The digitization of production and technological resources linked to the development of increasingly sophisticated tools has a direct impact on the contemporary practice of architecture and urbanism. Thinking about cities and buildings based on the digital assumption provides great possibilities for innovation in terms of design, optimization of resources and processes, improvement in performance and monitoring the maintenance of work, among other aspects. Many tools are already available, ranging from artificial intelligence to 3D printing, through various devices that change the paradigms of the profession and demand a new attitude when designing.

In a predominately urban world that constantly has to deal with complex problems such as waste generation, water scarcity, natural disasters, air pollution, and even the spread of disease, it is impossible to ignore the impact of human activity on the environment. Climate change is one of the greatest challenges of our time and it is urgent that we find ways to slow down the process, at the very least. Toward this end, our production, consumption, and construction habits will have to change, or climate change and environmental degradation will continue to diminish the quality and duration of our lives and that of future generations.

Although they seem intangible and distant, these various energy inefficiencies and waste issues are much closer than we can imagine, present in the buildings we use on a daily basis. As architects, this problem is further amplified as we deal daily with design decisions and material specifications. In other words, our decisions really do have a global impact. How can we use design to create a healthier future for our world?

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Carmelina&Aurelio Architecture Studio based in Tuxtla Gutiérrez, Chiapas in Mexico, released a book with architectural illustrations to color. The book in PDF format is available on their website for free and consists of eight letter-size pages. Read on for the featured projects as well as examples of color palettes for further inspiration.

Can a collective agency, or mind, be traced across the urban condition? And how should we map its effects on the physical matter of our cities? A specific representation of a specific type of ‘home’ is employed as an exercise in defining the impact of a “logic of thinking that is both embodied and distributed, singular and collective.” Hélène Frichot’s proposal for “Noourbanographies” was written as a response to the call for papers of the “Eyes of the City,” well before our domestic interiors became the new public. Looking at the distance between hegemonic collectives and ecologies of subjectivities as space for action, the essay opens up to an articulate range of issues that involve matters of care, diagrammatic thinking and spaces of control.

For the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," (21 December 2019-8 March 2020) ArchDaily is working with the curators of the "Eyes of the City" section to stimulate a discussion on how new technologies might impact architecture and urban life. The contribution below is part of a series of scientific essays selected through the “Eyes of the City” call for papers, launched in preparation of the exhibitions: international scholars were asked to send their reflection in reaction to the statement by the curators Carlo Ratti Associati, Politecnico di Torino and SCUT, which you can read here.

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This spring semester 2020, architect Wonne Ickx from PRODUCTORA was invited to teach a studio at RICE University in Houston, Texas as the Cullinan Visiting professor. The studio was called 'Pyramid Schemes' and combined an interest in the early XXth Century housing projects by Henri Sauvage, with a project site in Mexico City and an analysis of the related local conditions. The studio started out with quite some travelling forth and back between Houston and Mexico City, including a week-long study trip of the RICE students to Mexico's capital.

This article was originally published on Common Edge.

A global pandemic can change the way you look at things. In Greenwich, Connecticut, as with most places, restaurants and bars are shuttered now, schools are closed, and traffic is sparse as people stay home and maintain social distancing. 

But each weekday, as the sun comes up over the eerily tranquil streets of the historic downtown business district, First Selectman Fred Camillo is still heading to the office. Camillo works in the Town Hall, a public building that’s been off-limits to the public—and to most employees—since mid-March, when all of Connecticut entered a constantly evolving state of lockdown following an executive order by Governor Ned Lamont in response to the COVID-19 outbreak.

Head shops, born during the counterculture movement of the 1960s, were legally mandated to only sell products for use with legal substances. This influenced a tradition of delightfully surreptitious shop names and bright, far-out signage welcoming potential customers to a safe space, while staying within the law. From the cartoon apple with marijuana leaves as stems gracing the sign at Adam’s Apple in Chicago, to the simple block-lettered neon sign at The Fitter in Boulder, the tradition of odd, cool, freeform, blocky, colorful lettering spelling out fun and hardly clandestine shop names has offered sanctuary for those searching for the sub- and counterculture for half a century.

The use of artificial intelligence (AI) is based on the idea of ​​optimizing, streamlining and expanding the reach of the most diverse operations. Their systems are programmed to identify patterns and carry out predictions, decisions, and ultimately perform and actions with speed and accuracy. The efficiency of the models depends on the quantity and quality of the data, which can be obtained by applications, cameras, and sensors. In the urban context, technology based on the use of artificial intelligence has been seen as a way to improve the management of cities, especially those that are denser and have larger footprints.

Foster + Partners first built project in Russia is set to be completed later this year, as construction work for the RMK headquarters in Yekaterinburg nears finalization. The 15-storey building designed for the leading copper producer rethinks the conventional office space, bringing about a domestic scale to the interior layout.

Until the recent outbreak of the COVID-19 pandemic, the climate crisis was perhaps the fundamental design problem of our Anthropocene era. The threat of climate change has forced us as designers to reevaluate how we realize designs at all scales. Eco-friendly interior finishes, net-zero energy skyscrapers, and strategies to prevent the rising sea levels from pushing residents in coastal cities more inland are just some of the innovative solutions that have come from the increased urgency to mitigate the effects of the climate on our world.

Realistic images and walk-throughs have become an integral part of project presentations. Designers are using cutting-edge softwares and constructing precise 3D models to showcase their work as authentically as possible. As for the world of video games, it is not just about the quality of the graphics or how accurate these graphics are, but rather the immersive experience of visual designs and how the players are communicating with the virtually-built environment.

In an exclusive interview with ArchDaily, Philip Klevestav, principle artist at Blizzard Entertainment, the gaming development company known for Warcraft, Overwatch, and Diablo, shares his insights on video game designs and the influence of architecture on the designing process.

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Fifty percent of landfill waste in New Zealand is construction and demolition waste. The demand for homes in the coming years and decades is rapidly outstripping any possible supply we could provide with our current construction methods. PhD student Ged Finch discusses the problems with the home building industry and practices in New Zealand and proposes an alternative to what he terms the "disposable model" of building. Today's homes are not built to last, and can make us sick in the time they are here. Finch's research focuses instead on a completely reimagined, zero waste model for construction. Utilizing today's digital fabrication technologies, we can create a set of building parts that are optimized and reusable from naturally durable materials. But the technical solution is only one part, states Finch. The real key is human ambition.

Although any architectural project must ensure the safety and well-being of its occupants, this goal is especially pertinent for healthcare spaces, whose primary occupants are those prone to getting sick or worsening their initial condition. For this reason, its design must not only support medical procedures in their optimal conditions, but also ensure that the environment is kept sterile and clean at all times.

How do materials that fight the growth of pathogenic bacteria work? Is it possible to improve the hygiene and healthiness of an environment without neglecting the aesthetics of the space? We address this question by reviewing the case of Krion® solid surfaces, widely used in the healthcare sector but also in residential, commercial and office projects.

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It's no secret that concrete has one of the highest CO2 emissions of all building materials, making it a focal point for architects looking to innovate and experiment with it as a way to optimize its production and application in construction while decreasing its environmental impact. This exploration of elements such as concrete's thermal inertia, which could serve to make buildings more energy efficient, as well as its durability, which guarantees a long-lasting, zero- maintenance structure even in the most extreme of climates. The ultimate goal is to create luminous living spaces with natural ventilation while simultaneously exploring the possibility of reusing frameworks as a way of cutting costs and streamlining the building process.

Almost two months have passed since the quarantine regime started in several countries as a strategy to reduce the transmission rate of the coronavirus. Since then, a considerable part of the architecture professionals has started to adopt telework or home office, keeping up with the projects that have already started, supported by a number of new online meeting tools, document storage in the cloud and BIM models.

Videos

Memory is unique to the individual. Physical places are often strong triggers for memories, or else can be the focus of the memory itself. In AXOR's personal new campaign, "AXOR Places", design partners of the brand share their "Place of Memory". Complemented by aerial landscape photography by Tom Hegen, the designers' stories showcase their individual experiences of place. The photography connects the personal "Places of Memory" with the individualization possibilities offered by the AXOR MyEdition faucet collection.

While opting for still images seems to be the most utilized means of presenting a project, some architects choose to invite viewers into the architecture itself, allowing them to experience the building and its surroundings immersively. Since 2006, architecture filmography studio Spirit of Space has engaged viewers with over 200 short films of projects built by world-renowned architects such as Peter Zumthor, Steven Holl, Daniel Libeskind, and Jeanne Gang. The studio’s multidisciplinary team has combined visuals with customized soundtracks, elevating the journey and turning it into a multi-sensory experience.

The disruption caused by the coronavirus may have opened doors that many have been waiting for. Preliminary studies support that we experienced a faster technological revolution during the last three months than ever before. Forced to adapt, and to ensure the liveability of urban fabrics, policymakers are reviewing data protocols and legislations, giving way to tech-powered urban health solutions. However, many of those amendments will stay post virus. The precedence gained as a legacy will offer cause for both wonder and worry for our urban future. 

In today’s world of digital architecture, one term appears more than all others: BIM. Building Information Modeling (BIM) concerns the appending and otherwise referencing of data in a digital model. Architects use BIM for a variety of reasons, but the common denominator of BIM use is having a single model which serves as a touchpoint for coordination between internal and external teams.

Flansburgh Architects, a Boston-based firm that specializes in educational architecture, implemented a Big BIM workflow for the design of a new school for the town of Holbrook, Massachusetts. Kent Kovacs, AIA, Vice President and principal-in-charge and Brian Hores, AIA, BIM Manager shared how this process benefited the project.

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This article was originally published on The Architect's Newspaper as "Architects apply the latest in fabrication, design, and visualization to age-old timber."

Every so often, the field of architecture is presented with what is hailed as the next “miracle building material.” Concrete enabled the expansion of the Roman Empire, steel densified cities to previously unthinkable heights, and plastic reconstituted the architectural interior and the building economy along with it.

But it would be reasonable to question why and how, in the 21st century, timber was accorded a miracle status on the tail-end of a timeline several millennia-long. Though its rough-hewn surface and the puzzle-like assembly it engenders might seem antithetical to the current global demand for exponential building development, it is timber’s durability, renewability, and capacity for sequestering carbon—rather than release it—that inspires the building industry to heavily invest in its future.

One of Sweden’s most esteemed living architects, Gert Wingårdh (born 26 April 1951) brought Swedish architecture out of the tradition of the International Style and into contemporary times with his playful design spirit and love of eye-catching materials. With his use of bright colors and geometric motifs, his recent buildings have been described as "Maximalist" or "Modern Baroque."

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