Preservation: The Latest Architecture and News

Produced by The Bartlett Centre for Advanced Spatial Analysis, this somewhat hypnotic video charts the development of London from its origins as the Roman settlement of Londinium to the present day. It maps the changes in the city's road network and built environment, and catalogs the thousands of historic structures which are now protected by either listing or scheduling. Among the fascinating thing revealed by the video is how historic events continue to have a profound effect on the city's built environment: for example a law passed after the Great Fire of London determined that new buildings had to be built from brick, resulting in the large number of Georgian buildings that have survived to the present day.

Shoreland, once a prominent destination built for the stars in 1926, stood derelict for years at risk of being erased from Chicago’s built history. This all changed the moment Jeanne Gang of Studio Gang Architects seized an opportunity to restore the monumental building into a highly sought after residential tower.

Provided by our friends at Spirit of Space, the video above takes you through the meticulous process and unique transformation of this historic landmark, highlighting insight by Gang herself and David Gwinn of Silliman Group.

For more on Gang's design philosophy, watch our recent ArchDaily interview with her after the break...

The Scottish arts charity NVA is looking for an architect to carry out the restoration of St Peter's Seminary in Cardross, designed by Gillespie, Kidd & Coia in 1966. The building is an icon of post war brutalism; the Grade-A listed structure was voted as the best modern building in Scotland by readers of Prospect Magazine in 2005, and is likely to feature heavily in Scotland's show at the 2014 Venice Biennale. However despite this adoration, the building had a very short functional life and has been in a state of ruin ever since it was abandoned in the 1980s.

NVA is looking for an architect "highly skilled in the conservation of modernist buildings" to take on the £8 million restoration, which will see the sanctuary and refectory preserved in a "semi-ruinous state", and a nearby 19th-century greenhouse converted into a visitor centre.

Read on after the break for more on the restoration

The architects of NRJA have been chosen to curate Latvia’s participation at the 2014 Venice Architecture Biennale. Based on the assertion that “there is (no) modernism in Latvia,” the pavilion’s exhibition Unwritten will confront the lack of research and evaluation of Latvian post-war modernist architecture.

Paul Rudolph’s threatened Orange County Government Center has new hope. According to a report by Architectural Record, New York City architect Gene Kaufman has offered to purchase the building and transform it into artist studios, though under one condition: Kaufman’s practice Gwathmey Siegel Kaufman must be commissioned to design the city’s new government building adjacent to the brutalist landmark. This news comes a week after an 18-3 vote secured plans to restore a portion of Rudolph’s building and return it to its former use.

Tod Williams has broke his silence in his first interview since the Museum of Modern Art announced their decision to raze the former Folk Art Museum, expressing devastation that the building will be “reduced to a memory.”

“Yes, all buildings one day will turn to dust, but this building could have been reused,” Tod Williams. “Unfortunately, the imagination and the will were not there.”

Though MoMA has promised to preserve the building’s iconic copper-bronze facade, Williams is concerned it will forever stay in storage.

Proposals are being suggested on how to resurrect the facade, as the New York Times reported, including a concept from Nina Libeskind, chief operating officer of Studio Daniel Libeskind, and AIA New York executive director Fredric M. Bell that will be presented to MoMA next week. However, Williams expressed disinterest at the idea of installing fragments of the building elsewhere.

Within days of David Chipperfield being appointed to design the Nobel Foundation’s new home in Stockholm, heritage protesters began to assemble a campaign to prevent the project from fruition.

Declaring they are “opposed to star-architects constructing their angular spectacles of glass and steel right in the middle of the protected historic environment, as monuments to themselves, at our expense and the city’s,” as stated in an online petition, the protesters seem particularly upset that the project would require the demolition of multiple historic structures. Thousands have even joined a Facebook group to voice disapproval.

However, despite the backlash, the Nobel Foundation refuses to bow down and believes the protest will not succeed.

More on the protest, and structures slated for demolition, after the break...

UPDATE: The ArchCouncil of Moscow reports that the Melnikov House has been listed as a cultural heritage site of federal value, an important step in its conservation. The following article first appeared on ArchDaily on April 23rd, 2013.

Peter Eisenman, Steven Holl, and Rem Koolhaas are among the many architects who have signed a letter pleading for the preservation of one of Konstantin Melnikov’s greatest works, the Melnikov House. As we reported in December of 2012, the Melnikov’s house 83-year old foundations have weakened considerably since the onset of neighboring construction. Unfortunately, the situation has only worsened “significantly” over the last few months.

Read more about the state of the Melnikov House, and what architects are doing to try and prevent its deterioration, after the break...

Tadao Ando, Elizabeth Diller, Rem Koolhaas and Thom Mayne are among the many signing a petition to urge Russian president Vladimir V. Putin to reconsider the fate of the neglected Shabolovka Radio Tower (Shukhov Tower), “a structure of dazzling brilliance and great historical importance,” as Norman Foster once described. Designed by Vladimir Shukhov and completed in 1922, the 160-meter hyperboloid structure is a 20th-century engineering feat that has served as a landmark of modernist architecture.

In a public interview, director Mary McGuckian speaks with Shane O'Toole of DoCoMoMo Ireland about her soon-to-be-released film, "The Price of Desire," a biopic about the influential Irish modernist Eileen Gray - narrated from the perspective of Le Corbusier, no less. McGuckian explains how the film and the extensive research behind it went far beyond the usual remit of a biopic. Indeed, not only did it spawn an accompanying documentary ("Gray Matters", directed by Marco Orsini) and book, it even played a pivotal role in the restoration of E1027, Gray's seminal house design, to a point where it was possible to film on location.

This article by Carlos Harrison appeared in Preservation Magazine as Reinvention Reinvented: Hope for Modernism, and discusses the issues surrounding the (increasingly popular) drive to preserve post-war modernism, including what we can learn from past successes and failures, and what it takes to preserve different types and styles of building.

Columbus, Indiana, is something of a modern marvel. It boasts more than 70 buildings by some of the architecture world’s greats, including titans of Modernism such as Eero Saarinen, I.M. Pei, and Richard Meier. Schools, churches, a library, a post office, and even a fire station stand as examples of the distinctively diverse architectural styles spanning the decades from World War II through Vietnam.

Crisp lines, sharp angles, connected like Lego blocks. Nearby: a 192-foot spire aims toward the heavens like a laser.

Read on after the break for more about preserving modernism