On Monday, February 6, the results of the National Reflection and Research Competition: Written Architecture 2022, organized in Chile by Grupo Arquitectura Caliente, were announced.

Recycling is the process of reclaiming discarded materials. Its goal is to reintroduce them into the production chain to continue generating value and enable their reuse, enhancing the preservation of natural resources and improving quality of life. It is considered one of the most efficient alternatives for managing solid waste from both an environmental and social standpoint, and is directly integrated into the framework of the circular economy.

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Play represents a key opportunity for children to acquire skills and knowledge in a natural and engaging way. Among the key innovations in early childhood and primary education, play stands out as a central axis of the learning process, serving as a fundamental pedagogical principle to achieve educational goals. Combining play with outdoor learning fosters exploration, experimentation, sensory stimulation, and motor development during childhood.

Featuring diverse materials, designs, and dynamics, the playground equipment represented by Urbanplay fosters open, spontaneous interactions, providing children with spaces to take risks, explore, and connect with nature.

Buildings consume natural resources. Whether in their construction or during their operation, architecture can have a significant impact on the environment. Promoting sustainable practices to minimize energy, water, and material consumption is essential to reduce carbon emissions and help mitigate the climate crisis. With the ongoing debate surrounding sustainability, environmental consciousness has not only become vital, but it has also started to add value to properties built with this focus. Therefore, moving beyond mere greenwashing, we must look for solutions that make a real difference.

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Architects Smiljan Radic and Nicolás Schmidt designed an inflatable structure for the XXII Chilean Biennial of Architecture and Urbanism. Located in the urban setting of the Palacio de La Moneda in Santiago, it served as a temporary venue for meetings, debates, and lectures that brought public discussions to the forefront regarding the event's central theme: "Vulnerable Habitats."

Interior design is the art of transforming the experience of interior space by manipulating spatial volume and treating surfaces to enhance the inside of a home, apartment, building, or restaurant. Closely related is landscape architecture, which focuses on shaping open, outdoor spaces.

“Together we are stronger,” read the signs at the massive Latin American marches on International Women's Day. Women build networks across all their spheres of action: their families, communities, and workplaces. The world of architecture is no exception. Among women architects, these bonds foster connection, as seen in the nearly 30 networks of women architects in the region featured below.

Hotel Magnolia, designed by architect Cazú Zegers and built in 2013 in Santiago, Chile, has been featured for the fourth consecutive year in the Condé Nast Traveler Readers' Choice Awards, ranking among the Top 20 Hotels in South America.

The purpose of this article is to expand on the relevant debate proposed in Marília Matoso's piece, titled We Need to Rethink Architecture Programs, published on ArchDaily in January 2023. Indeed, rethinking architecture education is a task that is not only necessary but also urgent. However, I believe this discussion is inseparable from debates about the profession itself and how we educate future professionals. Rather than simply attempting to formulate definitive answers, I think it is important to raise further questions that contribute to our collective reflection.

To us, architectural practice is an organic process of construction. Within this framework, we emphasize three dimensions of practice: research, design, and execution. Rather than being strictly sequential, these three aspects are parallel and intersecting. Refined through both built works and speculative projects, our daily collaboration has become increasingly grounded and stable. Consequently, our practice has crystallized around three main pillars: historical context, community placemaking, and a smart future. In recent years, guided by a diverse, multifaceted, and open-minded architectural perspective, we have strived to create vivid scenarios and spaces tailored to the unique narrative of each project, seeking enduring poetry and value. Our ultimate goal is to create dignified human habitats for society through precise and poetic architectural design.

Since 2021, to provide more specialized services for local projects in Hangzhou and the Yangtze River Delta region, ALYA established its Hangzhou studio and formed an urban design team. Over the years, the firm has received widespread international media attention, numerous awards, and exhibition invitations, including the ARCASIA Gold Medal, the UK's Dezeen Awards (Hotel Building of the Year), the UK's BUILD Award for Architecture and Sustainable Design, the DFA Design for Asia Awards, the Venice Architecture Biennale, Wallpaper* Design Awards, WA China Architecture Awards, and the IDEAT Future Award. In 2021, Yuyang Liu, founder of ALYA, was appointed by the Hangzhou Canal Group as the Chief Planning and Design Advisor for the Cultural and Tourism Integration of the Hangzhou Grand Canal. Following three challenging years of the global pandemic, ALYA will celebrate a series of project completions in 2023, while systematically launching high-quality, meticulous, sustainable, and highly creative projects aligned with future trends.

For those who are passionate about the healthy development of premier Chinese architectural practices, value a pioneering spirit and precision, enjoy exploring the unknown, and seek to grow with us into a world-class professional design team based in the Yangtze River Delta, we warmly invite you to join ALYA.

A subjective understanding guides us when we think about real estate values—one deeply connected to how markets shape cities. While the spatial distribution of prices leads us to place higher value on land in urban centers, the same economic model conversely assigns lower values to more remote areas.

Historically, central port areas were responsible for developing many cities into commercial hubs, which also expanded along geographical and economic lines. In a standard urban model, it is from the center outward that market forces dictate land prices and densities, factoring in transport costs, income, and total population.

The theorization of the workplace has become a global discourse, spanning research on new spatial trends, experiments in hybrid models, the digital revolution and its impact on productivity, workplace wellness, and the elusive balance between life and work. Yet, as a New York Times article on the digital workplace notes, while this theoretical debate has spanned decades, successful implementation remains in its infancy. Propelled by the rise of tech giants like Slack and Zoom, alongside the global disruptions of recent years, our working patterns have fundamentally shifted. We have seemingly adapted to remote work, often forgetting the efficiency of physical presence and the nuanced connection of face-to-face interaction. As “digital distraction” increasingly permeates our daily lives, this is a challenge we must confront when rethinking the design of the physical office.

Can our work, then, be fully digitized and done remotely?

As part of a new collaboration between Mexican firms Dellekamp Arquitectos and Rojkind Arquitectos, Casa Roca is presented in Puerto Los Cabos, San José del Cabo, Mexico. Inspired by the rock formations at the site's summit, the project features a radial layout carefully organized in response to its topography. Sited on a 5,000 m² lot, the 1,200 m² house organizes its program along the natural landscape, minimizing its footprint and establishing a close relationship with nature as the core living experience.

Recently, many Brazilian cities have turned to tactical urbanism as a way to intervene in the design of their streets, making them safer and more appealing—all at a low cost and on a short timeline.

The volume and nature of these interventions have been particularly remarkable in addressing the immediacy imposed by the pandemic in our cities. They seek to adapt street layouts to modes of travel that reduce the risk of transmission during daily commutes, even amidst scenarios of restricted activities.

genarchitects was founded in Shanghai in 2013. Whether operating in dense urban environments or amidst natural landscapes, the firm remains committed to the authentic realities of design and construction practice. By carefully balancing site conditions and functional requirements, genarchitects seeks to find calm and honest solutions for complex and uncertain realities. 

Led by founding partners Fan Beilei, Kong Rui, and Xue Zhe, genarchitects engages in a comprehensive range of design work. Their projects span from schools and art museums to bridges, sports fields, furniture, and urban design. Representative works include the Dingshu Vocational School, the Pavilion of One Court, the Aranya MCSC Hotel, and the Wallpaper* Apartments at Friendship Bay. The firm's work has received numerous honors, including the Architecture China Natural Construction Award, the WA China Architecture Award, the Architectural Creation Award of the Architectural Society of Shanghai, the AIA Shanghai Design Award, the German Iconic Awards (Best of Best), and Italy's THE PLAN Award. 

As part of the FUGAZ Greater Concepción Urban Interventions Festival, a team comprising Álvaro Parraguez, Beatriz Harriet, Bárbara Schumacher, Josefa Acevedo, and Luis Cambiaso developed an installation at the Villarrica coastal resort in Dichato (Concepción, Chile) that won the 2022 Ephemeral Installations Competition. The competition called for an ephemeral installation to serve as a functional venue for the festival, accommodating various daytime performances and activities across dance, theater, music, and other disciplines.

As widely reported, the global building sector is responsible for 36% of final energy consumption (Global ABC, 2022)—across its full life cycle, from material extraction to end-of-life. Crucially, the energy consumed during building operation accounts for more than 80% of the building's total life-cycle energy. Furthermore, 66% of this energy is known to be consumed primarily by HVAC systems [1].

Against this backdrop, a series of global measures have been promoted to reduce building operational energy, such as improving the thermal insulation of building envelopes, implementing solar shading, incorporating renewable energy, and upgrading to more efficient equipment, among others.

We are living in a state of emergency. Since the dawn of industrialization, we have rushed through our planet's finite resources as if they were limitless, depleting and destabilizing the very ecosystems we depend on for our sustenance, economy, food, health, and quality of life.

In just 50 years, we have lost more than half of the world's wildlife. Currently, the Earth is on track to warm beyond 1.5 degrees Celsius, which scientists warn is a hard planetary boundary for existing ecosystems. This is a “code red for humanity,” as described in the IPCC Sixth Assessment Report. Continuing on our current path will mean irreversibly damaging the very conditions that sustain life on this planet.

Today, the kitchen has evolved into an architectural hub for gathering and socializing, displacing the living or dining room as the home's primary social center. Similarly, in contemporary design, the bathroom has taken on a central role. Design concepts now reflect the user's personality, whether in small or spacious layouts, by combining wall and floor coverings, materials, and decorative elements.

Bathroom and kitchen renovation has become a booming sector within architecture, driven by a vast range of product options and projects that are increasingly accessible to execute. These spaces are no longer merely utilitarian; they can also be designed to reflect the overall character of the home.

Casa Batlló, located on the iconic Passeig de Gràcia in Barcelona, Spain, is an architectural masterpiece that embodies a synthesis of creativity, innovation, and architect Antoni Gaudí's deep connection with nature. Built between 1904 and 1906, this residence is a major tourist attraction in the city and an important contribution to architectural history. Here, we analyze Casa Batlló through concepts central to the field of neuroarchitecture.

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Perhaps the aphorism that holds the greatest truth in both architecture and other areas of life is the following: “those who know the past can control their future.” This is reflected in architecture schools, where texts and works of traditional Mexican architecture are still taught, though 20th and 21st-century architecture is featured in a much greater proportion. Yet, an analysis of current architectural production suggests that recent graduates and professionals are unfamiliar with their own history. This is problematic as our identity, expressed through the architecture of our cities, is fading. At least, this is the view of the founders of the new multidisciplinary association “INTBAU México.”

Twenty years after the birth of cinema, audiences were already growing familiar with catastrophic, post-apocalyptic imagery. Cinema emerged at the end of the 19th century—specifically in 1896—with the demonstration of the cinematograph, a device capable of projecting moving images. For their debut, the Lumière brothers screened several short films, captivating the audience with movement projected onto a two-dimensional surface. Although there are records of brief recordings dating back months prior to this event, The Arrival of a Train at the Station, one of the shorts shown at the screening and filmed by the Lumière brothers themselves, is widely considered the world's first movie.

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Videos

Terra is the title of Brazil's participation in the 2023 Venice Architecture Biennale, an exhibition curated by Gabriela de Matos and Paulo Tavares that occupies the spaces of the Brazilian pavilion at the Giardini. Divided into two galleries, the exhibition challenges the canons of modern architecture while seeking alternatives for a decolonized and decarbonized future in marginalized ancestral narratives. Terra is the first Brazilian pavilion to be awarded the Venice Architecture Biennale's highest honor, the Golden Lion.

In an effort to expand access to the content exhibited in Venice, we present here the texts and images from the second gallery, titled Places of Origin, Archaeologies of the Future. The first gallery, Decolonizing the Canon, can be revisited here. ArchDaily would like to thank the Fundação Bienal de São Paulo, which generously provided the material from the Terra pavilion for this publication.

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Increasingly robust and promising scientific evidence can assist architects and other designers seeking inclusive design by taking diverse minds into account—that is, creating built environments that engage with neurodiversity. Neurodiversity has always been a part of humanity. The term encompasses people with a wide range of neurological conditions and was coined by sociologist Judy Singer in 1999.

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