Casa Áurea is a project by Elías Rizo and Taller Elías Rizo Arquitectos, with interior design by Cristina Grappin. Located in Santa Catarina, in the state of Nuevo León, this home is part of Tecnológico de Monterrey's Líderes del Mañana Program, as part of the 218th Tradicional Sorteo Tec, whose objective is to support an initiative focused on change, social mobility, and the development of academically outstanding young people.

Surrounded by the formations of the Sierra Madre Oriental, the house is designed to prioritize privacy starting at its main entrance. Moving through the space, the transition between the ground-floor social areas and the upper levels establishes different hierarchies of privacy: the second floor houses more private spaces, while the rooftop gradually opens up to the mountainous environment, visually integrating with the landscape.

We are pleased to announce the finalist projects for the ArchDaily Brasil 2025 Building of the Year Award. Following two weeks of nominations, the projects that received the most votes were selected from hundreds of works built in Portuguese-speaking countries. Our jury, comprised of thousands of readers, once again played a fundamental role in curating this selection, resulting in a shortlist of 15 remarkable projects.

From today until April 9 at 11:59 PM (GMT-3), you can vote once a day for the finalists—exemplary representations of contemporary Lusophone architecture. The winners will be announced on April 10.

In construction, every task requires specific tools and every need calls for a unique solution. Factors such as building typology, construction requirements, waste generation, execution times, and context directly influence the quality and complexity of the work, making it essential to base specification decisions on these criteria. Traditional methods can hinder this process due to their rigidity and limitations, necessitating more efficient and flexible approaches that adapt to the specific demands of each project. This is especially common in residential, hotel, and hospital projects, where speed and performance are essential. In these cases, lightweight dry-construction solutions—using Volcanita boards or fiber cement over lightweight metal framing—offer an effective, high-performance alternative, enhancing functionality and, consequently, the user experience.

We invite you to participate in ArchDaily en Español's Building of the Year Award. In its sixteenth edition, we give our readers the responsibility of recognizing and rewarding the projects that have had the greatest impact on the profession. By voting, you become part of an unbiased network of jurors recognizing the most relevant projects built in Latin America and Spain over the past year. Only a few days remain before the closing of the nomination stage, which will select the 15 finalists for ArchDaily en Español's 2025 Building of the Year Award.

Registered users can vote for their favorite project once a day. The nomination stage ends on April 1 at 23:59 (GMT-3).

For many households in Latin America, fossil fuel- and biomass-based stoves and heaters, such as natural gas or wood, are an affordable and accessible option. However, these appliances present significant challenges: they are a source of greenhouse gas (GHG) emissions, contribute to indoor air pollution, and highlight the need for policies that promote a cleaner residential energy matrix. These challenges become even more urgent considering that 2024 was the hottest year on record, with a 1.5°C increase over pre-industrial levels driven by record GHG emissions from human activity, thereby underscoring the importance of adopting sustainable solutions across all sectors worldwide, including residential.

Nicolás Valencia talks in Quito with architects Verónica Rosero and Néstór Llorca, who, alongside María José Freire, co-authored ⁠Pioneras de la arquitectura ecuatoriana⁠, published by Trama Ediciones in 2021 and winner of the publications category at the 2022 Pan-American Architecture Biennial of Quito.

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Asking questions is the first step toward challenging what we take for granted and opening new possibilities for planning and building. While valuable in themselves, these questions gain even greater force when shared and examined from different perspectives. By intersecting with the experiences of professionals and brands, they weave together insights that enrich the discussion. Design fairs and events worldwide have become spaces where these conversations gain momentum, fostering connections and collaborative dynamics. Within this landscape, Colombia has established itself as a meeting point, serving as a platform that drives architecture and design in Latin America and the Caribbean, while projecting the region's voice onto the global stage.

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Beyond their aesthetics, materiality, or installation methods, the role of ceilings in contemporary architecture is no longer limited to hiding building structures or internal building systems. By providing functional benefits such as acoustic absorption, thermal insulation, energy efficiency, fire protection, integrated lighting, and ease of maintenance, different ceiling layouts combine flexibility and versatility to meet the diverse needs and uses of their occupants. Offices, restaurants, clinics, retail shops, and other interior spaces take center stage through the use of ceilings designed with clear intentions and narratives.

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The spaces we inhabit are filled with movement, activities, and encounters: the kitchen where we prepare food, the living room where we gather, and the office where we work. Amidst all this, certain elements go unnoticed, yet connect our experience with the environment: switches, outlets, and wall plates. These devices not only distribute power but also structure and facilitate our interaction with space, serving as nodes that link functions and circulation paths while reinforcing the aesthetic identity of interiors.

Nicolás Valencia speaks with French architect Léa Namer, author of ⁠⁠Chacarita Moderna, ⁠⁠the Brutalist Necropolis of Buenos Aires,⁠ where she investigates the Sexto Panteón in the Argentine capital and the history of its forgotten architect, Ítala Fulvia Villa.

If you have not yet seen "The Brutalist" and plan to do so, I recommend that you stop reading now and save this piece for after you watch it. Spoilers abound in the paragraphs below. If you are expecting a traditional film review, my apologies in advance: this is an architectural critique stemming from the themes explored in the movie.

The film's final line prompts an interesting debate on the architectural design process: "No matter what others try to sell you, what matters is the destination, not the journey." The line is spoken by Zsófia, niece of fictional architect László Tóth, the protagonist of "The Brutalist," during the epilogue showcasing his international recognition at the first Venice Architecture Biennale in 1980, titled "The Presence of the Past."

In Quito, Nicolás Valencia speaks with Ecuadorian architects Carolina Rodas, Carla Chávez, and Felipe Donoso, founders of the award-winning firm ⁠Rama Estudio⁠, about their book ⁠"Los primeros diez años. Crítica de obra" (The First Ten Years. Critique of Work), published in 2024 by Flap.

The internationally established Pan-American Architecture Biennial of Quito, BAQ2024, held its latest edition this past November 2024 in the historic center of the Ecuadorian capital. The event brought together experts in the architectural discipline from all over the world for dialogue and reflection on the future of our cities, architecture, and the contemporary urban landscape. Under the theme CONVERGENCES: landscape architectures, this latest edition offered a deep reflection on the role of architecture in transforming the urban landscape—a topic of particular relevance in times of environmental, urban, and social challenges.

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Nicolás Valencia speaks with Peruvian architect Sandra Barclay, founding partner of Barclay & Crousse Architecture, about the book ⁠Atlas Sensible: tiempo, memoria y recorrido en la construcción del paisaje⁠, published by Publicaciones Arquitectura PUCP and Fondo Editorial PUCP.

In 2025, we celebrate the sixteenth edition of our Obra del Año award, the ultimate recognition in the architectural world across Latin America and Spain, where the winners are chosen by our readers. Starting today, Tuesday, March 18, you and our entire readership will be responsible for determining which projects completed during 2024 inspired us and now faithfully represent the identity of our local contexts.

Over the next three weeks, the collective intelligence of our readers will filter through hundreds of projects built in Spanish-speaking countries—Argentina, Bolivia, Chile, Colombia, Costa Rica, Cuba, Ecuador, El Salvador, Spain, Guatemala, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Puerto Rico, the Dominican Republic, Venezuela, and Uruguay.

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From September 18 to October 19, 2025, the 14th São Paulo International Architecture Biennial, organized by IABsp, will occupy the Oca Pavilion in Ibirapuera Park to discuss how architecture, urbanism, design, and landscape architecture can address climate change and extreme events.

The curatorial concept stems from the understanding that we live in times of extremes, demanding radical and innovative solutions. Across the four floors of the Oca, the curators aim to bring together science and innovation, traditional knowledge, everyday practices, market-driven proposals, and state actions, asserting that the climate challenge must be confronted by society as a whole.

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At the heart of a historic and compressed urban fabric, where time seems to settle into granite walls, ceramic roof tiles, and the tile mosaics that paint facades with memory, a narrow and deep townhouse is given a new lease on life. Casa do Carriçal—a renovation of a typical 19th-century row house lot in Porto—proposes more than a simple spatial update. It is an exercise in listening, an attempt to reconcile past and present without rigid hierarchies, revealing the transformative power of everyday architecture.

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In Lima, Nicolás Valencia speaks with Mexican architect Jesús López about ⁠ATEA10⁠, the 2024 BIAU award-winning publication that celebrates the first ten years of Atea, a multidisciplinary production and experimentation platform in the La Merced neighborhood of Mexico City.

After two weeks of nominations in the 16th edition of the 2025 Building of the Year Awards, our community evaluated over one thousand projects to select the 15 finalists. This year's awards celebrate excellence in design, innovation, and sustainability across Latin America and Spain, highlighting an exceptional selection of projects on the shortlist. As a public-choice award, we are proud to say that their choices authentically reflect the current state of architecture, while the quality of this year's finalists further underscores the excellence and diversity present in the field.

We invite you to participate in the 2025 ArchDaily Brasil Building of the Year Award. Now in its ninth edition, we charge our readers with the responsibility of recognizing and rewarding the projects that have made the greatest impact on the profession. By voting, you become part of an unbiased network of judges, recognizing the most relevant projects built in Portuguese-speaking countries over the past year. Only a few days remain until the end of the nomination stage, which will select the 15 finalists for the 2025 ArchDaily Brasil Building of the Year Award.

Registered users can vote for their favorite project once per day. The nomination stage closes on April 1 at 11:59 PM (Brasília time, GMT-3).

A week ago, we announced the 15 finalists for the ArchDaily en Español Obra del Año Award, which celebrates the best architecture in Latin America and Spain, inviting our readers to act as a jury and select their favorite projects from those published throughout the year. Today, the time has finally come to reveal the winners of the 2025 Obra del Año Award.

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By Jeanette Fich Jespersen, MA, Director of the KOMPAN Play Institute, Chair of the Steering Committee of the World Playground Research Institute, University of Southern Denmark, Vice President of the International Play Association, Denmark.

"No, I don't want to go to that playground. It's boring!" This might sound like something no child would ever say. Yet, children have clear opinions about the playgrounds they like from a very early age. The reason why not only parents and caregivers, but also urban planners and architects must listen and adapt is more important than ever.

Narrating a work of architecture is always a challenge. Images of a project, no matter how accurate or spectacular, often obscure the entire process that made them possible. Documenting these processes—the architectural "kitchen"—is undoubtedly a fundamental part of any work. This is even more true when both the project and its execution methodology deviate from conventional practices. Such is the case with the work built by Susana, an estate manager with no prior construction experience, who took on the commission and carried it out on her own, guided solely by instructions sent via WhatsApp by the project's architect, Manuel Ocaña.

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