Public Health: The Latest Architecture and News

This article was originally published on Common Edge.

By the time I was 17 years old, I had moved 11 times. Because of my own experience relocating from one place to another, I’ve spent the better part of the last several decades focused on making sure that everyone has a place to call home, that everyone enjoys the human right to housing. But it was not until my time at Enterprise Community Partners, a nonprofit focused on community development and affordable housing, that I realized the methods and materials we employ to realize that human right matter. 

The NASA Goddard Institute for Space Studies (GISS) in New York has just announced that the month of July 2023 was hotter than any other month ever recorded in terms of global temperature. Spiking to 1.12 degrees Celsius above the 20th-century July average, this month was warmer than any month since 1850 when the NOAA database began. The climate crisis at large has made heat waves more prevalent, putting millions of people in danger. These growing effects of the climate crisis also severely affect cities worldwide, posing a threat to urban inhabitants globally.

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The climate crisis has made heatwaves more likely and more intense around the world. Record-breaking high temperatures are being reported across the world. According to international data, the first week of July 2023 was the hottest week on record, putting millions of people in danger. All throughout this summer, recurring heatwaves have been affecting large portions of Asia, Europe, and the United States, priming the land for fires in places like Greece, Spain, and Canada, triggering unhealthy air warnings, evacuations, and heat-related deaths. The increasingly threatening effects of the climate crisis are also felt in cities worldwide, as extreme heat proves to be a rapidly growing health risk to millions of urban dwellers.

Cities are on the front lines of this public health emergency. People living in urban areas are among the hardest hit when heatwaves happen, partly because of urban heat islands. This is a phenomenon that occurs when cities replace the natural land cover with dense concentrations of surfaces that absorb and retain heat, like pavements and buildings. Heat risk levels also vary by neighborhood, with less affluent and historically marginalized sectors being the most affected due to the density of the population, limited access to cooling systems, and the limited availability of green urban spaces.

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The UIA World Congress of Architects 2023 is an invitation for architects from around the world to meet in Copenhagen July 2 – 6 to explore and communicate how architecture influences all 17 UN Sustainable Development Goals (SDGs). For more than two years, the Science Track and its international Scientific Committee have been analyzing the various ways in which architecture responds to the SDGs. The work has resulted in the formulation of six science panels: design for Climate Adaptation, design for Rethinking Resources, design for Resilient Communities, design for Health, design for Inclusivity, and design for Partnerships for Change. An international call for papers was sent out in 2022 and 296 of more than 750 submissions from 77 countries have been invited to present at the UIA World Congress of Architects 2023 in Copenhagen. ArchDaily is collaborating with the UIA to share articles pertaining to the six themes to prepare for the opening of the Congress.

In this fourth feature, we met with co-chairs of design for Health architect Arif Hasan, former Visiting Professor NED University Karachi and member of UNs Advisory Group on Forced Evictions, and architect Christian Benimana, Senior Principal and Co-Executive Director at MASS Design Group

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New Orleans experiences the worst urban heat island effect in the country, with temperatures nearly 9 F° higher than nearby natural areas. The city also lost more than 200,000 trees from Hurricane Katrina, dropping its overall tree canopy to just 18.5 percent.

The non-profit organization Sustaining Our Urban Landscape (SOUL) partnered with landscape architects at Spackman Mossop Michaels (SMM) to create a highly accessible, equity-focused reforestation plan for the city that provides a roadmap for achieving a tree canopy of 24 percent by 2040. But more importantly, the plan also seeks to equalize the canopy, so at least 10 percent of all 72 neighborhoods are covered in trees. Currently, more than half of neighborhoods are under the 10 percent goal.

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It is expected that by 2050, the rapid depletion of raw materials will leave the world without enough sand and steel to build concrete. On the other hand, the cost of building continues to soar, with an increase between 5% and 11% from last year. And with respect to its impact on the environment, the construction industry still accounts for 23% of air pollution, 50% of the climatic change, 40% of drinking water pollution, and 50% of landfill wastes. Evidently, the construction industry, the environment, and the human race are facing several challenges that are influenced by one another, but it is the human being who is at the greatest disadvantage.

As a response to global challenges such as climate change, discrimination, and physical vulnerability, designers and engineers from across the world have developed innovative construction materials that put the human wellbeing first in urban, architecture, and interior projects.  

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Discussions of architectural form demonstrate how disability is negatively imprinted into the field of architecture. In architectural theory and the history of architecture, “form” typically refers to the physical essence and shape of a work of architecture. In the modern idea of form, it is a quality that arises from the activity of design and in ways that can be transmitted into the perceptions of a beholder of architecture. Form provides a link between an architect’s physical creations and the aesthetic reception of these works. It occupies a central place within a general understanding of architecture: the idea of the architect as “form-giver,” among many other turns of phrase, conveys the sense of some fundamental activity and aesthetic role of form within architecture, what architects create, and how people perceive works of architecture.

At the inauguration of the First Brazilian Congress of Eugenics in July of 1929, the physician and anthropologist Edgar Roquette-Pinto addressed an audience preoccupied with the question of how a country as vast as Brazil could best increase and improve its population. To accomplish this, Roquette-Pinto exalted “eugenia” as the new science that, together with medicine and hygiene, would guarantee the efficiency and perfection of the race. With the following words, the Brazilian scientist underscored a positivist agenda that brought architecture to the very core of the eugenics—the so-called science of race “improvement”—movement: “It is critical to emphasize that the influence [on our race] does not stem from the natural environment but rather from the artificial environment, created by man.” With these opening remarks to the Congress, Roquette-Pinto called attention to the crucial role that the man-made environment plays in the “amelioration” of what he called “the biological patrimony” of Brazil’s diverse population. In his invitation to social engineering, Roquette Pinto pointed to the environmental-genetic collusion that they hoped would bring with it the very possibility of progress.

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What would it mean to design buildings that exceed the economic accountings of liberal biopolitics, that instead offer an entirely different rationale for supporting health? In the years that Michel Foucault conceptualized the term biopolitics, he was part of a constellation of researchers and architects who developed care praxes that defined the value of life and its maintenance through a desire-based calculus. The welfare state institutions of architect Nicole Sonolet in particular—mental hospitals, public housing complexes, and new village typologies built mainly in postwar France and postcolonial Algeria from the 1950s to the 1980s—were designed not only to support but to center the needs of people often excluded from design processes. Sonolet’s mental health centers for residents of Paris’s 13th arrondissement, in particular, were key projects for discovering a design practice tied to the provision of care for its own sake.

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