
This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

According to the American Society of Heating, Refrigerating and Air-Conditioning Engineers (ASHRAE)—which organizes global data and supports research in this field—thermal comfort is defined as the condition of the mind that expresses satisfaction with the thermal environment. Why is it important to study adaptive comfort in Latin American climates? Given that 40% of the population lives in the tropics, designing architecture capable of adapting to tropical climates is essential. Consequently, in line with human-centered design, strategies must be tailored to the specific local conditions in which they are implemented.
Franco Morales, technical director of EBP Chile, who plays a cross-cutting role across the company's various departments (construction, climate change, and local energy), frequently collaborates with the CEELA Project. Following his participation in the energy retrofitting project for the Juan XXIII School in Montería, Colombia, and identifying a widespread challenge—namely, schools built without an architecture suited to their climatic context—he has begun developing a sustainable design manual for educational institutions in hot-dry and hot-humid climates.

Over 13 million Brazilians live with a physical disability. Data from the Ministry of Health indicates that roughly 6% of the population has some form of compromised mobility and overall coordination due to the complete or partial impairment of one or more body segments. Designing more inclusive environments is key to eliminating architectural barriers, ensuring the integration of this entire demographic into social and cultural activities. During the month of the National Day of Persons with Physical Disabilities, we aim to combat prejudice and present universal design alternatives as a tool for change for architecture and urban planning professionals.

The 1970’s were a dark time for New York City. While the economy was down, crime rates were at an all-time high. The negative public image also kept tourists away, driving the city into a financial crisis. To change perceptions about The Big Apple, the New York State Department for Economic Development approached advertising firm Wells Rich Greene to create an inviting marketing operation. After 45 years, the resulting I Love NY campaign remains fresh in the minds of locals and tourists, successfully revamping New York City’s brand. Cities across the world like Paris, Amsterdam and Jerusalem have similarly invested heavily in constructing magnetic brands for themselves.

In an effort to expand the debate around the issues and opportunities facing urban environments worldwide, UN-Habitat has designated October 31 as “World Cities Day”, an event celebrated annually since 2014. This year the events are centered around the theme “Act Local to Go Global”, with the aim to share experiences and approaches to local actions, the initiatives that were successful and those that were not, and to seek to understand ways in which local and regional governments can help create greener, more equitable and sustainable cities.
The theme was chosen based on the understanding that local actions are of critical importance in achieving the sustainable development goals set for 2030. The 2030 Agenda sets out the UN ambition to contribute to creating cities and human settlements more inclusive, safe, resilient, and sustainable. The world’s largest cities are often the most unequal. This year’s theme suggests that there is a path forward through incremental changes and localized actions. By adapting to site-specific conditions, these actions can better respond to the individual needs of the communities, and the natural conditions of climate and topography and can help strengthen the cultural identity of urban environments.

Under the motto "Get Set," the 2022 DDW exhibited more than 50 art and architectural installations to call out designers and communities for a shift from preparation to action facing the challenges of our time. Led by Miriam van der Lubbe, Creative Head of DDW, with Marjan van Aube and Formafantasma as ambassadors, the 21st edition of the Dutch Design Week took place the last week of October in Eindhoven, the Netherlands closing with a Graduation Show of over 200 students of the Design Academy Eindhoven.
Inspiring designers to incorporate innovation and sustainability and familiarize the public with all the technology has to offer, ArchDaily has selected 9 relevant works focused on bio-materials and modular systems. Highlighting ongoing design research, the list underlines projects that reinvent how we deal with nature and the space we live in.

We often walk through the city without knowing the value of the buildings around us. In Chile, there is an architectural multiculturalism that has molded the cities with buildings that, to this day, are awarded a heritage title and are not recognized as such by the inhabitants and visitors.

Site work has always been and remains a pivotal stage in forming our built environment. Most architects, designers or engineers have at one point or another been on the grounds and understand the importance of presence within the project development phases. Working on construction sites can be a valuable learning experience and allows different inputs from diverse experts to be considered in forming a better urban, living, and working environment for all. Starting from this idea, and as we delve into Women in Architecture as part of our ArchDaily topics, we published an invitation, encouraging our readers to share their opinion on gender-based discrimination on the construction site.

Even if you have never engaged with the ins and outs of a building’s acoustics, you will, no doubt, have had many a meeting or passing conversation eased by Rockfon’s sound-absorbing solutions. They may have invisibly clad a ceiling above you in tile form or seamlessly formed the white walls that surrounded you. Rockfon – a part of Rockwool Group – specialises in banishing acoustic bounce with sound absorbing products made from organic stone wool. The products have been part of the fabric of our public spaces – offices, schools, restaurants and libraries – for more than 60 years.

The term “cradle to cradle” was coined by American architect William McDonough and German chemical engineer Michael Braungart in their manifesto-book Cradle to Cradle: Remaking the Way We Make Things, published in 2002. This theory is not merely architectural; rather, it applies to any product, promoting a biological approach to manufacturing in which components are considered nutrients in a “healthy metabolism.”

These days, wellness is a commonly-used word in design and other areas, but what does it truly mean? According to the National Wellness Institute, the concept is defined as "an active process through which people become aware of, and make choices toward, a more successful existence." It can be viewed from different perspectives, such as environmental, intellectual, spiritual and physical factors. Although these elements can be integrated separately into one’s life, they can also complement each other and work together. For example, exercise does not only provide physical benefits; it contributes to emotional wellness as well.

IE University, in collaboration with All Things Urban, would like to invite you to our "Cities and Jobs Series". A series of webinars are being hosted by the two organizations, for the launch of IE’s new Bachelor program in Urban Studies (for which applications are now open). The multidisciplinary program examines urban issues in a holistic way to prepare the future generation of urbanists to tackle the pressing challenges of our cities.
Cities only occupy 2% of the planet’s surface, but they accommodate more than 50% of the population. They consume 75% of global energy, produce 80% of global CO2 emissions, and generate more than 80% of the global GDP today. These numbers put cities at the center of any discussion about global warming, urbanization, progress, and social issues.
The three online webinars will tackle conversations from “Urban Artificial Intelligence: how can we urbanise technology?” to “Urban Green Infrastructure: How can nature save cities” and “Urban social inequalities: How can cities include people?”

Sensory urbanism is a form of investigation of how non-visual information defines a city's character and affects its livability. Using methods that range from sound tracks and smell maps, wearables and virtual reality, researchers in this area have introduced other senses to urban centers.

Is it possible to photograph time through transformations in urban space? To accumulate past and present in a single image, inviting the viewer into a visual and archaeological investigation? The Betoneira Podcast spoke with German photographer Michael Wesely about photography and cities. A pioneer of long-exposure photography, Wesely developed a technique that allows a single negative to be exposed for hours, days, or even years. The result is the condensation of the entire exposure period into a single photograph, producing poetic images of profound visual impact.

If we previously brought in before and after plans of apartment refurbishments, we now focus on residential projects that have received needed improvements. In addition to the plans, the information contained in the memorial of each project helps to better understand the attitude taken in each architectural design. After all, each work brings with it different demands: deadlines, budgets, legislation and pre-existing conditions.

The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Architecture Workers United (AWU) Members Andrew Daley, Associate Organizer at IAMAW and Jennifer Siqueira, Project Architect at Bernheimer Architecture to discuss their involvement with the AWU; the fundamentals of unions and how to start one; the state of unionization in the profession; the pros and cons of forming a union; and more.

No País dos Arquitectos is a podcast created by Sara Nunes, who is also responsible for the architectural film production company Building Pictures. The podcast aims to introduce the professionals, projects, and stories behind leading contemporary Portuguese architecture. With just over 10 million inhabitants, Portugal is a fascinating country regarding this professional field, and its architectural output far exceeds what its small population and land area might suggest.
In this episode, Sara talks with architect Samuel Gonçalves, from the office SUMMARY, about their project for four kindergartens in Lisbon, prefabrication, and the challenges cities currently face.

We live in a world where the experienced, remembered, and imagined, as well as different moments in space and time concerning the past, present, and future are inseparably blended. As of recent, we are being offered various mediums to gain access to other planes of existence, utilizing immersive technologies like virtual and augmented reality (VR and AR), creating a pathway to the metaverse in which we are transported to spaces that are capable of feeling more ‘real’ than anything we presently experience.

No País dos Arquitectos is a podcast created by Sara Nunes, who also runs the architectural film production company Building Pictures. The podcast aims to introduce the professionals, projects, and stories behind benchmark contemporary Portuguese architecture. With just over 10 million inhabitants, Portugal is a highly intriguing country within this professional field, and its architectural output far outstrips its population and territorial scale.
In this episode of the fourth season, Sara talks with architect Diogo Brito from the firm OODA about the conversion project of the former Campanhã Industrial Slaughterhouse in Porto, co-designed with Kengo Kuma.

The design of cabinets and shelves is fundamental for the composition of the interior of a house. Their functions can be the most diverse - home libraries, storage, artwork and decorative elements display -, but with a little architectural ingenuity it is possible to make them protagonists, adding not only an aesthetic value to the room, but making the environment more versatile. Therefore, we have separated some tips and references to inspire your next project.

The Mapocho Vivo Foundation was formally established in 2020 on the initiative of Joaquín Moure, an agricultural technician and muralist, who since 2019 had been captivated by the flora and fauna he found in the river when everyone else believed it to be lifeless, waste-filled water. Today, the project has established itself as an organization that maintains cleanliness, protects, and plans the future of the 110-kilometer biological corridor spanning 16 municipalities of Santiago de Chile, operating under the understanding that architecture must embrace natural ecosystems to integrate them into urban systems.

The façade is the only part of the building that can be seen from the outside and has the function of communicating a message derived from its design. It therefore deserves special attention in every detail. A façade that is well proportioned in terms of colours and materials, which facilitates the connection between the interior and the exterior, will generate an initial attraction for pedestrians, inviting them to enter.
From a small house clad in classic tiles, to big brands such as Apple or Louis Vuitton, façades are used as an architectural expression to give us a glimpse of the first elements that we will later find inside the premises. In interior design, the entrance hall of a home concentrates many clues as to what we will find next. The effect of this first impression would be even more positive if the façade included a design that leaves the user hungry for more.

Skidmore, Owings & Merrill (SOM) has revealed the design of 8 Shenton Way, a 305 meters-high tower. Once completed it would become not only Singapore's Tallest Building but one of Asia's most sustainable skyscrapers. The mixed-use tower takes cues from bamboo forests to create an indoor-outdoor vertical community with public spaces, offices, retail, a hotel, and residences. In partnership with DCA Architects, the project is scheduled for completion in 2028 and will become the newest landmark on the Singapore skyline, along with Marina Bay and CapitaSpring Tower.

The 24 shortlisted international projects for airports, university campuses, stations, and sports facilities competing for the Prix Versailles 2022 Awards have been announced. The global finalists in the Shops, Shopping Centres, Hotels, and Restaurants category will also be announced shortly.

This article was originally published on Common Edge.
My first encounter with saving a building landed me in handcuffs and a trip to the Long Beach Police Department. A friend and I were frustrated that our hometown was demolishing good buildings—because they did not conform with the current style of architecture—only to replace them with parking lots! All in the name of “progress.” In 1988, when we learned that the Jergins Trust Building, a Beaux-Arts beauty, was slated to be torn down with no plans for the site, we jumped into action and chained ourselves to the building to stop the wrecking crew. Our efforts kept it up for another four hours. And then it was gone forever.