Humid environments present some of the most complex challenges in architectural design. From the tropical monsoon season of Southeast Asia to the equatorial heat of Central Africa, these environments demand solutions that account for intense moisture, high temperatures, and the constant battle against mold, decay, and stagnation. Yet, for centuries, communities in these regions have developed architectural techniques that do not fight against humidity but instead work with it, leveraging local materials, climate-responsive design, and passive cooling techniques to create sustainable and livable spaces. By considering atmosphere as a sensory and climatic phenomenon, architects will craft spaces that are not only evocative but also responsive, adaptive, and sustainable.
SO-IL (Solid Objectives – Idenburg Liu) is an architectural design firm based in Brooklyn, New York, founded in 2008 by Florian Idenburg and Jing Liu. Known for an architecture deeply engaged with social, cultural, and environmental contexts, the studio focuses on exploring innovative materials, creating fluid spatial experiences, and prioritizing ecological sustainability. SO-IL's work spans various scales and program types, reflecting their versatile approach to design. In 2024, their housing project 450 Warren in Brooklyn was selected as ArchDaily's Building of the Year by the audience in the housing category.
In their latest book, In Depth: Urban Domesticities Today, SO-IL explores the evolving concept of home in contemporary urban contexts, transforming it "from a source of vulnerability into a tool for empowerment." The book redefines domesticity as an active and shared experience and examines how architects can address pressing urban challenges such as affordability, density, and sustainability. SO-IL's work advocates for flexible, resilient housing that fosters community while integrating ecological and social dimensions. ArchDaily spoke with the architects about the innovative solutions and ideas presented in the book, delving into how their projects challenge conventional systems and envision a future where architecture is a tool for empowerment.
Mountainous and high-altitude regions are considered to be among the most fragile ecosystems on Earth. From melting glaciers to land erosion, these environments face mounting threats from climate change, making it imperative to reimagine how architecture and its supporting infrastructure are designed for such places.
The Louisiana Museum of Modern Art's "Living Structures" exhibition, running from November 8th, 2024, to March 23rd, 2025, features Deep Forest, a new installation by Prof Claudia Pasquero and Dr. Marco Poletto founders of architecture and design innovation firm ecoLogicStudio, together with academic partner Innsbruck University. This immersive work challenges traditional architectural paradigms by embracing the naturalization of architecture and technology, a direct counterpoint to modernist attempts to mechanize nature. The exhibition represents the culmination of twenty years of research in bio-digital design, showcasing the potential of symbiotic relationships between technology and the natural world within built environments.
Can academic projects explore new directions and contribute to public discourse on global and local issues? The 2024 Politecnico di Torino Students Award aimed to address these questions, showcasing how architectural research, training, and experimentation can be integrated into a school curriculum.
Politecnico di Torino is ranked among the top 10 architecture schools in Europe (QS World University Rankings by Subject 2024 - Architecture and Built Environment). With over 3,000 students, the Department of Architecture and Design offers a Bachelor's degree in Architecture and three Master's programs—Architecture for Sustainability, Architecture Construction City, and Architecture for Heritage—all featuring dedicated English tracks. The Department offers also two Bachelor's and one Master's programmes in Design.
Honduran architect Angela Stassano is contributing to Central America's architectural landscape with her applied research regarding bioclimatic designs. Based in San Pedro Sula, Honduras, her projects draw from local heritage techniques to address the needs of hot, humid tropical environments. Stassano has developed her expertise through over 30 years of hands-on research, culminating in a bioclimatic architecture guide that outlines her methods for construction in this region. One of her most notable projects, Las Casitas, is a residential complex that embodies this research. The project includes multiple energy-efficient tropical houses that harness the local climate, resulting in low energy and operational costs.
Greenways, as a typology of urban design, have become an essential element in the planning of modern cities. They emerge in response to the increasing fragmentation of urban landscapes by elements such as highways. They usually integrate natural and constructed spaces, providing much-needed connections across various parts of the city. At the same time, they promote pedestrian accessibility, recreation, and social interaction. The Rose Kennedy Greenway in downtown Boston, United States, exemplifies this human-centered approach to design. The project, which began construction in 1991, showcases the potential of greenways to reconnect urban environments and enhance community life. As a series of parks designed by various architecture firms, it aims to create physical links and meaningful spaces that foster social development and a sense of place.
Prioritizing people and the planet, when it comes to building construction and real estate development, is being seen as more than an ethical mandate - it is a highly profitable approach. Changing market demands, city ordinances, and regulations, and an emphasis on Environmental, Social, and Governance (ESG) factors are all influencing what successful development in the 21st century stands for.
In Toronto, Canada, the ongoing Downsview Airport redevelopment project showcases this mindset in practice. While traditional development has generally focused on maximizing short-term returns, the Downsview project offers a holistic alternative that can invite significant long-term profits, all while addressing broader societal and environmental concerns.
The Mies Crown Hall Americas Prize (MCHAP) has announced the winner of the fifth MCHAP.emerge award: the Community Production Center Las Tejedoras in Guayas, Ecuador, designed by Natura Futura architect José Fernando Gómez and architect Juan Carlos Bamba. The project offers a hub for local women artisans, providing them with spaces to learn, create, and showcase their textile creations. The winner announcement was made at the Conference on Critical Practice held at Mies van der Rohe's S. R. Crown Hall, an inaugural event that brought together the four MCHAP.emerge finalists to open up conversations about the future of the architecture profession across the Americas.
CityMakers, The Global Community of Architects Who Learn from Exemplary Cities and Their Makers, is working with ArchDaily to publish a series of articles about Barcelona, Medellin, and Rotterdam. The authors are the architects, urban planners, and/or strategists of the projects that have transformed these three cities, which are visited in the "Schools of Cities" and studied in the "Documentary-Courses" made by CityMakers. On this occasion, Alejandro Restrepo Montoya, Director of Urban Planning and Architecture of Medellín, presents his article "Environmental Urbanism and Urban Geographies, Medellín 2024-2027"
Medellín's urban plan focuses on answering how urban planning can improve people's quality of life. By developing its proposal, the city is promoting the social benefits that these urban planning practices can generate. Medellín emphasizes the use of natural and environmental conditions, such as valleys, streams, rivers, mountains, and hills, to develop urban planning criteria that address social needs.
Developers often make it sound as though their latest LEED platinum office building will single-handedly reverse climate change. The unfortunate reality is that they could spend a lifetime designing and building all of their work to meet the highest environmental standards, but it wouldn’t fix the problem. The planet will grow hotter, the seas will rise, and storms will intensify. A century of burning fossil fuels has baked global warming into the atmosphere for our lifetime.
PORTO ALEGRE, RS, BRAZIL, 05/07/2024 - General photos of floods, Av Loureiro da Silva, CAFF and region. Photos: Gustavo Mansur/ Piratini Palace. Flickr user licensed under CC BY-NC 2.0 DEED Attribution-NonCommercial 2.0 Generic
The world has changed, and accepting this fact is no longer a matter of choice but survival. Our rainfall patterns, periods of drought, average temperatures, sea levels—everything is in constant flux. The denialist stance of many countries, including Brazil, has led to catastrophic situations like the one we are facing now.
The floods that devastated the southern region of the country in recent days cannot be considered isolated incidents. Due to global warming, climate events like this will become increasingly frequent. In other words, unfortunately, we cannot prevent them from happening, but we can—and must—make our cities more resilient to these situations.
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Sketch of Bonnet Springs Park / Sasaki. Image Courtesy of Sasaki
“Landscape architects have started conversations about embodied carbon. There is a realization that we can no longer ignore the grey parts,” said Stephanie Carlisle, Senior Researcher, Carbon Leadership Forum and the University of Washington, during the first in a series of webinars organized by the ASLA Biodiversity and Climate Action Committee.
The grey parts are concrete, steel, and other manufactured products in projects. And the conversations happening are laying the foundation for a shift away from using these materials. The landscape architect climate leaders driving these conversations are offering practical ways to decarbonize projects and specify low-carbon materials.
The Indonesian parliament has approved a bill to relocate the capital from the city of Jakarta to a completely new city to be built on the island of Borneo, 1,300 kilometers from the current capital. The decision, first announced in 2019, comes as a reaction to the myriad of challenges faced by Jakarta, including pollution, traffic congestion, and, perhaps the most threatening, rising sea waters. As a consequence of excessive groundwater extraction, rapid urbanization, and rising sea levels, 40% of the city is currently below sea level, making it increasingly difficult for the infrastructure to protect the residents. President Joko Widodo proposes an alternative: relocating the administrative center of the country to a new green metropolis, to be named Nunsantara, meaning ‘archipelago’ in ancient Javanese.
Weaving is not only a technical craft but also a way to design material experiences. Engaging in the process of weaving allows us to structure, communicate, reflect on, and connect with our designs. By experimenting with different fabric structures, we gain insight into how materials behave under tension and compression. This understanding helps us push the boundaries of textiles and their limitations, resulting in designs that stretch and test the properties of the materials.
In architecture, the construction mechanism of weaving centers the shelter to the building process. In this sense, shelter becomes a direct manifestation of material production. Additionally, weaving offers numerous environmental and social benefits by creating shelters that actively engage with materials, tools, technologies, and creative potentials, thereby supporting placemaking.
What about architecture in North America – its history, policies, but also building codes – makes it particularly vulnerable to the global housing crisis? And how can those inherent flaws be counteracted with purposeful residential design and a more inclusive approach to the architecture discipline?
