MVRDV have released details of their proposed mixed-use complex, designed to redevelop a post-industrial site in Kiel, Germany. The 65,000-square-meter proposal will adopt a flexible design system as opposed to a fixed, unchangeable plan, thus allowing the scheme to adapt to future demands as the design development progresses.

Labeled the “KoolKiel,” MVRDV’s scheme will occupy an existing large, single-story building previously used to store chains of ships, and for the printing of Germany’s famous Werner comics in the 1980s. The site’s current use as a hub for media and creative industries, and its resulting charismatic identity, has strongly influenced the MVRDV scheme, with the retention of the existing structure and lively, playful exterior spaces.

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One of the immediate impressions that I formed of the Beijing-based architect and Tsinghua University Professor Li Xiaodong (b. 1963) is his reassuring self-confidence. Following our interview, Professor Li asked me a question of his own - would I like to teach at his school? “I never taught in my life,” I replied. He quickly countered, “I know. You can teach. Yes or no?” If I have learned anything about life, it is that when opportunities come you should grab them first and think later. "If he is so confident in me, why shouldn’t I trust him?” I reasoned.

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In 2018, anyone who passed by an empty lot in the heart of Paraisópolis—São Paulo's second-largest community—on Mondays and Thursdays encountered children with dirt-dusted knees, playing with objects like tires, paper boats, and twigs in endless games. This was the Brincreto project, an initiative by the Coletivo LUB – Laboratório de Urbano de Brincadeiras.

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Fusing augmented reality with the physical space, Fologram seeks to facilitate the construction of complex designs (for example, parametric designs that require a series of measurements, verification, and specific care) through digital instructions that are virtually superimposed into the workspace, directing a step-by-step guide for bricklayers during the construction process.

'Research institutions and large companies are working with industrial robots to automate these challenging construction tasks. However, robots aren’t well-suited for unpredictable construction environments, and even the most sophisticated computer vision algorithms cannot match the intuition and skill of a trained bricklayer,' stated their creators.

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This guide is not a catalog. It is an open invitation to walk around the city and learn more about the architecture in Guatemala City.

The Guide to Modern Architecture in Guatemala City was written by Raúl Monterroso, Gemma Gil, and photographed by Andrés Asturias. In partnership with The Cultural Center of Spain in Guatemala, the guide addresses a descriptive analysis of 35 buildings, structured in five different routes, with the aim of not only synthesizing a series of physical characteristics but to provoke a reflexive, analytical and critical observation of the environment.

As Raúl Monterroso points out, while he shares five sites that every architect must visit, the goal is to introduce people to Guatemala's modern movement. It is an invitation to walk through the city and identify it with a different built heritage, however one that also shapes the landscape and fits into the urban context. Learn more about modern architecture in Latin America, below.

On December 4, the opening of the Provincial Preliminary Design Competition for Cultural Spaces in Villa Carlos Paz took place. 

The format involved intervening in three emblematic urban spaces under a single competition, but with individual prizes awarded for each site. The goal was for participants to achieve aesthetic and architectural proposals that would transform each space into a city landmark.

These are the three winning projects:

After having previously photographed the offices of architecture firms in the Netherlands, Dubai, London, Paris, Beijing, Shanghai, Seoul, the Nordic countries, and Barcelona, architectural photographer Marc Goodwin continues the series with an exploration of 15 large architecture and design studios in Los Angeles. Featuring a set of emerging and world-renowned offices alike, the series gives a glimpse into the life of designers across the City of Angels.

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Each year, the Boston Society of Architects offers the James Templeton Kelley Prize to the best final design project for the MArch degree at the Harvard Graduate School of Design. This year, the March II recipient was Ziwei Song for their thesis titled “Not so skin deep: vernacularism in XL” for exploring alternative ways of integrating the Chinese vernacular with modern “XL” developments.

Ziwei’s thesis sought to re-approach the typical developer project in China, and demonstrate the capacity of the vernacular image to positively-effect the sequence, perception, and exposure of space. To test this, the project was placed on Chongqing, a typical second-tier city in China with a concentration of XL developer projects.

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On January 23, 2019, during the opening of the exhibition showcasing the 20 selected projects out of 127 entries from 16 Brazilian states and the Federal District, the three winners of the 1st Instituto Tomie Ohtake Leroy Merlin Design Award and one honorable mention were announced.

The Vancouver Art Gallery has unveiled the final design for its 300,000-square-foot building designed by Herzog & de Meuron. Designed to serve the Gallery’s ever-expanding collection of art and educational programs, the scheme will offer “a global platform for Vancouver’s and Canada’s thriving arts scene and play a vital role in establishing this city as one of the world’s most foremost cities for arts and culture.”

The scheme has been designed as a sculptural, symmetrical, upright building infusing opaque and transparent surfaces. The stacked scheme sees a minimal mass at the bottom contrast with larger volumes concentrated at the top, allowing light and air to filter down to an active, open-air courtyard below.

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The Glass House, the residence where Lina Bo Bardi and her husband, Pietro Maria Bardi, lived for over 40 years and the current headquarters of the Lina Bo and P.M. Bardi Institute, will open its doors for a special free tour in celebration of São Paulo's 465th anniversary. The program begins at 11:30 AM and will feature the participation of the Institute's president, Waldick Jatobá.

American light and space artist James Turrell's best-known work, Roden Crater, is now set to open to the public within the next few years thanks to a series of partnerships and new funding. Part of the additional funds includes a $10 million donation from Kanye West that would allow the project to expand and open within the next five years. Only a small group of people have experienced the crater, and the new funding will jump-start the updated master plan, which includes a restaurant, visitor’s center, cabins, and a "light-spa."

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The ICO Museum (Madrid) has extended Francis Kéré: Primary Elements, the first exhibition in Spain dedicated to the Burkina Faso-born, German-trained architect. Originally scheduled to close on Sunday, January 20, the museum has pushed the closing date back to Sunday, February 3.

Gensler has released details of their proposed Tower Fifth in New York City. If realized, the 1556-foot-tall scheme would be the second-tallest building not just in New York, but in the Western Hemisphere. Located east of Fifth Avenue between 51st and 52nd Street, the tower will sit adjacent to St. Patrick’s Cathedral.

According to Gensler, who designed the scheme in collaboration with developer Harry Macklowe, the tower “creates a new paradigm for how a supertall structure meets the street and interacts with its neighbors.”

Architecture research initiative “arch out loud” has announced the winners of their “Waste: Multi-Purpose Stadium” competition, asking participants to speculate on the design of a multi-purpose stadium at the former Olusosun Landfill in Lagos, Nigeria.

The competition was organized in response to the fact that the world creates more than a billion tons of garbage per year, most of which is incinerated, buried, and explored to landfills. As populations and major cities expand, so too must our “ability to reverse wasteful tendencies and begin living more efficiently and sustainably.”

UNESCO has named Rio de Janeiro, Brazil as the World Capital of Architecture for 2020. In keeping with UNESCO’s recent partnership agreement with the UIA, UNESCO designates the World Capital of Architecture, which also hosts the UIA’s World Congress. The World Capital of Architecture is intended to become an international forum for debates about pressing global challenges from the perspectives of culture, cultural heritage, urban planning and architecture.

It's a new year, and as we inch closer to February speculation has begun to swirl around who will be named next laureate(s) of the Pritzker Prize. What used to be a somewhat predictable award has become less so in recent years, and if you look at who has won you will realize that anything is possible. Will the jury honor a member of the "old guard," as when they awarded the late Frei Otto? Or will they recognize a young architect, as when they selected Alejandro Aravena?

We want to hear from our readers - not just about who probably will win the prize, but about who should win the prize, and why.

Cast your vote in the poll below  - or add in the dark horses you think deserve the honor in 2019. 

Zinc is a natural element extracted from ores. Its symbol, which appears in the dreaded Periodic Table, is Zn. Through a metallurgical process of burning its impurities (reducing zinc oxide and refining), it assumes a much more friendly appearance, and later becomes the sheets, coils, and rollers used in construction. The main characteristic of this material is its malleability, which allows it to be worked easily, allowing to cover complex forms in facades and roofs of buildings.

Australian practices NAAU and Enlocus have designed a plan to transform the mining town of Jabiru in Kakadu National Park into a tourism destination. The Gundjeihmi Aboriginal Corporation will receive $446 million in funding to support the project, setting out a vision for the future of the town following the scheduled closure of the nearby Ranger uranium mine in 2021. The plan includes new accommodation, education and health services, and a World Heritage Interpretation Center.

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Construction has begun on the Powerhouse Company-designed pavilion for the ING campus in Amsterdam. Located in the up-and-coming district of Amsterdam Southeast, the 900-square-meter pavilion seeks to “make a bold statement while integrating with its surroundings."

The clean, minimalist pavilion will sit at the heart of the ING campus, serving as both a dining area and a multifunctional space for the community. Emphasizing the natural landscape, the pavilion offers a synergy between the built and natural environment through a friendly circular form, a timber interior, and green Tichelaar tiles on the north and east facades.

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Villa Fantasía Park is a space where several key community areas converge, featuring children's play zones and a wildlife sanctuary for confiscated, rescued, or donated animals. Designed by architects Kei Arao Takahashi, J. Abraham Lara Ramiro, and Héctor García Ventura, the project is also an Environmental Management Unit located in Jalisco, Mexico, spanning an area of 16,900 square meters.

Construction has completed on Diller Scofidio + Renfro (Lead Architect) and Rockwell Group's (Lead Interior Architect) 15 Hudson Yards, an 88-story skyscraper marking the first residential project in the Manhattan masterplan. The scheme is now open with 60% of residential units already sold, totaling over $800 million in sales.

The tower marks DS+R and Rockwell Group's first skyscraper, designed in collaboration with executive architects Ismael Leyva. The scheme topped out in February 2018 to its architectural height of 914 feet.

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Sustainability awards and standards touted by professional architecture organizations often stop at opening day, failing to take into account the day-to-day energy use of a building. With the current format unlikely to change, how can we rethink the way what sustainability means in architecture today? The first step might be to stop rewarding purpose-built architecture, and look instead to the buildings we already have. This article was originally published on CommonEdge as"Why Reusing Buildings Should be the Next Big Thing."

At the inaugural Rio Conference on the Global Environment in 1992, three facts became abundantly clear: the earth was indeed warming; fossil fuels were no longer a viable source of energy; the built environment would have to adapt to this new reality. That year I published an essay in the Journal of Architectural Education called “Architecture for a Contingent Environment” suggesting that architects join with both naturalists and preservationists to confront this situation.

Much has been said since the then-new minister of economy, Paulo Guedes, stated that it was necessary to “take a knife” to the S System. However, these discussions have focused almost exclusively on the financial aspects of the system. To truly understand the relevance of the S System to Brazilian society—whose flagship organizations include SENAC (National Service for Commercial Apprenticeship), SESC (Social Service of Commerce), SENAI (National Service for Industrial Apprenticeship), SESI (Social Service of Industry), and SEBRAE (Brazilian Micro and Small Business Support Service)—it is far more instructive to examine the original motivations behind this vocational education system, the pedagogical and political project that drove its creation, the role of architecture in its facilities to achieve its goals, and its ongoing relevance in the fields of education and culture.