Although societies have transformed through the ages, wealth never truly seems to go out of style. That said, the manner in which it is expressed continually adapts to each successive cultural epoch. As a consequence of evolving social mores and emerging technologies, the ideal of “luxury” and “splendour” sees priorities shift from opulence to subtlety, from tradition to innovation, and from visual ornamentation to physical comfort.
AD Classics are ArchDaily's continually updated collection of longer-form building studies of the world's most significant architectural projects. In these ten examples of "high-end" residences, which represent centuries of history across three separate continents, the ever-changing nature of status, power and fine living is revealed.
Coinciding with the organization’s 60th anniversary this year, The Graham Foundation has announced the list of recipients of their 2016 Grants to Organizations, a total of $419,000 (USD) to be given to 31 exemplary projects from around the world. The Organization Grants are awarded to projects displaying “originality, capacity, feasibility and potential for impact” and are divided amongst four categories: Exhibition, Film/Video/New Media, Public Program, and Publication.
In its 60 years, the foundation has made significant impacts in the fields of art and architecture through the awarding of grants to outstanding projects, exhibitions and publications. They have expanded their exhibition programming in the past few years, including a display at the inaugural Chicago Architecture Biennal last year.
Continue after the break for the full list of recipients.
http://www.archdaily.com/792998/graham-foundation-announces-419000-dollars-in-2016-grants-to-organizationsAD Editorial Team
Today, the Museum of Modern Art in New York announced a major retrospective of Frank Lloyd Wright's work to be displayed in 2017, commemorating 150 years since the architect's birth. Opening next June, the exhibition will feature approximately 450 works spanning Wright’s career including architectural drawings, models, building fragments, films, television broadcasts, print media, furniture, tableware, textiles, paintings, photographs, and scrapbooks, along with several works that have rarely or never been shown publicly.
The Solomon R. Guggenheim Museum, which opened in 1959, was controversial for being “less a museum than it is a monument to Frank Lloyd Wright.” Although Wright intended to display paintings on the curved interior walls of the central open space, the concave walls made it unworkable. Instead, the central atrium became a place for procession and the uncovering of space through movement. The continuous ramp overlooking the atrium allows people to interact from different levels.
Photographer Laurian Ghinitoiu places people at the core of his photography which perhaps explains how, in this photoset of the Guggenheim Museum to mark Wright's 149th birthday, he captured the essence and vitality of the Guggenheim Museum. While some images depict the museum’s atrium as a place for passing-by, wandering or socializing, others grasp the growing influence of photography and self-representation on visitors’ experience. Some shots also show the building in its urban context with people involved in daily life activities.
In 1991, the American Institute of Architects called him, quite simply, “the greatest American architect of all time.” Over his lifetime, Frank Lloyd Wright (June 8, 1867 – April 9, 1959) completed more than 500 architectural works; many of them are considered masterpieces. Thanks to the wide dissemination of his designs and his many years spent teaching at the school he founded, few architects in history can claim to have inspired more young people into joining the architecture profession.
Secluded behind a screen of tall bamboo shoots in West Hollywood, Los Angeles, the Kings Road House may be considered the first home ever built in the Modernist style. Designed by Rudolf Schindler in 1921, the architect’s use of tilt-slab concrete construction (highly innovative at the time) and an informal studio layout, set it apart from its contemporaries; indeed, the design would set the tone for other Modernist residential design for decades.
I think any man who really has faith in himself will be dubbed arrogant, I suppose. I think that's what happened to me. - Frank Lloyd Wright
In this video produced by Blank on Blank, Frank Lloyd Wright shares his thoughts on New York City, religious architecture, and being labeled arrogant. The interview was taken from a 1957 episode of The Mike Wallace Interview when Wright was 90 years old. Showing his trademark fieriness even at his advanced age, Wright claims that if he had another 15 years he would be able to change the whole of the United States for the better, dismissing the judgement of those with the audacity to call him arrogant. Watch the animated video above, and read on after the break for some of the interview's most quotable moments.
The Google Cultural Institute have teamed up with New York City's iconic Solomon R. Guggenheim Museum, designed by Frank Lloyd Wright and completed in 1959, to open its doors through Street View. Additionally, the Solomon R. Guggenheim Foundation has made over 120 artworks from its collection available for online viewing. "Using Street View technology, it will now be possible to tour the museum’s distinctive spiral ramps from anywhere online," the Foundation said.
But what truly sets this video apart is how it highlights the many murals spread throughout the city. Often utilizing otherwise blank facades facing parking lots and alleys, these murals are nonetheless an integral part of LA’s urban fabric, as illustrated in this video. Sadly though, as Wood notes on the video description, there were many more murals that vanished before he was able to get them on video.
Apple's new Foster + Partners-designed flagship store in Chicago is said to have been inspired by Frank Lloyd Wright's Prairie Style Homes outside the city. Unveiled first by the Chicago Tribune, the store will feature a 14-foot entry pavilion that will usher visitors from Michigan Avenue down into the sales floor backdropped with views of the Chicago River. A "grand flight of stairs" will offer pedestrians an alternative route to the riverside walkway that flanks the bank.
Chicago has long been known for distinctive architecture, and this year’s inaugural Chicago Architecture Biennial has only furthered that reputation. Although it is nearly impossible to narrow down the countless iconic structures, in celebration of the Biennial, we have compiled five Chicago buildings that highlight the many phases of the city’s architectural history.
Architecture and art have had a long and complicated relationship. Many people consider architecture to be “the mother art,” while others believe the burdens of program and pragmatism prohibit architecture from the realm of pure artistry. But what happens when architecture is displayed alongside art? Next Wednesday, November 11th, Crystal Bridges Museum of American Art in Bentonville, Arkansas is primed to open Frank Lloyd Wright’s Usonian-era Bachman-Wilson house to the public. It is the first Wright home to be relocated to an art museum property, accompanying the museum's Moshe Safdie-designed building within a short walk of artworks by Norman Rockwell, Donald Judd and Andy Warhol. These unique juxtapositions open up new conversations about the goals of preserving buildings as well as chances to contemplate architecture’s place within art history.
The film, Pedro E. Guerrero: A Photographer’s Journey, explores Guerrero’s photography, showing his collaboration with Frank Lloyd Wright to “produce insightful portraits of important modernist architecture,” which launched him to become “one of the most sought-after photographers of the ‘Mad Men’ era.” While Guerrero was extremely popular at the time, his story today is still largely unknown.
Taliesin (or Taliesin East, following the construction of a Taliesin West in 1937) was the lifetime home and studio of distinguished American architect, Frank Lloyd Wright. Designed by Wright himself, the building was built in 1911, and underwent several changes before being finalized as its current iteration in 1937. For many years, the building has been open to the public, many of whom make a trip to Spring Green, Wisconsin for Taliesin alone. However, the building is also open to those without the means to travel to see it, thanks to a virtual tour by Tour de Force 360 VR.
The gallery features 43 of the Portfolio’s 100 framed lithographs as well as artifacts of Wright’s most famous work, revealing plans and perspectives of the buildings in natural landscapes. Wright’s experiences and personal struggles leading up to, and throughout, the creation of the Portfolio were the backdrop for some of his history-altering work like the SC Johnson headquarters’ Administration Building and Research Tower.
Available in both cherry and walnut, the towering geometrical lamp was originally designed by Wright for the Hillside Home School theater that had burned and was reconstructed at Taliesin in 1952. It features an array of stacked boxes, embellished with red accents, that indirectly reflect off directional boards placed above and below each cube.
The comprehensive overhaul is going beyond restoring the building's to its original beauty; a geothermal heating system and air conditioning will be integrated into the building and site for the first time, allowing the uninterrupted services year-round.