It's safe to say that concrete is one of the most utilized construction materials in large-scale architectural projects. In Argentina, the use of concrete to construct high-rise apartment buildings offers a variety of advantages, especially when it comes to durability and the time it takes to build. This has made it the go-to material for many architects.
Argentina's Patagonia region is a vast swath of land that spans the provinces of Chubut, Neuquén, Río Negro, Santa Cruz, Tierra del Fuego, and even parts of La Pampa, Mendoza, and Buenos Aires. Although it is the largest region within the country, it is also the least populated and, therefore, markedly rural and isolated. This isolation forms the basis for Thibaud Poirier 's “Houses of Patagonia”, where he offers a visual registry of the houses found throughout the region in an attempt to capture the similarities that define the region's architectural style.
Thanks to its aesthetic qualities and malleability, concrete is the darling of the world's builders and architects. In Argentina in particular, concrete's durability and adaptability to a range of climatic conditions makes it one of the most sought after construction materials, demonstrated by, not only the country's countless museums, hotels, hospitals, but by its residential and smaller-scale buildings as well.
Inner courtyards and gardens can provide many benefits, such as natural light, better ventilation, and increased contact with nature without losing privacy.
When it comes to designing commercial gastromic spaces, aspects like space efficiency, equipment distribution, materials, and organization are essential when considering the users' experience within the space.
Many architects work in a variety of areas, designing everything from the layout of a city block to the most minute details of a building. A common trend among these projects is that the furnishings, the very things that make a structure usable and livable, are often afterthoughts for the project's creators and only become important when the structure is already built.
Rich in symbolism and tradition, religious architecture has always been marked by the grandiosity and extravagance of its interior spaces. For the architects and designers who created these spaces, everything from the scale, to the materials, to the lighting were tools to be used in optimizing their form and function and creating a place for users to connect with their faith.
When we study Amancio Williams' work, it almost always centers on his emblematic Bridge House, built for his father in Mar del Plata between 1943 and 1946, or his technical role in Le Corbusier's Casa Curutchet. Of course, to study Williams is to confront several questions: Did he not design any other residential projects? What modernist ideas and concepts can we glimpse into his work? How did his work impact the development of Argentine architecture?
While stone has been used in construction since time immemorial, it's maintained its place in architecture thanks to its design capabilities, durability, and efficiency.
Peru, with its varied geography and vast array of natural resources, renders an architectural style that makes itself one with the landscape. In the country's three principal terrains —coast, mountain, and rainforest— there is little variation in temperature and the climate can be defined as either tropical or subtropical.
Whether by traditional windows, linear openings in the wall, or skylights, the manipulation and incorporation of natural lighting in architectural projects can render a radical change in interior spaces.
While concrete is without a doubt the world's go-to building material thanks to its durability, malleability, and ability to withstand a wide range of climates, it is also the principal source of CO2 emissions within the realm of construction. To combat this and reduce their creations' carbon footprint, many architects have begun experimenting and innovating in a bid to optimize concrete's technical qualities while diminishing its impact on the environment. Among these efforts, there are several projects that have explored the possibility of replacing traditional frameworks with more sustainable materials like bamboo, a resource that grows in abundance throughout many regions of the world and, along with having minimal environmental impact, renders high quality textured detailing on a variety of architectural surfaces.
While Buenos Aires' architecture is known for its heterogenous and constantly-changing nature, within the city's low density residential sectors, it's possible to detect forms and patterns that have remained constant under the city's many transformations. One of these is the HP, or Horizontal Property, a legal concept that allows for multiple constructions on one lot, resulting in a handful of low-rise structures congregated together in a high-density layout.
The umbrella column or hollow vault (bóveda cáscara) is a reinforced concrete structure designed by Amancio Williams (Buenos Aires, 1913-1989) that, thanks to its form, has the capacity to support massive amounts of weight while independently maintaining its balance. In other words, it doesn't need any reinforcing structure, save for its singular column, to remain standing.
The studies surrounding bóveda cáscara in architecture were started by Williams in 1939, and resulted in numerous essays and small-scale models. The structures, specifically designed for high roofs and also known as 'umbrellas' or 'parasols,' are a prime example of the modern architectural movement in Argentina, distinguished by their experimentation in form and function.
Patios and gardens play a crucial role in a project's planning and layout. In some instances, they serve as organizing elements while in others, they improve the quality of life in a space by providing light, ventilation, and a connection to the outdoors while maintaining the privacy of the inhabitants.
When a material runs its course and becomes obsolete, whether because of wear and tear, a change of style, a tear-down, or a remodel, many are tempted to simply toss it into a scrap heap and send it to the landfill. In the grand majority of cases, however, these materials can be repaired, recycled, and reused in a vast array of creative endeavors. Of course, depending on the material and its characteristics, this can also present a challenge. In the case of windows and doors, particular care must be taken to keep them intact throughout the dismantling or demolition process and even afterwards, an inspection may be necessary to determine their viability for future use. Of course, many avoid the path of re-utilization altogether and opt for new materials that make for an easier and more uniform project.
In some cases, a roof can become the shining centerpiece in a work of architecture. Catalan vault, also known as Valencian timbrel vault, became a fixture in Spanish architecture in the 19th century, popularized thanks to its low cost and ease of sourcing and assembly. With the ability to span over 30m per module, this technique is currently making a comeback, establishing itself as a go-to construction method in industrial architecture and can be seen in everything including workshops, factories, and warehouses.
Skating took root as a sport in California during the 1960s and 70s, a time when extreme activities like surfing found their niche among the United States populace. Beginning as an urban adaptation of surfing, skateboarding became the pastime of choice for adolescents and, by the 1980s, acquired a worldwide following. Soon, city-scapes across the globe began transforming as spaces were created for people to engage in this uniquely urban sport.
.jpg?1597856160 "Pabellón de exposición en Palermo (1966). Image Cortesía de Archivo Williams - Director Claudio Williams")
.jpg?1597856292 "Supermercado textil en Bernal (1960). Image Cortesía de Archivo Williams - Director Claudio Williams")
.jpg?1597855792 "Casa en Punta del Este (1961). Image Cortesía de Archivo Williams - Director Claudio Williams")
.jpg?1597856029 "Escuela Industrial en Olavarría (1960). Image Cortesía de Archivo Williams - Director Claudio Williams")
