Developers often make it sound as though their latest LEED platinum office building will single-handedly reverse climate change. The unfortunate reality is that they could spend a lifetime designing and building all of their work to meet the highest environmental standards, but it wouldn’t fix the problem. The planet will grow hotter, the seas will rise, and storms will intensify. A century of burning fossil fuels has baked global warming into the atmosphere for our lifetime.
PORTO ALEGRE, RS, BRAZIL, 05/07/2024 - General photos of floods, Av Loureiro da Silva, CAFF and region. Photos: Gustavo Mansur/ Piratini Palace. Flickr user licensed under CC BY-NC 2.0 DEED Attribution-NonCommercial 2.0 Generic
The world has changed, and accepting this fact is no longer a matter of choice but survival. Our rainfall patterns, periods of drought, average temperatures, sea levels—everything is in constant flux. The denialist stance of many countries, including Brazil, has led to catastrophic situations like the one we are facing now.
The floods that devastated the southern region of the country in recent days cannot be considered isolated incidents. Due to global warming, climate events like this will become increasingly frequent. In other words, unfortunately, we cannot prevent them from happening, but we can—and must—make our cities more resilient to these situations.
“Landscape architects have started conversations about embodied carbon. There is a realization that we can no longer ignore the grey parts,” said Stephanie Carlisle, Senior Researcher, Carbon Leadership Forum and the University of Washington, during the first in a series of webinars organized by the ASLA Biodiversity and Climate Action Committee.
The grey parts are concrete, steel, and other manufactured products in projects. And the conversations happening are laying the foundation for a shift away from using these materials. The landscape architect climate leaders driving these conversations are offering practical ways to decarbonize projects and specify low-carbon materials.
The Indonesian parliament has approved a bill to relocate the capital from the city of Jakarta to a completely new city to be built on the island of Borneo, 1,300 kilometers from the current capital. The decision, first announced in 2019, comes as a reaction to the myriad of challenges faced by Jakarta, including pollution, traffic congestion, and, perhaps the most threatening, rising sea waters. As a consequence of excessive groundwater extraction, rapid urbanization, and rising sea levels, 40% of the city is currently below sea level, making it increasingly difficult for the infrastructure to protect the residents. President Joko Widodo proposes an alternative: relocating the administrative center of the country to a new green metropolis, to be named Nunsantara, meaning ‘archipelago’ in ancient Javanese.
Weaving is not only a technical craft but also a way to design material experiences. Engaging in the process of weaving allows us to structure, communicate, reflect on, and connect with our designs. By experimenting with different fabric structures, we gain insight into how materials behave under tension and compression. This understanding helps us push the boundaries of textiles and their limitations, resulting in designs that stretch and test the properties of the materials.
In architecture, the construction mechanism of weaving centers the shelter to the building process. In this sense, shelter becomes a direct manifestation of material production. Additionally, weaving offers numerous environmental and social benefits by creating shelters that actively engage with materials, tools, technologies, and creative potentials, thereby supporting placemaking.
What about architecture in North America – its history, policies, but also building codes – makes it particularly vulnerable to the global housing crisis? And how can those inherent flaws be counteracted with purposeful residential design and a more inclusive approach to the architecture discipline?
After being awarded the prestigious Silver Lion for his contribution to this year's Venice Architecture Biennale, Brooklyn-based artist Olalekan Jeyifous shows no signs of slowing down. Currently in the midst of preparing his entry to the next Sharjah Architecture Triennial, he also recently celebrated the opening of Climate Futurism, a group exhibition that highlights the power and efficacy of artists’ methods and processes to imagine a more equitable future – and is working on a public monument to former United States Representative Shirley Chisholm as part of New York City's She Built NYC initiative, among other projects.
In 2018, Archi-Tectonics NYC and !Melk were announced as the winners of a competition to develop a masterplan transformation for the Hangzhou Asian Games Park 2022. Spanning 116 Acres, the now-completed project includes an expansive Eco Park and seven buildings. Although its initial purpose was to serve as a venue for the Hangzhou Asian Games 2022, the team extended its vision far beyond this event, charting a new path for the city’s environmental future.
Our daily lives involve constant communication with the city. As we move through different spaces, we ask ourselves questions like "Where am I now?", "Where am I headed?", "What am I looking for?", "What is this building for?", and "How do I experience this space?" While spatial encounters may feel intuitive, environmental graphic design (EGD) provides the answers by serving as an important interface between us and the built environment. It involves the design of graphic elements that merge with architectural, landscape, urban, and interior designs to make spaces more informative, easier to navigate, and memorable. EDG comprises three major elements: text, shape, and color. Text and shapes typically encapsulate the graphic information, but color projects it, amplifies it, and helps communicate it within the packed scenes of the city. In spatial experiences, we perceive colors first, since our senses mostly register visual sensations. Therefore, the strategic use of color is critical for environmental graphics to provide a layered experience of identity imagery, sense of place, and emotional connection.
Landscape architecture is having a moment. The latest proof: last week, the US Department of Homeland Security decided to accredit the field with its prestigious STEM designation. As part of the science, technology, engineering, and mathematics (STEM) educational disciplines that fall under this category, landscape architecture students can now spend an additional 24 months seeking employment and training post-graduation in the United States after an initial period of a year granted to all graduates. The title also promises more prestige, higher entry salaries, and additional career flexibility. Torey Carter-Conneen, CEO of the American Society of Landscape Architects (ASLA), calls the development a significant advancement for 'landscape architecture education and practice, and that is great for America and the global community.'
The news corresponds to a growing emphasis on landscape architecture as a pivotal practice around the globe in recent years – one that is closely connected to notions of public health, environmental design, biophilia, sustainability, and re-wilding. It also underlines the intimate relationship between technology and the discipline. Landscape proposals increasingly rely on advanced science and technology to predict how ecological interventions might alter an existing terrain and determine what measures will yield the highest benefit for both humans and nature. The contemporary ideal of wild meadows and biodiverse forests may exist free from external influence, but the path to get there requires assistance.
Architecture is a continually evolving form of human expression influenced by cultural and contextual factors. While many of the problems we face today aren't directly linked to architecture, it has the ability to provide or facilitate solutions to these challenges. This has been evident throughout history, as societal issues have played a significant role in shaping our built environments. For instance, during the Victorian era, the infamous "Great Stink" led to the modernization of London's drainage system and urban layout. Similarly, the 2008 recession gave rise to the sharing economy and coworking spaces. Nowadays, the climate crisis is transforming the way we conceive architecture, seeking to reduce the carbon footprint of buildings and cities to achieve the Paris Agreement objectives. Given this backdrop, what challenges should we expect in the future?
https://www.archdaily.com/1000810/energetic-retrofitting-a-solution-for-environmental-obsolescence-in-architectureEnrique Tovar
Yasmeen Lari, recognized as the first female architect in Pakistan, has had a significant impact both in her home country and internationally due to her innovative and socially conscious approach to architecture. Through a systemic approach, Lari’s work takes into consideration local culture, site-specific opportunities, and challenges. Born in Pakistan in 1941, Yasmeen Lari moved to London with her family at the age of 15. After graduating from Oxford Brooks School of Architecture, she returned to Pakistan at the age of 23 to establish Lari Associates with her husband, Suhail Zaheer Lari. The couple settled in Karachi. Here, she began to study Pakistan’s ancient towns and the vernacular architecture of earth buildings, igniting her interest in the architectural heritage and traditional techniques of her country. In 1980, she co-founded the Heritage Foundation of Pakistan with her husband, becoming instrumental in the preservation of her country’s rich cultural heritage.
There’s no shortage of slippery slopes in the architectural lexicon: “architectural” and “architectonic” hover near the top of the list. Problems invariably arise when the modifier supplants the modified. This happens more than you’d think, especially of late. A wholly separate issue arises when owing partly to a linguistic slight of tongue, architecture is understood as something distinct from the building, eschewing physical inhabitation.
Yasmeen Lari’s Pakistani Chulah - an outdoor stove used by women in South Asia- is a powerful intervention that highlights the architect's commitment to feminist and environmental activism. The project synchronically tackles issues of deforestation, pollution, and health hazards faced by women in rural areas. Her design is systemic, locally specific, and conscious of the needs of society’s most vulnerable - women and nature. Her vast body of humanitarian work elaborated on in Yasmeen Lari: Architecture for the Future, opens up a dialogue for viewing architecture through an eco-feminist lens.
Homes of the Future. Image Courtesy of Mossawi studios
This week's curated selection of Best Unbuilt Architecture highlights visionary homes by the ArchDaily community. From a prefabricated house to supporting Ukraine war victims, a modular multi-story house highlighted during the Dutch Design Week, and a villa "shaped" by the Dubai coastline wind flow, this round-up of unbuilt projects showcases how architects move forward from the conventional residence concept to project alternative habitational standards in responding to harsh environments, nature, and technology.
The world’s most primitive construction materials are being used to create the most advanced buildings. In light of environmental crises, architects are focusing their efforts in designing better built environments for people and the planet. The results may often seem ‘greenwashed’, failing to address the root of ecological distress. Environmentally responsible architecture must aim not to reverse the effects of the ecological crisis, but instigate a revolution in buildings and how we inhabit them. Essays from the book The Art of Earth Architecture: Past, Present, Future envision a shift that will be a philosophical, moral, technological and political leap into a future of environmental resilience.
Architects assume a significant amount of responsibility when it comes to considering designs that will be successful for not just their clients, but any person who inhabits or is impacted by their spaces. Topics of sustainability, social inclusion, economic opportunities, and overall urban equity, have consistently been top of mind in recent years, ultimately creating a new holistic approach to designing for a better future, that many people are referring to as Environmental, Social, and Governance metrics, more commonly known as ESG.