What does it take for a 22-year-old art school drop-out to start a lifelong professional relationship with “the greatest American architect of all time”? Originally published by Curbed as “How a 22-Year-Old Became Wright’s Trusted Photographer,” this article reveals that for Pedro E. Guerrero, it took some guts and a lot of luck – but once they were working together this unlikely pairing was a perfect match.
When Frank Lloyd Wright hired Pedro E. Guerrero to photograph Taliesin West in 1939, neither knew it would lead to one of the most important relationships in architectural history. Wright was 72 and had already been on the cover of Time for Fallingwater. Guerrero was a 22-year-old art school drop-out. Their first meeting was prompted by Guerrero’s father, a sign painter who vaguely knew Wright from the neighborhood and hoped the architect would offer his son a job. Any job.
Young Guerrero had the chutzpah to introduce himself to the famous architect as a “photographer.” In truth, he hadn’t earned a nickel. “I had the world’s worst portfolio, including a shot of a dead pelican,” Guerrero said later. “But I also had nudes taken on the beach in Malibu. This seemed to capture Wright’s interest.”
A plan by Stephen Brooks Architects to build the first Frank Lloyd Wright-designed home in the UK has been blocked at the appeal stage by a planning inspector, reports the Architects’ Journal. Based on a 1947 design by Wright for the O’Keefe family in California, the project was the brainchild of Dr Hugh Petter, a Frank Lloyd Wright enthusiast who negotiated for eight years with the Frank Lloyd Wright Foundation before gaining permission to build the unrealised design in Tyntesfield Springs near Bristol, thousands of miles from its intended location.
Among the vast coverage of 3D printing in the media, the technology is frequently cited as the ‘future’ of production, focusing on its ability to bring new things into existence quickly and cheaply. But does 3D printing have to be all about the future? As this article originally printed by Metropolis Magazine as “3D Printing Saves a Frank Lloyd Wright Treasure“ attests, 3D printing also has something to offer to the past; specifically, to a deteriorating Frank Lloyd Wright building whose ‘textile block’ was simply too complex to restore through any other modern techniques. Read on after the break to find out how this high-tech rescue mission is being achieved.
A group of alumni from the Frank Lloyd Wright School of Architecture have launched a petition on change.org to incorporate the school “as an independent subsidiary as required by the Higher Learning Commission (HLC) to ensure this irreplaceable treasure is perpetuated.” The school is currently at risk of losing its accreditation due to a recently enacted HLC law that requires colleges and other institutions to be accredited separately from the organizations that sponsor them. The Frank Lloyd Wright School is currently funded as a part of the Frank Lloyd Wright Foundation, which supports both of the school’s campuses, and preserves collections of Wright’s work.
“The School is a vibrant, rigorous, and fully accredited contemporary school of architectural design (offering an HLC- and NAAB-accredited M.Arch degree) that fills an irreplaceable niche as an alternative to conventional architectural education, a mandate set forth by Frank Lloyd Wright at its founding in 1932,” states the petition, which currently has over 400 signatures. Among the signatures are Mecanoo’s Francine Houben and Finnish architect Juhani Pallasmaa, who wrote: “Having stayed at Taliesin West for five months as a Scholar in Residence, I have deeply understood the great potential of the School.”
Learn more and sign the petition on change.org.
The Spring House, also known as the Clifton and George Lewis II House, is the only private house designed by Frank Lloyd Wright that was ever built in Florida. The design embodies the final and shortest stylistic phase in Wright’s career – the hemicycle style. The plan is characterized by concentric and intersecting circles, while the elevations are consistent with Wright’s other designs in how they accentuate the horizontal.
After the death of her husband in 1996, Clifton Lewis formed the Spring House Institute, a not-for-profit organization dedicated to preserving the historic property and turning it into a public legacy. In order to restore and complete the house (some elements were never built, including a semi-circular pool on one of the terraces), the organization needs to raise $256,250, which will then be matched by the Division of Historical Resources to pay the $512,500 purchase price. To meet the Division of Historical Resources’ October 15th deadline, they have launched an IndieGoGo campaign with a target of $100,000. For more on the historical landmark and the organization’s fundraising efforts, keep reading after the break.
The Frank Lloyd Wright School of Architecture is currently at risk of losing its accreditation. The school has been cited as no longer meeting requirements by the Higher Learning Commission, a non-profit group whose approval is a prerequisite for the National Architectural Accrediting Board (NAAB)’s accreditation process. Founded in 1932 by Frank Lloyd Wright himself and still operating out of his campuses at Taliesin West and Taliesin, the school must now decide how best to meet HLC requirements, or risk losing the ability to confer Masters of Architecture degrees on its students.
Read on after the break to find out why the school faces this risk, and their plans to combat it
What is the true value of architecture in today’s society? According to this article by Anna Katz, rare pieces of architectural history have recently soared in value. Katz discusses the booming world of architecture at auction, featuring pieces by Mies Van Der Rohe and Frank Lloyd Wright among others. The article gracefully compares some of the most important architecture of our time against current real estate prices, exploring the catalyst of rising values in architecture of the recent past, while deliberating on the pitfalls of owning a delicate piece of architecture history. Read the story in full on Blouin Art Info.
Five of history’s most iconic modern houses are re-created as illustrations in this two-minute video created by Matteo Muci. Set to the tune of cleverly timed, light-hearted music, the animation constructs the houses piece-by-piece on playful pastel backgrounds. The five homes featured in the short but sweet video are Le Courbusier’s Villa Savoye, Gerrit Rietveld’s Rietveld Schröder House, Ludwig Mies van der Rohe’s Farnsworth House, Philip Johnson’s Glass House and Frank Lloyd Wright’s Fallingwater.
Many architects have portfolios full of projects that were never built, and Frank Lloyd Wright is no exception. Now, however, the Buffalo Pierce-Arrow museum in New York has brought one of Wright’s more imaginative conceptual projects to life. In this article from Metropolis, we are introduced to a gas station designed by Wright for his (also unbuilt) Broadacre City project.
By 2016, Frank Lloyd Wright‘s finest creations may be considered as monumental as the Taj Mahal or the Great Pyramids. The eleven structures, including the Robie House and the Guggenheim Museum, have been collectively nominated as a single UNESCO World Heritage Site. To learn a bit more about the nomination process and why they are being considered, check out this article on the Wisconsin Rapids Tribute.
Arthur Andersson of Andersson-Wise Architects wants to build ruins. He wants things to be timeless – to look good now and 2000 years from now. He wants buildings to fit within a place and time. To do that he has a various set of philosophies, processes and some great influences. Read our full in-depth interview with Mr. Andersson, another revolutionary ”Material Mind,” after the break.
In 1991, the American Institute of Architects called him, quite simply, “the greatest American architect of all time.” But he wasn’t just an architect – he was also an interior designer, writer, and educator. Today, the prodigious Frank Lloyd Wright would have turned 147 years old. Despite the years, he continues to inspire generations of architects.
Wright’s designs were driven by the desire to nurture the lives of their occupants. He referred to his architecture as ‘organic’ – in complete harmony with itself and its surroundings, as if it had developed as naturally as a tree. His later work is formally modernist, but hints at his beginnings in the late 19th century as a disciple of Louis Sullivan (‘form follows function’).
For many people, Wright is the quintessential vision of the architect: he presented himself as a lone genius, fastidious down to the smallest details of his design, and his personality was often rather brash. But there is no denying his vision – and the timelessness of his designs continues to reveal just how strong that vision was.
In total, Wright completed over 500 projects. Today, 55 years after his death, the relevancy of his immense body of work is not lost – in the past four months alone, preservation plans were announced for three of his projects, including the SC Johnson Research Tower. In celebration of his birthday, we invite you to look back on his prolific body of work.
In Kengo Kuma’s work you may see influences of light, transparency and materiality. But when visiting the Woodbury School of Architecture in San Diego, Kengo Kuma shared a few of his not so apparent influences, from Frank Lloyd Wright and Louis Kahn to jazz music. Make sure to view “Knowing Kuma” to see the architect’s definition of architecture, materials and more.
UPDATE: The auction has concluded and more than £5.6 million was made. Find out how much the famous, architect-designed relics went for after the break.
Next week, a rare collection of over 100 relics designed by some of architecture’s most significant practitioners from the last two centuries will be auctioned off at the Phillip’s in London. Ranging from a full-scale paper tea house by this year’s Pritzker laureate Shigeru Ban to the Peacock chair designed by Frank Lloyd Wright for Tokyo’s Imperial Hotel, the items being showcased and sold are an ode to the ideas in which have had a profound impact on our built environment.
An exhibition of the items, appropriately titled “The Architect,” is already underway, prior to the auction on April 29.
Works by Gerrit Rietveld, Le Corbusier and Oscar Niemeyer are all available for purchase. Read on for a preview of the highlighted items…
Partially credited to the spotlight cast by MoMA’s “Frank Lloyd Wright and the City: Density vs. Dispersal“ exhibition, SC Johnson (SCJ) has agreed to restore their 15-story Frank Lloyd Wright-designed Research Tower as a museum and corporate office in Racine, Wisconsin. Wright’s only constructed taproot-core, the 1950s tower is “an inspiring example of cantilever construction with an inner core extending 50 feet into the ground that provides support for the 16 million pound structure,” described SCJ. “The taproot core bears a strong resemblance to the lily pad-like columns seen throughout SC Johnson’s Administration Building, another Wright-designed facility.”
Chicago-based Harboe Architects has been chosen by the Frank Lloyd Wright Foundation to construct a preservation master plan for Taliesin West, which will guide future restoration and conservation efforts for the prized National Historic Landmark. Built in Scottsdale, Arizona, by the hands of the architect himself, alongside his apprentices between 1937 and 1959, the desert landmark served as the winter home, studio and school of Frank Lloyd Wright. Read and relive the story of Taliesin West here on ArchDaily.
A rare house from Frank Lloyd Wright‘s Usonian house period has been saved by the Crystal Bridges Museum in Arkansas. The dramatic rescue plan to disassemble and move the house to a site over 1,000 miles away is required due to frequent flooding of the home’s existing site in Millstone, New Jersey. The Crystal Bridges Museum will rebuild and restore the house at a site on their 120-acre grounds.
Read on for more about this unusual preservation