Currently working on 45 simultaneous projects, including India’s largest bio-diversity park in India and the second largest in the world, Amit Gupta has been leading Studio Simbiosis for the past 12 years with a special focus on sustainability where performance follows experience more than form following function.
In this 2022 version of the World Architecture Festival, in Lisbon, ArchDaily had the opportunity to talk with Amit Gupta and discuss the main philosophy behind Studio Simbiosis, the challenges of building in India’s low-tech context, and the future of artificial intelligence and the metaverse in architectural design.
Climate change has been one of the most pressing topics of this year, and for a good reason. Its effects are visible not only in natural habitats but also in urban environments. The construction industry has an important role to play in this dynamic. Throughout the year, events such as COP27 emphasized the importance of striving to achieve net carbon zero and the challenges faced by developing countries affected by increasingly devastating natural disasters. Possible directions for development include actions at varying stages and scales, from optimizing green spaces for urban heat control to employing local and innovative building materials to minimize the carbon footprint or passing laws that help create more sustainable urban and natural environments.
This article represents a roundup of articles published on ArchDaily during the course of 2022 with themes related to climate change and architecture’s potential to make a difference. It breaks down the topic into four main questions: What Are Cities Doing to Mitigate Urban Heat? How to Tackle Rising Sea Levels? What Was COP27 and Why Does It Matter? Can Building Materials Play a Role in Achieving These Goals? The last section presents an overview of new legislation approved during 2022 as a way of understanding how state and local governments are imposing this need for change.
Reports show that authorities have begun dismantling Stadium 974 after it hosted seven matches during FIFA World Cup, with six group games and one Round of 16 knockout matches. It was also the only stadium built for the World Cup without air conditioning, so it only hosted evening matches. According to the BBC, construction workers moved on the site on 9 December to “take the stadium out of tournament mode.” The structure was designed to be the first FIFA-compliant stadium that can be fully dismantled and re-purposed after the tournament ends. While Qatar called this a “beacon of sustainability,” experts warn that the real sustainability of the scheme depends on several factors, including when and where the stadium will be reused.
It is a great privilege to amplify the voice of architects and other built environment professionals. It is also an enormous challenge as it requires a lot of investigation and time from our content team. However, the effort is gratifying. It puts us in contact with some of the most prominent talents in our field who have been discussing subjects such as cities, metaverse, community, environment, democracy, sustainability, building technology and interiors, to mention just a few.
Ambitious technologists have claimed for decades that self-driving cars are the future. Yet, looking at recent years, the biggest revolution has come from vehicles on two wheels, not four. Fueled by the pandemic, increased oil prices, climate change and the desire for healthier lifestyles, we are now living in the midst of a bicycle renaissance. But to understand how we got here, it is crucial to look back. When the automobile became more widespread in the early 1900s, it quickly became a symbol of progress along with all it entailed: speed, privatisation and segregation. Adopting a car-centric approach, urban planners had to reorganise entire cities to separate traffic. Cars took over public spaces that used to host dynamic city life and parking lots, highways and gas stations became common landscapes. Pedestrians that once ruled the streets were herded into sidewalks and children relegated to fenced playgrounds. Ironically, cities were being designed for cars (not humans).
David Adjaye, in partnership with Bedrock and the city of Cleveland, unveiled the masterplan for the Cuyahoga Riverfront, a 15-to-20-year vision that will transform 35 acres of the riverfront to improve accessibility, equity, sustainability, and resilience of the downtown area. The design embraces the city’s rich history and connection to nature and creates a sustainable infrastructure that prioritizes pedestrian movement and activates open public spaces. David Adjaye, a British-Ghanian architect, has been awarded Britain’s Order of Merit, making him the fifth architect to be appointed the honor.
Zaha Hadid Architects and Architects 61 unveiled the design for the new Science Center in the Jurong Lake District, Singapore. The 52,460 square meters complex aims to make science, technology, engineering, and mathematics (STEM) more accessible through specialized amenities, educational programs, and interactive experiences. The building is expected to open in 2027, which also marks the 50th anniversary of the Science Center and aligns with the Singapore Green Plan 2030.
Largely driven by rural migration to cities and overall population growth, 68% of people worldwide will live in urban areas by 2050. By doing so, many will benefit from greater access to basic services, proximity to public transportation, and better education and employment opportunities. But the pursuit of living urbanized lives also leads to isolation from the outdoors –be it a forest, a meadow or the mountains– that can negatively impact our physical and mental health. Exposure to nature has long been proven to reduce stress levels, boost mood, foster productivity and, above all, enhance well-being. So, considering we typically spend around 93% of our time indoors (and that the pandemic has magnified that statistic), now more than ever we find ourselves seeking a connection with the outdoors and all its inherent benefits. Architects thus face the important challenge of bringing nature in, which is precisely where biophilic design comes into play.
Zaha Hadid Architects has joined Ukrainian authorities to present the OdesaExpo 2030 bid proposal, an event planned to become the first Expo to be hosted in Eastern Europe. The masterplan is designed with legacy and sustainability in mind. The central pavilions are configured to be transformed into Ukraine’s first fair exhibition hub after the closing of the Expo, while the national pavilions are designed to be dismantled and redeployed as new civic buildings throughout Ukraine.
Urbanization and the evolution of modern cities have led to the development of high-rise building constructions, but what is the real environmental impact of these buildings? Traditionally designed with concrete as the main structural material, their construction implies an increase of CO2 emissions released into the atmosphere, air pollution and a rise in energy and water consumption. These consequences call for the development of new sustainable strategies outside of the industry’s comfort zone, such as the incorporation of wood as a structural element. Cross Laminated Timber (CLT) has emerged as a new structural strategy that Chilean architects have begun to incorporate into the country’s architecture, adapted to local conditions and norms.
The ‘Tamango Project’ by Tallwood architects is an example of the challenges and opportunities of wood construction in the country and the region, as it might potentially be the first 12-storey building with an engineered timber structure. Changing the traditional construction paradigms of the area, Tamango represents a step into sustainable solutions that follow an integrated design process through all the stages of an architectural project.
In interior design – and many other design disciplines – it is much easier to be unsustainable. Buying or developing custom solutions for a room often requires less time and research than purchasing second-hand materials or concern for waste flow and the circular economy.
But the construction and decoration industry can no longer afford the luxury of ignoring the environmental impacts caused by their activities.
Blair Kamin stepped down as architecture critic for the Chicago Tribune in January 2021, after a nearly 30-year run in the post. He won a Pulitzer Prize in 1999 for a body of work highlighted by a series on Chicago’s lakefront, including a story that documented the race- and class-based disparity between the city’s north and south lakefronts. He has previously published two collections of his work: Why Architecture Matters (2001) and Terror and Wonder (2010), both from the University of Chicago Press. His third collection, Who is the City For? Architecture, Equity, and the Public Realm in Chicago, was released last week. Recently I talked to Kamin about the new book, the state of post-pandemic Chicago, and the need for more mainstream architecture criticism. I will post the second of our conversations tomorrow, in which the critic pushes the need for a redefinition of the phrase “design equity.”
In Out Office / Alfredo Häberli. Image Courtesy of Andreu World
Interior architects and designers have often claimed that a well-designed office space will translate into greater productivity, creativity and worker satisfaction –yet the impact is greater than most tend to imagine. Recent studies suggest that good design positively impacts company culture, fosters a sense of community and creates a healthy, happy and motivating environment. In fact, it directly influences the recruitment and retention of talent: “workplace design significantly increases the attractiveness of employers to potential candidates.” Proper lighting, a flexible layout and biophilic features are all important factors to consider during the planning stage. But to fully address user comfort and well-being, these must be combined with excellent furniture design. After all, integrating high-quality ergonomic pieces is a simple way to boost mood and enhance functionality and aesthetics when creating or redecorating the workspace.
In the following interview with Paul Tange, the chairman and senior principal architect at Tange Associates in Tokyo, we discussed the relationship with his famous architect-father Kenzo Tange (1913-2005; the most influential architect in postwar Japan and the winner of the 1987 Pritzker Prize), the fate of the house Tange senior built for his first family, the decision of joining his father’s practice right after graduation from Harvard, sharing his father’s design principles, and the vision behind his first independent built work – a 50-story Mode Gakuen Cocoon Tower in Tokyo, a vertical campus that can accommodate up to 10,000 students; the project won an international competition, in which 50 international architects participated.
There was a time when buildings wanted to be mountains, roofs wanted to be forests, and pillars wanted to be trees. As the world began to go into a state of alert with the melting of glaciers and the consequent rise of Earth’s temperature, architecture – from a general perspective – was concerned with imitating the shapes of nature. Something close to human-made “ecosystems”, seen by many as allegoric and decorative, in service of marketable images of “sustainable development”.
Once Upon a Forest / OBMI. Image Courtesy of Dubai Design Week
One of the most significant cultural events in the Middle East, Dubai Design Week represents a platform that offers individuals and companies the opportunity to showcase their design experience and to open conversations about the most pressing issues of our times. Developed in a strategic partnership with Dubai Design District (d3), the event presents a series of immersive, large-scale installations that highlight the festival’s theme: Design with Impact.
This year’s program is focused on designing a sustainable future. To promote this, Dubai Design Week has invited international and regional architects and designers to create installations that demonstrate creative design thinking, to introduce innovative materials, and spark conversations about the ways in which design can have a positive impact on the environment.
In the complex trade of architecture and construction, you are never alone. And behind every great building there is a strong team of professionals combining their expertise.
Hanif Kara OBE is a structural engineer and one of the founders of AKT II, one of the top engineering firms in the world. Based in London, he has been closely collaborating with some of the world’s most innovative architects, including Grafton Architects, David Chipperfield, Norman Foster, BIG, Zaha Hadid, Thomas Heatherwick, and many more.
Mycelium-Grown Bio-Bricks / Evocative Design & The Living. Image Courtesy of The Living
The building industry is one of the biggest generators of carbon emissions, with some estimates suggesting that 38% percent of all CO2 emissions are linked to this field. As a response to the current crisis, architects, designers, and researchers are taking measures to reduce their carbon footprint during and after construction. Many initiatives and research teams are looking at building materials to find low-carbon solutions and reduce the impact of building materials during production.
One of the most prominent fields of research is concerned with biofacture, the type of process that involves using biological organisms to manufacture materials. By understanding the abilities of organisms such as algae of fungi, alternatives to widely used materials can become carbon neutral or even carbon negative. Other initiatives are researching novel ways to use untapped, yet readily available resources such as desert sand, soil, or waste from demolitions.
