Romullo Baratto is an architect with a PhD from FAUUSP and Managing Editor of ArchDaily. He previously coordinated the editorial team of the 11th São Paulo Architecture Biennial and served as Managing Editor of ArchDaily Brasil, where he led the platform to win the FNA Award—the first time the honor was granted to a media outlet. He collaborated on the editing of the book "Concrete Jungle", published by gestalten, and has curated architecture exhibitions in Brazil, Chile, Denmark, and Italy, as well as delivered lectures and moderated debates in Spain, the United States, and Portugal. His doctoral thesis investigates the urban landscapes of São Paulo through cinema. His work spans academic research and editorial practice, communicating architecture through texts, interviews, lectures, curatorship, and photography. Follow him on Instagram @romullobf.
The Education and Training Commission (CEF) of CAU/RJ is conducting the survey Impacts of Remote Learning on the Training of Architects and Urban Planners. The goal is to analyze the impact of the COVID-19 pandemic on undergraduate education and professional training during the pandemic and its future ramifications, considering the implementation of remote classes and restrictions on curricular and extracurricular activities in architecture and urban planning schools across the state of Rio de Janeiro.
The incredible architectural drawings of Marion Mahony, the first registered female architect in Illinois (United States), were featured in many of Frank Lloyd Wright's projects—though he never credited her for them. Sophia Hayden, the first woman to graduate with an architecture degree from MIT, won the competition to design the Woman's Building, earning at least three times less than her male colleagues. Mayumi Watanabe was part of the first group of professors at UnB. Carmen Portinho, who was instrumental in introducing the concept of social housing to Brazil, fought for women's suffrage. Ruth Glass coined the term "gentrification." Rosa Kliass has more than 300 built projects. Zaha Hadid was the first woman to receive the Pritzker Prize (2004) and the RIBA Royal Gold Medal (2016).
The 4th Tomie Ohtake Institute Leroy Merlin Design Award, dedicated to university students and recent graduates, has announced the three winning projects of this edition. The goal of this fourth cycle, themed around the verb acolher (to welcome/to shelter), is to highlight proposals that explore the relationship between design and other fields, such as communication, architecture, biology, engineering, fashion, technology, economics, physics, education, mathematics, and chemistry. The winners will receive scholarships for design courses abroad.
With the goal of getting to know the architects, projects, and stories behind landmark Portuguese architecture, Sara Nunes, from the architectural film production company Building Pictures, launched the podcastNo País dos Arquitectos, where she speaks with leading names in contemporary Portuguese architecture.
In this week's episode, Sara speaks with architects Susana Rosmaninho and Pedro Azevedo, from the studio Rosmaninho + Azevedo, about their project for the Tua Valley Interpretive Center, located in Carrazeda de Ansiães. Catch up on other interviews from the podcast No País dos Arquitectos and read the transcript of the interview below.
Vencedor | 167987. Image Cortesia de Prêmio {CURA}
The 6th {CURA} Award has announced the results of its competition for students and young architects. In this edition, participants were invited to propose temporary interventions in works by Lina Bo Bardi. The proposal could be sited in any city in Brazil, provided it was an intervention in a work by the architect.
A bamboo structure rises as a space of convergence between technique, ancestry, and collective practice. OCO is the first work by Cambará Instituto, an organization that grew out of the Arquitetas Negras Project. Conceived during an artistic residency at Cerbambu, in Ravena (Minas Gerais), with support from re:arc institute, the project brought together ten black women architects who, over seven days of immersion in July this year, worked alongside master builder Lúcio Ventania to explore the constructive and symbolic potential of bamboo. The process culminated in the presentation of the work at the 14th International Architecture Biennial of São Paulo.
The experience sought to reconnect architectural practice with knowledges rooted in the body and the earth. The process encompassed every stage of production—from selecting and cutting the bamboo to curing and assembling it—resulting in a structure six meters high and five meters in diameter. Its design draws inspiration from the xossas of Benin and features straw from the African country at its top. The installation was also “clothed” with 220,000 beads, known as Our Lady’s Tears, handcrafted by forty elderly women in situations of social vulnerability who live in the same region where the residency took place—strengthening both community and economic bonds.
"The history of architecture is incomplete. Not wrong, but incomplete," said Lesley Lokko when announcing The Laboratory of the Future, the theme of the 2023 Venice Architecture Biennale. Echoing the curator's statement, a new study published by Studio Autonoma, led by Paulo Tavares, reveals deep disparities in representation within the Brazilian pavilion at the world's largest architecture event.
Titled Historical Census of the Brazilian Pavilion at the Venice Architecture Biennale (1980-2021), the study reveals a significant discrepancy in the profile of curators and participants over these three decades, with a predominance of white men from Brazil's Southeast region, particularly from São Paulo.
Amoreiras Complex (1980-1986), Tomas Taveira. Collection of Casa da Arquitectura
What has architecture done for democracy in Portugal—and what has the democratic era done for Portuguese architecture? These are the questions guiding the exhibition O que faz falta. 50 anos de arquitetura portuguesa em democracia [What is Needed: 50 Years of Portuguese Architecture in Democracy], organized by Casa da Arquitectura, which celebrates the fifty years since the 1974 Carnation Revolution.
Curated by Jorge Figueira with co-curator Ana Neiva, the exhibition highlights the intimate relationship between architecture and the democratic regime in Portugal, exploring how Portuguese architects contributed to democratic consolidation by transforming the country's public and private spaces over five decades.
The School of Architecture and Urbanism at the University of São Paulo (FAU USP), one of the most prestigious architecture schools in Latin America, recently launched its YouTube channel—an initiative that continues efforts to highlight its community's work and democratize knowledge. Featuring student projects, lectures, documentaries, and expert perspectives on a wide range of topics, the channel offers diverse and relevant content.
Aerial view of Paulista Avenue. Illustrative image. Photo by Gabriel Ramos via Unsplash
The city of São Paulo is the first in South America to freely release laser-scanned data covering its entire territory. The files are available for download on the GeoSampa Portal. The technology, known as LiDAR (Light Detection and Ranging), goes beyond standard satellite imagery or aerial photography to provide a high-resolution geometric representation of a city. Consequently, it offers a much more accurate and detailed model of the mapped area.
With the aim of getting to know the architects, projects, and stories behind Portugal's landmark architecture, Sara Nunes, from the architectural film production company Building Pictures, launched the podcastNo País dos Arquitectos, where she talks to key figures in contemporary Portuguese architecture.
In this week's episode, Sara talks with architect Camilo Rebelo about the project for the Côa Valley Museum of Art and Archaeology. Check out the other interviews from the No País dos Arquitectos podcast and read the transcript of the interview with Rebelo below.
No País dos Arquitectos is a podcast created by Sara Nunes, who also runs the architectural film production company Building Pictures. The podcast aims to profile the professionals, projects, and stories behind contemporary Portuguese architecture. With just over 10 million inhabitants, Portugal is a highly compelling country in this professional field, with an architectural output that punches far above its demographic or territorial weight.
In this week's episode, Sara talks with architect Paula Santos about the Colégio Efanor, Campus II project, located in Senhor da Hora. Listen to the interview and read the transcript of the conversation below:
We invite you to participate in the 2021 Obra do Ano Award. In its fourth edition, we are giving our readers the responsibility of recognizing and rewarding the projects that have made the greatest impact on the profession. By voting, you become part of an unbiased network of jurors recognizing the most relevant projects built in Portuguese-speaking countries over the past year. There are only a few days left to close the nomination stage, which will select the 15 finalists from more than a thousand projects.
Remember, registered users can nominate their favorite project once a day. The nomination stage ends on Tuesday, March 23 at 11:59 PM (Brasília time, GMT-3). Thank you once again for helping us democratize architecture.
CPTM platform at Luz Station in Downtown São Paulo. Photo: Bruno Escolastico/Photopress/Estadão Conteúdo
More than a year has passed since the pandemic imposed a new routine and atypical safety protocols on the world. A survey by NZN Intelligence, in partnership with the Estadão Summit Mobilidade Urbana, shows that 45.3% of people in Brazil have changed the way they get around since then.
Avoiding crowds led 40.2% of respondents to increase their use of private cars and 31.6% to travel more on foot or by bicycle, reflecting a global trend toward promoting active mobility.
São Paulo-based firm Hiperstudio has been named the winner of the national competition to redevelop Senac Belo Horizonte, organized by the Institute of Architects of Brazil. With a proposal that emphasizes the spatial quality of the ground floor, characterized by the presence of pilotis, the studio convinced the jury, which was looking for projects capable of "dialoguing with the historical and cultural contexts in which the unit is inserted, while respecting the urban and architectural configuration of Belo Horizonte's downtown area."
The latest data from SICCAU reinforces the importance of architects and urban planners during times of crisis and necessity. With the COVID-19 pandemic, uncertainty and business restrictions caused demand for projects and construction to drop drastically in the first months of last year. However, after this initial shock, the architecture and urban planning market showed a strong recovery. In the final three months of 2020, the number of activities registered by architects and urban planners grew by 12% compared to the same period in 2019.
Planting trees is one of the simplest and most effective ways to combat climate change, and many companies use tree planting to offset carbon emissions. However, when taking this approach, it is essential to ensure that the trees planted will effectively store sufficient amounts of carbon.
Planting location is a key factor. Trees must be planted where they can live for decades and properly absorb carbon from the air.
The 8th edition of the Arquiteturas Film Festival explored the theme Bodies Out of Space through an exploration of the social construction of space, connected by a thread running through its own narratives of domination. These are also narratives of identity, which is often stripped away or forced to represent our bodies.