for his son, has been in danger since July, when the developer-owners announced their plans to tear it down and split the lot in two. After considerable hubbub caused by preservationists, and an online petition that received thousands of votes, enough pressure was put on the Pheonix City Council to delay demolition until they could vote on whether or not to confer Landmark Designation on the house (this would delay demolition for another three years, but not safeguard the house from demolition).
However, the point became moot when a preservation-minded buyer swooped in to save the day. Now, just two weeks later, the buyer has backed out.
Find out more on the fate of the David Wright House, after the break…
After months of following the David Wright House‘s brushes with demolition, we’re happy to report that an anonymous, preservation-friendly buyer has bought the house.
According to Real Estate Agent Robert Joffe, who represented the sellers (the developers who wished to split the Frank Lloyd Wright house down the middle), the new owner intends to preserve and restore the home. It sold for its asking price of $2.38 million dollars.
The Pheonix City Council was slated to vote on the house’s landmark designation tomorrow; however, the vote will probably be delayed in light of the sale. As Phoenix City Councilman Sal DiCiccio shared with The Pheonix Business Journal, “The next steps are for me and the Mayor to sit down and get some direction from the purchaser in regards to a long-term vision for the property.”
Which is no bad thing – in Pheonix, landmark designation only saves a building for three years. Assuming that the buyer is indeed preservation-minded, the house will be saved for generations to come: the best outcome we could have hoped for for this unusual Wright gem.
On November 5, the Design School at Arizona State University will be hosting a panel discussion centered around the David Wright House and the question of architectural preservation in the city of Phoenix. Speakers will include Burton Barr Central Library architect Will Bruder, The Design School’s director, and more. The conversation will touch on efforts have been underway over the last three months in Arizona to preserve the David Wright House, one of Frank Lloyd Wright’s “ most innovative, unusual and personal works of architecture,” from demolition by developers.
On October 9th, the Arizona Planning Commission met to discuss the proposed landmark designation for the house, an event which attracted over 100 people. According to The New York Times, only 3 people voted against the designation, including the house’s current owners, the developers of 8081 Meridian, John Hoffman and Steve Sells.
When the pair bought the house back in June for only $1.8 million (from the pair the Wright’s granddaughters had sold the house to for $2.8 million), they thought it was “too good to be true.” The property alone could make up to $1.4 million; the pair hoped that by splitting the lot they could make even more.
Unfortunately however, Mr. Sells had no idea of the house’s architectural significance. As he told The New York Times, he didn’t know the difference “between Frank Lloyd Wright and the Wright brothers. ”
More on the Developers’ side of this demolition tale, after the break…
A non-profit by the name of The Frank Lloyd Wright® Wisconsin Heritage Tourism Program, Inc. has just bought their fourth Wright home on the same Milwaukee block. They’re hoping to buy all six and turn the block into an interpretive center so visitors can enter and experience the homes – all American System-Built Homes that Wright built between 1915 and 1916 as prototypes for his ideas on standardized home design.
While they wait for the necessary approvals from the City of Milwaukee to get restoring their newest acquisition, they’ll rent out the home and spend their time restoring the duplex at the other end of the block. No word yet on when their vision could become reality.
Story via The Wisconsin Gazette, the Journal Sentinel Online, a
Last we updated you on the David Wright House, the Arizona home Frank Lloyd Wright designed for his son, things were looking up – the Frank Lloyd Wright Building Conservancy (FLWBC) had gotten the unanimous decision of the Phoenix Historic Preservation Commission to recommend Landmark Preservation to the City Council.
Unfortunately, the developer, John Hoffmann of 8081 Meridian, says that really doesn’t matter to him.
According to yesterday’s New York Times article by Michael Kimmelman, Pheonix city policy requires owner consent before designating any building for historic preservation. Since “8081 Meridian never gave its consent, and has no intention of doing so, Mr. Hoffman says he rejects the landmark process outright.”
Hoffman’s demolition permit has been voided by city officials, but he maintains that the permit is legal – it just expires today.
More on the precarious fate of the David Wright House, after the break…
As we’ve reported over the last two months, efforts have been underway in Arizona to preserve the David Wright House, one of Frank Lloyd Wright’s “ most innovative, unusual and personal works of architecture,” from demolition by developers. No intact Wright building has ever been intentionally demolished, and the Frank Lloyd Wright Building Conservancy (FLWBC) has been hard at work to make sure this one isn’t the first.
Well, good news! Last month,the FLWBC posted an online petition to the City of Phoenix to bestow historic preservation/landmark designation upon the house. After gaining over 16,000 votes (many from you ArchDaily readers), the Phoenix Historic Preservation Commission voted unanimously to recommend Landmark designation for the building last week.
But it’s not over yet! The recommendation still has to go to the City Council in November – if it is approved, an automatic three-year delay on any demolition will be granted to the house.
So what can you do in the meantime? The FLWBC has a new goal of 25,000 signatures (as of now, they’re only 8,000 votes away), so sign the online petition and spread the word on Facebook, Twitter, etc. now!
For more information or to get involved, check out the SAVE WRIGHT page.
New York based artist and director Jonathan Turner highlights the details of Frank Lloyd Wright’s Darwin D. Martin House (1903-05) in Buffalo, New York. Part of a multi-structure estate, the Martin House serves as a prime example of Frank Lloyd Wright’s Prairie House ideal, with strong horizontal lines and planes, deeply overhanging eaves, a central hearth, prominent foundation, and a sheltering, cantilevered roof. Although the complex suffered considerable damage over the decades, the Martine House Restoration Corporation (MHRC) has raised funds for a complete restoration of the complex, which began in 1997 and continues on today.
The Museum of Modern Art, Columbia University and The Frank Lloyd Wright Foundation have announced that the vast archives of American architect Frank Lloyd Wright (1867-1959) have been jointly acquired by the University and the Museum and will become part of their permanent collections. The archive, which includes some 23,000 architectural drawings, 44,000 historical photographs, large-scale models, manuscripts, extensive correspondence and other documents, has remained in storage at Wright’s former headquarters – Taliesin (Spring Green, WI) and Taliesin West (Scottsdale, AZ) – since his death. Moving the archives to New York will maximize the visibility and research value of the collection for generations of scholars, students and the public.
“The Frank Lloyd Wright Foundation takes seriously its responsibility to serve the public good by ensuring the best possible conservation, accessibility, and impact of one of the most important and meaningful archives in the world,” said Sean Malone, CEO of the Frank Lloyd Wright Foundation. “Given the individual strengths, resources and abilities of the Foundation, MoMA and Columbia, it became clear that this collaborative stewardship is far and away the best way to guarantee the deepest impact, the highest level of conservation and the best public access.”
Continue after the break for more images and an informative video.
While any Frank Lloyd Wright deserves to be preserved in our opinion, this quirky house, which Neil Levine, architectural historian and Harvard professor, went so far as to describe as “one of Frank Lloyd Wright’s most innovative, unusual and personal works of architecture” offers us an important glimpse into Wright’s development. Because of its circular spiral plan (completed six years before the Guggenheim), concrete-block detailing, and interior design, the house was (and still is) considered to be one of Wright’s most “remarkable and praiseworthy” efforts since Fallingwater.
Although the situation is dire, work done by the Frank Lloyd Wright Building Conservancy has awarded a temporary demo delay while the City of Phoenix decides whether to bestow historic preservation and landmark designation upon the house. This is where you come in. An online petition to the City of Phoenix has been set-up; as of right now, they’re 360 signatures short of their 1,000 person goal.
For almost 40 years no intact Wright building has been intentionally demolished. Let’s make sure we don’t start with this one. Sign the online petition (and then share it on Facebook, twitter, etc.), now!
For more information or to get involved, check out the SAVE WRIGHT page. For more images (including sketches) of the David Wright House, check out the gallery after the break…
The relationship between social dynamics and architecture has always been intimate. It is a constant dialogue between social norms and politics, stylistic trends and aesthetic choices, individual preferences and the collective good. The Modernist Period was a time when architecture took on the challenge of many social problems. In all the arts – architecture, design, music and film – the period was highly politicized and the choices often gave way to a utilitarian ideal that was a hybrid of efficiency, simplicity and comfort. Jake Gorst’s new film Modern Tide: Midcentury Architecture on Long Island, supported by Design Onscreen, is a message of preservation that takes us through the history of the modernist housing boom that took place on Long Island, NY in the period between the Great Depression and the 1970s.
On August 14th, Cook+Fox Architects hosted a private film screening at their office on 641 Ave of the Americas, presenting the treasures along the island’s shore that have fallen between the cracks of history. The film looks at works from Albert Frey, Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Philip Johnson, Charles Gwathmey, Barbara and Julian Neski and many others.
Follow us after the break to catch up on the history of the development of these houses on Long Island.