Linear patterns in interior spaces are prevalent throughout northern and western Europe. Not only to create texture but also to define space and direct the eye. Here in New York, 3-dimensional walls, ceilings, and surfaces are being utilized more and more to add contrasting form and scale to interior spaces. Moreover, the current obsession with anything mid-century modern has led to a resurgence of linear and slatted pattern-making in many forms.
With a subtropical climate, high temperatures and environment favored by the rains, Vietnam has, as one of its main features, landscapes with vegetation in abundance, privileged by the fertile soil and the weather conditions. Ingrained in this scenario, Vietnamese architecture seems to embrace the nature as its protagonist increasingly, miming natural elements along with the rusticity of the concrete surfaces.
With this idea in mind, we selected 20 Vietnamese house projects already published on ArchDaily that incorporate natural elements into their façades and inside spaces. Check the list below!
Bivacco Bredy is the title of the project designed by Claudio Araya, Natalia Kogia, Iga Majorek and Maria Valese, a young team of architects who attended the latest edition of YACademy’s course in Architecture for Landscape.
Calgary’s upcoming Attabotics Headquarters, designed by the Modern Office of Design + Architecture, physicalizes complex circulatory systems into a structure that is simultaneously aesthetically pleasing and programmatically successful. The client, a robotics manufacturer, was initially inspired by the spatial organization of ant colonies in their design for their emblematic robotic storage and retrieval system. This attribute consequently embeds itself in the new design for their headquarters, which navigates height restrictions, views, programming, and sustainability within this already intricate system of organization.
https://www.archdaily.com/926001/modas-attabotics-headquarters-is-inspired-by-ant-coloniesLilly Cao
Situated between the Caspian Sea and Si Sangan forest, Iranian firm MADO Architects developed a private residential project dedicated to the clients' specific request of absolute privacy. The Sisangan Villa project focused on the site's layout, referral to typical vernacular architecture, and geometric manipulation to create a dynamic structure of intersecting concrete walls and glass facades.
Seoul is considered one of the most densely-populated and over-priced cities in the world, reaching a staggering $ 80,000 per square meter. The extreme conditions of the city have forced local architects to operate, design, and build framing the city's urban issues, traditions, and history. This approach by architects has created the the theoretical basis of “The Condition of Seoul Architecture”, a publication by multidisciplinary practice TCA Think Tank which sees the point of view of 18 innovative South Korean architects. In this interview, Pier Alessio Rizzardi, founder of the practice, interviewed whimsical architect Moon Hoon, explaining his unique take on architecture and how his work has the ability to inspire people into another dimension.
People often gather around sports activities, whether they are the ones exercising or the ones cheering. This internationally recognized social interest brings everyone together seamlessly, regardless of their background, gender, culture, ethnicity and so on.
Urban regeneration can take different aspects, and one of the most prominent and efficient solutions that can reconcile a community with itself and its surroundings is a sports function. In fact, this purpose encourages people to reclaim their fundamental right to public spaces and regenerate demoted, hostile or forgotten areas.
Read on to discover examples from all over the world, where physical activities made an urban impact on the neighborhood and the community.
Open ceilings offer an opportunity for creative design and technical integration. They play a key role in forming interior spaces and add value by adding comfort through acoustics, finishes and other integrated solutions to the overall design intent.
The sales cycle in the construction materials industry has remained static for the past 25 years, with each company evaluating its performance according to the number of leads they generate and how many are converted into sales.
In February 2020, the Solomon R. Guggenheim Museum will present an exhibition titled “Countryside, The Future.” The brainchild of a team led by Rem Koolhaas and AMO, the exhibition will mark the latest chapter in one of Koolhaas’ fields of study from recent years; the impact of an increasingly urbanized world on the non-urban areas “left behind.” This investigation is for good reason.
https://www.archdaily.com/925800/what-will-the-countryside-be-for-when-we-all-live-in-citiesNiall Patrick Walsh
For the most part, rubber isn’t considered a conventional building material – at least not to the same extent that materials like wood, concrete, or glass are. But rubber is commonly used in interiors for flooring of extraordinary color or brightness, and even more unexpectedly for exterior facades with unique aspects or upholstery effects. This functionality is motivated by unique advantages such as smoothness, elasticity, durability, and color consistency.
The digital revolution coupled with the unforeseen environmental, economical and social challenges our world face today, urge architecture to shake much of the traditions and basis upon which it operated for the last decades, if not centuries.
Denis Andernach, Turmhaus, 2010, Ink on paper, 14 1/8 x 18 7/8 in
A century on, the compelling idea that Modern architecture emerged like some blindingly white, crystalline and disruptive phoenix from the darkness, death and destruction of the First World War is, perhaps, a familiar one. And, yet, the charcoal sketches and chiaroscuro montages Mies van der Rohe made during and after the epochal competition for the Berlin Friedrichstrasse Skyscraper of 1921-22 retain the power to catch the eye, provoke and disturb in our own era of overwhelming imagery much of it produced by and with computer programs.
What is so very remarkable about these century-old visionary drawings is that they portray a future building type - verging on the ethereal and more or less impossible to realize at the time - in the earthiest of drawing materials. It had been a stroke of genius to use charcoal to evoke an architecture of lightness rising from the embers of the trenches that would revolutionize the way we shaped tall buildings and with them our city streets. Such is the power of drawing by hand.
By now, you’ve likely heard about real-time rendering for architectural visualization and how it’s changing the way designs are presented. With real-time rendering, you can edit your design and see the changes updated instantly, at full quality, and you can produce animations and panoramas in minutes instead of days. Real-time rendering also opens the door to immersive experiences like 360° videos and virtual reality.
In 1964, the Law Tower at Boston University opened, whereupon it quickly ran afoul of students and faculty. The building, which was designed by Josep Lluís Sert, was unaccommodating and averse to modification. In a bid to rectify these problems, Boston firm Bruner/Cott both renovated and added to the tower in 2015. Courtesy Richard Mandelkorn
Through his campus work, Sert left an incredible built legacy on the Boston area. But his buildings have taken some getting used to.
In hindsight, it seems a bit odd that a Catalan architect with a penchant for concrete buildings and jaunty accents of color—he liked to say, “It’s good to see a parrot against an elephant”—ever held sway over Brahmin Boston and nearby Cambridge. It was midcentury, and he was Josep Lluís Sert, Barcelona-born, a great devotee of Le Corbusier, and dean of the Harvard University Graduate School of Design (GSD) from 1953 to 1969.
The Latvian city of Riga, the largest between the three Baltic states, is undergoing a cultural and urban renaissance. The city's pedestrian-only Old Town is a UNESCO World Heritage Site with several museums, cultural centers, and restaurants, attracting thousands of new visitors every year.
As California makes strides in sustainability, the Von Braun Space Station is taking rather large steps for humankind. Exploring the great unknown does not have to mean abandoning our planet — it can mean just the opposite. In fact, this space station could be our most monumental step toward a sustainable future.
https://www.archdaily.com/925493/sustainability-in-space-what-california-green-building-standards-and-the-von-braun-space-station-have-in-commonSienna Mae Heath
Videos
Courtesy of Richard John Seymour & 3RW Arkitekter
The various practices of mankind over the past decades have taken a huge toll on the environment. People of all nationalities, interests, and career backgrounds have been trying to find means to heal the wounded landscapes and shed light on the environmental crisis.
Directed by BAFTA-nominated film director Richard John Seymour and produced by Norwegian design firm 3RW arkitekter, Landscape Healing is a cinematic documentary that follows the journey of a diverse group of people who have been setting a paradigm for humanity's greatest challenge: the rewilding of our planet back to a sustainable level.
What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," ArchDaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Hereyou can read the “Eyes of the City” curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.
Nowadays materials are requested to play a more engaging role in the digital society.
They can be customized down to their molecular properties and this capacity has an enormous impact on related fields of science, but they also need to be interpreted in their meaning thanks to our ‘semantic capital’, as Luciano Floridi said.
We cannot reduce materials to their property and performances as, as humans, we use them to interpret the world, they are our continuously changing material culture to find an equilibrium between nature and built environment.
Accessibility and mobility. When perceived through the architectural lens, these terms often evoke a range capped by two extremes. On the one end, the flexibility of circulation systems; the universality of egress networks; and the technicalities of minimums and maximums. On the other end, a project’s capacity to support broad ranges of socioeconomic narratives; its malleability in the face of rapid fluctuations of program and function; and its reactivity in maintaining a productive role amidst the ebbs and flows of societal dynamics.
Facades are the interface between the interior and exterior of a building. They are the most striking and visible parts of a building, they protect it from external agents and are one of the main contributors to creating comfortable environments since it is where thermal gains and losses occur. Just like our skin, an extremely versatile organ of our body, it should be natural for it to be the part of the building which bears technology capable of becoming adaptable to the environmental conditions of the place where it is located.
Customization, within the context of interior architectural design, is a resurfacing topic among cross-disciplined design firms focused on interior architecture. Since the reemergence of the Localism trend, individuals and organizations increasingly seek one-of-a-kind experiences, objects, and spaces that can help deepen their connections to their communities.
The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions. A wide array of subjects are covered with honesty and humor: some episodes provide useful tips for designers, while others are project reviews, interviews, or explorations of everyday life and design. The Midnight Charette is also available on iTunes, Spotify, and YouTube.
On this episode of The Midnight Charette podcast, hosts David Lee and Marina Bourderonnet are joined by Andrew Kovacs - Architect and Founder Office Kovacs and Curator of Archive of Affinities - to discuss the philosophy behind his work, the lack of opportunities young progressive architects have in the United States, designing Colossal Cacti for Coachella, the positives of Postmodernism, using Archive of Affinities as a design resource, and more! Call the hotline to leave feedback and questions by voicemail at 213-222-6950.
https://www.archdaily.com/925399/andrew-kovacs-on-archive-of-affinities-and-postmodernismThe Second Studio Podcast