This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Mexican sculptor Pedro Reyes has developed a multidisciplinary practice that spans sculpture, architecture, social engagement, and activism. Trained as an architect, Reyes approaches sculpture as both a material and a collective process, combining traditional stone carving with participatory projects that address contemporary social issues. His work frequently explores transformation, whether through physical materials or community action, positioning sculpture as a tool for reimagining social realities. In a 2025 interview with Louisiana Channel, Reyes discusses the influence of architecture on his artistic practice, the concept of "social sculpture," and the importance of preserving craft traditions in an increasingly automated world.

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The construction of the William and Charlotte Bloomberg Public Science Common, the new venue at Boston's Museum of Science, one of the United States' oldest science institutions, is nearing completion. The 929 m² (10,000-square-foot) building, designed by William Rawn Associates, Architects, Inc., is expected to open to the public on October 10, 2026, followed by a celebratory event on October 28. The new glazed civic venue overlooks the Charles River with views of the Boston skyline, and features movable walls and retractable seating to shift between functions and programs. The space is designed to support public dialogue around the sciences, using immersive media, production, and livestreaming technology to reach audiences beyond the city.

When African countries gained independence from European colonial rule during the mid-twentieth century, nation-building involved more than establishing new governments and political institutions. Newly sovereign states also needed to establish a built identity that could distinguish them from their colonial past, and architecture became an important tool in this process. Across the continent, monumental civic buildings, universities, conference centers, and cultural institutions were commissioned to embody progress and national unity. Yet this created a fundamental contradiction: many of these buildings adopted modernist and Brutalist architectural languages that had originated in Europe, while some were even designed by architects from former colonial powers. The Maison du Peuple in Ouagadougou, Burkina Faso, provides a particularly revealing example of how an architectural language associated with Europe could be appropriated and transformed into an expression of postcolonial independence.

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This week's stories explore how architecture engages with questions of culture, access, and collective life, from new cultural institutions and exhibitions to public spaces and housing. This week, the 2026 NCARB by the Numbers report provided a broader perspective on the profession itself, showing that people of color accounted for 49% of licensure candidates in 2025 and women for 47%, compared with 21% and 28% among the overall architect population. The report offers one perspective on access within the profession, while projects and cultural initiatives further examine how architecture responds to different forms of public and collective life.

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ZHA has been selected to design a new 198-hectare urban district in Baku, Azerbaijan. The project surrounds the existing Baku Expo Center events venue in a pine forest area that is planned to be preserved. The plan responds to the city's population growth over the past decade with a masterplan to organize the provision of a wide variety of residences. This is the firm's second project in Baku, after the Heydar Aliyev Center cultural venue, completed in 2013. On a different scale, the buildings in the new district appear to follow the geometric style inherited from Zaha Hadid, in a series of white buildings with rounded edges that convey an idea of fluid architecture.

The Pyramid of Tirana opened as a museum to Enver Hoxha in October 1988, three years after his death and three years before the regime collapsed. In the decades that followed, it served as a radio station, a conference venue, a nightclub, and a base for NATO during the Kosovo war. In 2023, MVRDV reopened it as a park and technology school, adding steps to the façades so that the building could be walked over. The inauguration was timed to the Western Balkans Summit on 16 October, a date that some critics pointed out was Hoxha's birthday. Two projects of national self-definition, thirty-five years apart and built on opposite political premises, have used the same structure.

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