What is the true value of architecture in today’s society? According to this article by Anna Katz, rare pieces of architectural history have recently soared in value. Katz discusses the booming world of architecture at auction, featuring pieces by Mies Van Der Rohe and Frank Lloyd Wright among others. The article gracefully compares some of the most important architecture of our time against current real estate prices, exploring the catalyst of rising values in architecture of the recent past, while deliberating on the pitfalls of owning a delicate piece of architecture history. Read the story in full on Blouin Art Info.
Five of history’s most iconic modern houses are re-created as illustrations in this two-minute video created by Matteo Muci. Set to the tune of cleverly timed, light-hearted music, the animation constructs the houses piece-by-piece on playful pastel backgrounds. The five homes featured in the short but sweet video are Le Courbusier’s Villa Savoye, Gerrit Rietveld’s Rietveld Schröder House, Ludwig Mies van der Rohe’s Farnsworth House, Philip Johnson’s Glass House and Frank Lloyd Wright’s Fallingwater.
Many architects have portfolios full of projects that were never built, and Frank Lloyd Wright is no exception. Now, however, the Buffalo Pierce-Arrow museum in New York has brought one of Wright’s more imaginative conceptual projects to life. In this article from Metropolis, we are introduced to a gas station designed by Wright for his (also unbuilt) Broadacre City project.
By 2016, Frank Lloyd Wright‘s finest creations may be considered as monumental as the Taj Mahal or the Great Pyramids. The eleven structures, including the Robie House and the Guggenheim Museum, have been collectively nominated as a single UNESCO World Heritage Site. To learn a bit more about the nomination process and why they are being considered, check out this article on the Wisconsin Rapids Tribute.
Arthur Andersson of Andersson-Wise Architects wants to build ruins. He wants things to be timeless – to look good now and 2000 years from now. He wants buildings to fit within a place and time. To do that he has a various set of philosophies, processes and some great influences. Read our full in-depth interview with Mr. Andersson, another revolutionary ”Material Mind,” after the break.
In 1991, the American Institute of Architects called him, quite simply, “the greatest American architect of all time.” But he wasn’t just an architect – he was also an interior designer, writer, and educator. Today, the prodigious Frank Lloyd Wright would have turned 147 years old. Despite the years, he continues to inspire generations of architects.
Wright’s designs were driven by the desire to nurture the lives of their occupants. He referred to his architecture as ‘organic’ – in complete harmony with itself and its surroundings, as if it had developed as naturally as a tree. His later work is formally modernist, but hints at his beginnings in the late 19th century as a disciple of Louis Sullivan (‘form follows function’).
For many people, Wright is the quintessential vision of the architect: he presented himself as a lone genius, fastidious down to the smallest details of his design, and his personality was often rather brash. But there is no denying his vision – and the timelessness of his designs continues to reveal just how strong that vision was.
In total, Wright completed over 500 projects. Today, 55 years after his death, the relevancy of his immense body of work is not lost – in the past four months alone, preservation plans were announced for three of his projects, including the SC Johnson Research Tower. In celebration of his birthday, we invite you to look back on his prolific body of work.
In Kengo Kuma’s work you may see influences of light, transparency and materiality. But when visiting the Woodbury School of Architecture in San Diego, Kengo Kuma shared a few of his not so apparent influences, from Frank Lloyd Wright and Louis Kahn to jazz music. Make sure to view “Knowing Kuma” to see the architect’s definition of architecture, materials and more.
UPDATE: The auction has concluded and more than £5.6 million was made. Find out how much the famous, architect-designed relics went for after the break.
Next week, a rare collection of over 100 relics designed by some of architecture’s most significant practitioners from the last two centuries will be auctioned off at the Phillip’s in London. Ranging from a full-scale paper tea house by this year’s Pritzker laureate Shigeru Ban to the Peacock chair designed by Frank Lloyd Wright for Tokyo’s Imperial Hotel, the items being showcased and sold are an ode to the ideas in which have had a profound impact on our built environment.
An exhibition of the items, appropriately titled “The Architect,” is already underway, prior to the auction on April 29.
Works by Gerrit Rietveld, Le Corbusier and Oscar Niemeyer are all available for purchase. Read on for a preview of the highlighted items…
Partially credited to the spotlight cast by MoMA’s “Frank Lloyd Wright and the City: Density vs. Dispersal“ exhibition, SC Johnson (SCJ) has agreed to restore their 15-story Frank Lloyd Wright-designed Research Tower as a museum and corporate office in Racine, Wisconsin. Wright’s only constructed taproot-core, the 1950s tower is “an inspiring example of cantilever construction with an inner core extending 50 feet into the ground that provides support for the 16 million pound structure,” described SCJ. “The taproot core bears a strong resemblance to the lily pad-like columns seen throughout SC Johnson’s Administration Building, another Wright-designed facility.”
Chicago-based Harboe Architects has been chosen by the Frank Lloyd Wright Foundation to construct a preservation master plan for Taliesin West, which will guide future restoration and conservation efforts for the prized National Historic Landmark. Built in Scottsdale, Arizona, by the hands of the architect himself, alongside his apprentices between 1937 and 1959, the desert landmark served as the winter home, studio and school of Frank Lloyd Wright. Read and relive the story of Taliesin West here on ArchDaily.
A rare house from Frank Lloyd Wright‘s Usonian house period has been saved by the Crystal Bridges Museum in Arkansas. The dramatic rescue plan to disassemble and move the house to a site over 1,000 miles away is required due to frequent flooding of the home’s existing site in Millstone, New Jersey. The Crystal Bridges Museum will rebuild and restore the house at a site on their 120-acre grounds.
Read on for more about this unusual preservation
This time last year we published our 30 Architecture Docs to Watch in 2013 featuring a fantastic range of films telling the tales of some of the world’s greatest unsung architectural heroes. We now bring you eleven more for 2014, looking past the panoply of stars to bring you more of the best architectural documentaries which will provoke, intrigue and beguile.
December has been a month of disappointment for fans of Frank Lloyd Wright: first, a plan to build a house designed by Wright and adapted for the English countryside has been rejected by Wraxall Councillors (Bristol Post), who believe that Frank Lloyd Wright “can’t be that influential”. This was followed by the news that SC Johnson, the company for whom Wright designed the famous Johnson Administration Building, is trying to stop the high profile Sotheby’s auction (ArtInfo) of a desk and chair designed for their building – claiming that the items were in fact stolen from them way back in the 1950s. More on the Bristol rejection here and the Sotheby”s controversy here.
54 years after the death of Frank Lloyd Wright, Florida Southern College, home to the largest collection of Frank Lloyd Wright buildings in the world, opened another structure designed by the famed architect last Friday. Originally called the Usonian house, it was envisioned as a professor’s home in 1939 but wasn’t built until this year using blueprints left by Wright.
“The greatest American architect of all time”, Frank Lloyd Wright, was born 146 years ago today. One of the all-time architectural greats, his work has now been inspiring generations of architects for over a century.
Lloyd Wright is particularly interesting because of the unique period of history which he occupied: as a disciple of Louis Sullivan (‘form follows function’) in the late 19th century, his work forms something of a bridge between the traditional architecture of that era and the modernists which began to appear around the 1920s. His later work is formally modernist, yet still retains a sensibility rooted in that earlier period.
Frank Lloyd Wright is for many people the quintessential vision of the architect: he presented himself as a lone genius, fastidious down to the smallest details of his design, and his personality was often rather brash; if it weren’t for the fact that he was almost always right, he might be seen as arrogant. But there is no denying his vision – and the timelessness of his designs continues to reveal just how strong that vision was.
On the occasion of his birthday, we invite you to take in part of the legacy that Frank Lloyd Wright left behind:
After years of disconcerting reports that the historic David and Gladys Wright House by Frank Lloyd Wright was under threat of demolition by developers, we announced that a generous benefactor saved it from its fate by providing funds to buy back the property. It seems that this particular story is not unique. An article on ArchRecord by Frank A. Bernstein lists several other modern architecture treasures that may soon fall under the same threat as they hit the real estate market.
Find out more after the break.
Ada Louise Huxtable was a renowned architecture critic who started at The New York Times in 1963. Her probing articles championed the preservation of buildings regarded as examples of historic design still imperative to the life of the city. Her arguments were leveraged by research and an in-depth understanding of architecture as an ever-relevant art form (“the art we cannot afford to ignore”). Alexandra Lange of The Nation points to the connection between Ada Louise Huxtable’s writing and its influence on the culture of preservation that eventually resulted in the establishment of the Landmarks Preservation Commission (LPC) in 1965.
More after the break…