Obra realizada com Mass Timber Urbem. Image Cortesia de Urbem
At a time when sustainability and ESG (environmental, social, and governance) concerns are prevalent, there is a crucial need to focus on a sector that accounts for 38% of all global CO₂ emissions and consumes 30% of global resources: the construction industry. In 2022, at COP27, the United Nations announced the Clean Construction Accelerator, a program with actions designed to reduce greenhouse gas production by up to 50% by 2030. A report by ARUP and the World Business Council for Sustainable Development suggests that half of building emissions come from embodied carbon, which is generated in the manufacturing and transportation of materials, not just in construction sites and buildings themselves. It is precisely in this scenario that we see an opportunity for the sector. What is the only renewable material in construction that retains carbon instead of emitting it? Wood.
When thinking of wood, another question tends to arise: "How can wood be sustainable if we need to cut down trees for it?” Ana Belizário, the Commercial Director of Urbem, a large-scale Brazilian mass timber industry, explains throughout this article how planting trees specifically for consumption is not only a sustainable alternative but also an excellent practice in combating the climate crisis and can regenerate the construction sector.
Milan Design Week rarely fails to deliver on compelling showcases of design and innovation.
One of the exhibitions this year, created by Swatchbox, conveys the “true cost” of traditional approaches to construction. The sample platform founded by architects to provide sustainable sampling methods to the design community launched its thought-provoking showcase at the heart of the Brera Design District in Milan.
The exhibit boldly confronts the issue of wastefulness inherent in traditional construction practices. Installed inside an office in Brera that is ordinarily occupied by a Milan architecture firm, the exhibit displays a large pile of construction materials typically destined for landfill. The materials are meticulously arranged to showcase the sheer volume of waste generated by the design community.
Milan Design Week has long been one of the most significant events in the global design sphere, showcasing groundbreaking concepts and visionary talent and fostering critical discourse in the design community. From the expansive trade fair Salone Del Mobile in Rho Fiera to design districts scattered across the city, Design Week brings together diverse voices, perspectives, and talent. According to Salone del Mobile's press statement, this year’s fair had 17.1% more visitors than in 2023, with a record turnout of 361,417 visitors overall.
With visitors from China, Germany, Spain, Brazil, India, Turkey, Japan, and many more, the design week showcases a plethora of exhibitions, installations, talks, and panels. As the week comes to a close, running from April 15-21st, 2024, this article highlights diverse installations throughout the city relevant for architects and designers globally. Whether it is Mario Cucinella’s exploration of regeneration, Google’s display experimenting with sensory and color, or MAD architects investigating the boundaries of natural and man-made landscapes, the week was filled with fruitful collaborations that showcase the future of design.
Reggiani’s Mood Pro spot lights lend themselves to clean architectural arrangements, while the luminosity they bring can be controlled to help shape atmospheres. Image Courtesy of Reggiani
We talk a lot about how the success of an interior leans on the layout of its walls, doors and windows, and maybe the shade of paint or degree of cushioning on the chairs placed inside. The truth is, it will probably live or die by the quality of its light.
https://www.archdaily.com/1015846/shaping-moods-reggiani-and-the-stimulating-effects-of-controlled-lightEmma Moore
ZEB Living Lab is a research building that stands out for its pioneering initiative among zero-emission buildings, seeking to have a significant impact on the future. Located in Trondheim, Norway, it is much more than just a building; it is a tangible manifestation of the global commitment to sustainability and innovation. Conceived as an advanced research laboratory and a practical example of sustainable construction practices, it represents the point of convergence between architecture, technology and environmental awareness. Managed in collaboration between NTNU (Norwegian University of Science and Technology) and SINTEF (Scandinavian Institute of Technology), this center of scientific excellence is a platform for living experimentation, where innovative materials and solutions are developed, tested and demonstrated in direct interaction with the building occupants.
In a nation grappling with a severe housing shortage for its economically weakest sections, the concept of "low-cost housing" has surprisingly faded from public consciousness and policy discourse. A crisis impacting millions of the nation's poorest, the need for affordable housing has become even more pressing as India's population overtakes China to emerge as the most populous nation. If left unaddressed, the housing crisis may result in mass homelessness and undignified living conditions for citizens.
Among the "Five Points of New Architecture" formulated by Le Corbusier, terrace gardens figure as a way to take advantage of a building's so-called fifth facade, either as leisure areas or landscaping spaces. Thanks to technological advances in reinforced concrete in the mid-twentieth century, usable flat roofs are far from new. There are traces in Mesopotamia and vernacular architecture from Greek and Arab civilizations. However, problems that frequently arise relate to infiltration and leaks. Water is relentless in finding a place to drain, and flat roofs are exposed to this when execution and design are not carefully thought-out. In fact, as documented in several letters, this was a source of disagreement between the owner and the Swiss-French architect in the case of the influential Villa Savoye. Today, nonetheless, there are good waterproofing options on the market that provide durability, resilience, adaptability and, above all, avoid headaches and fights between builders and owners. Elevate is built on 40 years of history in the production of roofing membranes, as well as insulation and vapor barriers, and develops solutions for waterproofing flat roofs with a low inclination.
The opening scenes of the award-winning Brazilian film "City of God" (2002) portray a newly constructed housing complex situated on the outskirts of Rio de Janeiro. Subsequently, this complex evolves into a hub of poverty and violence. Despite the film being set in the 1960s, the housing development depicted was a recent construction.
This choice made no difference because, despite the 40-year difference between the depicted era in the film and the time of filming, the architectural solutions employed by housing programs in the country remained stagnant. They continued to replicate outdated models, showcasing a lack of progress in the sector.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design are joined by CEO & Founder of Peak Projects, Grant Bowen, to discuss how clients can have a successful project, Grant’s background; the role of an owner’s representative throughout design and construction; working with clients and different professionals; construction costs; fees; different project types; and more.
How can industrialization and environmental responsibility go hand in hand? What siting, technological, or constructive strategies can be developed without harming the surrounding landscape? The application of modular design in architecture has been in practice for years, with a history involving the pursuit of standardization and modular coordination among materials, products, and more. Over time, it has been complemented by various environmental, sustainable, ecological, and economic factors to achieve the adaptability and functionality desired by its inhabitants.
Throughout various historical civilizations and art movements, from Classical Greece and Rome to the Renaissance and the Bauhaus, the collaboration between art and architecture has been a significant societal expression. However, the 20th-century ideals of modernism and mass production resulted in the decline and near disappearance of art within buildings.
In response, many European countries have taken on the responsibility of promoting the collaboration between art and architecture. Schemes were created mandating that a percentage of the total cost of a new public building, place, or space must be spent on art. This legislation, commonly known as 'Percentage for Art', originated in France and has been explored by artists and architects over the years to create new architectural experiences.
Porta by Maxim Velcovsky. Image Courtesy of Lasvit
Through “Re/Creation,” Lasvit —a leader in hand-made glassmaking—sets up a sanctuary for creative escapism amid the hustle and bustle of Milan’s Salone Week. In the serene embrace of Palazzo Isimbardi, “Re/Creation” offers a space where minds are free to wander, inspired by the fluid grace of molten glass. The title refers to the innovative technique of fused glass, where the essence of fused glass lies in letting go. Extremely hot melted glass is allowed to relax, spread and take shape of a form designed for the glass to lie on. Its own weight and gravity take care of the rest. Similarly, a creative mind is most prolific and innovative when relaxed, free of everyday pressures and demands. This is why, at the beautiful location of Palazzo Isimbardi, Lasvit creates a haven for creatives to escape, recharge and relax.
In June 2023, the planet experienced its hottest month on record. In Iran, the heat index reached a staggering 66.7 degrees Celsius, pushing the boundaries of human endurance. This alarming trend is not an anomaly. It is a stark reminder that temperatures will continue to rise as climate change intensifies.
Scientists are linking the rise to human-induced climate change and the El Niño phenomenon. Additionally, the natural warming of Pacific Ocean waters is being further intensified by global warming.
I am by no means an expert on public-private partnerships. But for about 10 years, as the University of California Berkeley’s campus planner and then campus architect, I watched these developments play out in higher education—sometimes from a front-row seat, sometimes as a participant. During that time, this strategy, promoted with great enthusiasm and optimism, was touted as the answer to whatever problem arose. And yet the definition of a public-private partnership was slippery. The concept itself seemed to be all things for all people, depending on what was needed, who was recommending it, and what equivalents (if any) existed outside the university. The bandwagon continues to play today, making it ever more important to nail down the pros and cons of this development strategy, not only for colleges and universities, but for all public decision-making.
https://www.archdaily.com/1015830/are-for-profit-developments-consistent-with-the-values-of-a-public-universityEmily B. Marthinsen
Simone Farresin from the Italian studio Formafantasma talks about his practice, together with his partner Andrea Trimarchi, their work, and the different approaches to projects. He also tackles their participation in the MilanDesign Week, and the political role of creatives in the world.
https://www.archdaily.com/1015806/simone-farresin-from-formafantasma-talks-on-milan-design-week-and-the-responsibility-of-the-designersArchDaily Team
El Tume House / abarca+palma. Courtesy of abarca+palma
The current demands of the industry lead architects to design based on construction solutions that accelerate processes without compromising quality, while reducing waste and dependence on intensive labor. Among these options, SIP panels stand out as a modular alternative that combines thermal and acoustic insulation with speed and construction precision.
Named after their acronym, SIP panels are self-supporting elements consisting of a rigid foam core sandwiched between two structural claddings, typically OSB boards. Strong yet lightweight, these panels are manufactured under strict factory controls and transported to the construction site, facilitating the rapid assembly of floors, walls, and ceilings, while creating an airtight thermal and acoustic envelope. The thickness of the panel depends on the combined thickness of its components, and its weight typically does not exceed 20 kg per square meter.
Slack Toronto Office / Dubbeldam Architecture + Design. Image Courtesy of Alcon Lighting
Lighting has evolved remarkably throughout architectural history, driven by significant technological advances. Despite these changes, its central purpose of enhancing aesthetics, functionality, and safety has remained consistent. In this evolution process, a milestone can be traced with the transition from fluorescent lighting to LED lighting, marking a turning point that has reduced costs and energy consumption. Furthermore, it has fueled creativity, thanks to the versatility of LED lighting. These new design possibilities are evident in organic lighting layouts, which mimic linear patterns of lighting arrangements on walls and ceilings, whether suspended or recessed.
In this context, as architects and designers have moved away from symmetrical, rigid, and parallel mirror patterns, Alcon Lighting has detected a trend where linear lighting highlights asymmetrical architectural features and lines. In this way, layouts that do not appear to follow a rigid design pattern are being adopted.
https://www.archdaily.com/1015184/exploring-linear-lighting-design-for-creating-luminous-pathsEnrique Tovar
While hybrid working and flexible hours represent the most obvious ways to improve work/life balance for many, because of the missed social interactions and the lack of space or functionality at unproductive home workspaces, the majority of 16-24-year-olds are the only age group who prefer to work from the office.
