From May 7 to June 25, the National Fund for the Arts (FNA) is opening the call for entries for its 2019 Architecture Award, aimed at young architects who provide creative and effective design solutions for cultural spaces.

Through IMPSOL (Metropolitan Institute for Land Development and Property Management), the Barcelona Metropolitan Area (AMB) has begun construction on a new series of social housing (VPO) units on Anselm Clavé Street in Sant Feliu de Llobregat (Barcelona, Spain). Project design and construction management are led by Guillermo López of MAIO Architects.

Modernism played an undeniable role in the renewal of architectural ideals, contributing a new attitude toward understanding new ways of living, construction techniques, and aesthetics, marking profound changes in the general perception of the world. In Argentina, while it is complex to define modern architectural production periodically, it is possible to mention some architects who began, starting in the 1920s, to engage with these ideas. The intellectual contributions and architectural creations of Alejandro Virasoro, Alberto Prebisch, Ernesto Vautier, Fermín Beretervide, Wladimiro Acosta, Alejo Martinez, Antonio and Carlos Vilar, Juan Kurchan, Jorge Ferrari Hardoy, Antonio Bonet, Abel López Chas, Eduardo Catalano, Eduardo Sacriste, and Amancio Williams, among others, often included original approaches associated with new modes of thought, manifesting an architecture resulting from the analysis of the local and regional conditions of their cities.

Operating in urban environments often requires us to make decisions regarding pre-existing structures. The increase in city density has directly impacted the availability of space for developing new and independent constructions, sparking debates about what stance to take toward built heritage that has become obsolete—either due to deterioration or because it no longer meets the functional needs of the contemporary population. In cases where buildings have seriously deteriorated or new projects differ greatly from the spatial possibilities an old building can offer, preserving only the façade—as an exterior envelope, almost like a superficial element—can be seen as a partial solution that allows for the preservation, in part, of the urban character of a structure if it holds some public or cultural value. The controversy arises, certainly, from the lack of relationship or connection between the transformed interior and the preserved exterior.

Many buildings often fall into disuse due to our cities' constant economic, social, and technological changes. The programmatic inconsistency of current times demands great versatility and adaptability from our infrastructures, increasingly leading projects to become uninhabited, and left to abandonment and decay.

Next, we present a series of 20 Latin American projects in which old warehouses, homes, prisons, mills, and markets were recovered and transformed into Cultural Centers, Museums, and Galleries.

At first glance, building a pool right beside another body of water seems a little redundant. After all, why would someone choose to swim in a pool when they have a river or ocean to enjoy? However, for people with limited mobility and younger more inexperienced swimmers, natural bodies of water can prove both daunting and dangerous. Pools not only provide a controlled, secure space for them to enjoy aquatic activities, they also provide a connection with the surrounding landscape.

Located 108 kilometers to the south of Tel Aviv, Beersheba (Be'er Sheva) is one of Israel's oldest cities. Although in existence since biblical times, military campaigns and occupations have seen it destroyed and rebuilt throughout the centuries, resulting in the juxtaposition of various time periods and cultures that can be seen throughout the city. One of Beersheba's principal transformations happened during the population boom of the 1950s sparked by the formation of the State of Israel in 1948. To keep up with the need for housing, the government rebuilt and expanded the city, which soon transformed from a small military outpost of 4,000 people to a vibrant urban center in the middle of the Negev Desert.

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With the exception of some areas, within the three principal regions of Peru--coastal, mountain, and rainforest--the climate is characterized as tropical or subtropical and the differences in summer and winter temperatures is minimal, rarely reaching beyond 15 °C and 27 °C. This mild climate has thinned the line between exterior and interior spaces, a fact evident in the region's architecture. 

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To meet daily needs and ensure domestic routines function smoothly, the interior and exterior spaces of a home require certain fixtures and furniture—no matter how minimal or essential they may be. In many cases, selecting and designing the furniture that will complement the architectural project is relegated to a post-construction phase and, typically, left to the clients themselves.

However, for some architects, furniture design is considered an integral part of the project. Capitalizing on the plasticity and malleability of certain materials, they choose to integrate interior furniture directly with the architecture. In their designs, benches, shelves, and countertops merge with the spatial language, unfolding sculpturally to extend the surfaces of floors, walls, and partitions.

Although there is much conflict surrounding the term Brutalist, there are certain constants and patterns within the movement that offer a concrete idea of the movement and its place in contemporary architecture.

The buildings that adhere to Brutalism—an off-shoot of the Modern Movement that erupted between 1950 and 1970— stand out in part to their constructional sincerity- that is, keeping no secrets about the materials that went into their creation, their bold geometry, and the asperity of their textures and surfaces. Reinforced concrete is the predominant material in Brutalist works thanks to its prominent and dramatic texture, which is put on full display.

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In collective housing projects, apartments, and residential complexes, design intentions regarding spatial qualities and atmospheres typically focus on the spaces where residents spend most of their time: the interiors of the housing units and, when available, common areas like gyms or multipurpose rooms. Circulation spaces, by contrast, are often treated merely as “transitional areas,” meaning they frequently address functional requirements rather than spatial experiences.

"Indigenous technologies are not lost or forgotten, only hidden by the shadow of progress in the most remote places on Earth". In her book Lo-TEK: design by radical indigenism, Julia Watson proposes to revalue the techniques of construction, production, cultivation and extraction carried out by diverse remote populations who, generation after generation, have managed to keep alive ancestral cultural practices integrated with nature, with a low environmental cost and simple execution. While modern societies tried to conquer nature in the name of progress, these indigenous cultures worked in collaboration with nature, understanding ecosystems and species cycles to articulate their architecture into an integrated and symbiotically interconnected whole.

Brick has positioned itself as one of the materials that characterise and identify Argentinean and Latin American architectural culture. The diversity and versatility of masonry in our region have given rise to great heterogeneity in its uses and applications: structural walls, partitions, enclosures, screens, envelopes, skins, roofs, vaults, domes and floors allow us to visualise the great adaptability of this material in order to adapt to the particular requirements of each project.

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While many of the homes built during the Modern Movement—as design experiments on new ways of living—fostered the early emergence of "programmatic hybrids" by typically linking the residences of artists, painters, or architects with their workspaces (one need only recall, for instance, the atelier Le Corbusier designed for painter Amédée Ozenfant in 1922), today, new work models and hyperconnectivity have further driven the development of a new typology where workspaces are integrated into residential architecture. Architects, writers, photographers, designers, and painters increasingly choose to integrate their studios and workshops into their homes, merging living and working into a single whole.

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Generally, termoarcilla blocks are ceramic bricks made from clay and secondary aggregates (typically expanded polystyrene beads or other granular materials). These secondary aggregates play a key role in manufacturing: during firing (at temperatures exceeding 900 °C), they undergo a gasification process that creates pores in the material, reducing the block's density and making it lightweight (hence why in some countries they are commonly called lightweight clay blocks). This porous structure enhances the block's thermal and acoustic insulation performance, offering significant advantages over similar materials.

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The Apollo 11 Mission, departed Earth on July 16, 1969, and touched down on the moon 4 days later. This moment marked a milestone for humanity and, to this day, makes us reflect on how technological progress is bringing us ever closer to life beyond planet Earth.

With the help of 3D printers, highly developed and fully automated constructive technology, we have compiled a selection of 15 architectural projects that demonstrate that life on the moon and beyond is closer than we've ever imagined.

The new and growing demands for change driven by urban population growth mean that, when designing, we face a highly heterogeneous and constantly transforming fabric.
Increased urban density directly impacts the open space available for new, standalone construction, leading to a juxtaposition of buildings where the simultaneity and coexistence of individual pursuits result in a varied fabric.

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When it comes to housing typologies, the term duplex –lends itself to multiple interpretations, often leading to ambiguous applications and uses. The definition of the concept depends primarily on the country or region in which it is used, generally allowing for two main interpretations. First, a duplex can refer to a two-story housing unit with levels connected by an internal staircase. This definition usually applies to apartments and residences in countries like Spain or Canada, which are typically found in urban centers. Alternatively, a duplex can describe a specific type of project where two homes are joined side-by-side, each having its own individual entrance but sharing a central wall. Generally, the design of these houses is defined by an intentional axial symmetry, functioning as twin homes with the same features and floor plan layout. This type of duplex housing is particularly common in Argentina, Bolivia, the United Kingdom, Australia, and parts of the United States.