Articles

In many ways, architectural models are strange objects. On one hand, like drawings, models are a representation of something else—a building—that might exist already but in most cases is so far only hypothetical. On the other hand, they are miniature constructions in themselves, which can be appreciated for their craftsmanship and intricacy. Perhaps this is why architects find models so fascinating; they can be simultaneously admired as an object in themselves and as a vision of something greater.

Earlier this year, we asked our readers to send us images of their most impressive models, and the response clearly showed this fascination. We received photographs of a wide variety of models, from sensible and meticulously constructed miniatures to jaw-dropping expressive outbursts. From over 300 entries, we've narrowed down our readers' submissions to just 21 of the most awe-inspiring examples, splitting them into 5 categories to reflect the incredible range of ways that people have made their models worth looking at.

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British company Kast has launched a new version of its traditional pigmented concrete sinks. Since concrete is an extremely versatile material, which combines the characteristics of natural stone with the ability to be molded in different forms, the products show carved surfaces with highly defined textures. The exploration of their linear patterns ranges from smooth horizontal ripples to diagonal folds or 'sharp' and vertical grooves. The organic variations in the colors and textures of the surfaces create a different aesthetic that comes directly from the character of the material.

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Christophe Benichou Architecture's recent project Sesame is solitary and monolithic. Located in a desert, its facades are split open and fragmented, leaving parts of the walls slightly ajar. In each of these cavities sit icons of domesticity, including a bed, table, bathtub, sink, and toilet. 

The importance of nature and sustaining it has become a crucial feature in most contemporary projects. While some architects sustain nature by constructing with environmental-friendly material, others make way for the greenery to intervene with the structure, blurring the boundaries between man-made and Earth.

For the Chungnam Sports Center design competition, ANU Design Group created "Edgeless Sports Park", a series of oval-shaped structures that complement the hilly landscape and merge its greenery with the architecture.

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Villages and cities in Iran have always had a fixed low-rise horizontal skyline due to the lack of beam and column technology. Although some cities have already adopted contemporary styles and have constructed soaring skyscrapers, but the majority of towns remain committed to traditional building techniques.

Iranian architect Mohammad Hassan Forouzanfar decided to give traditional Iranian architecture a structural upgrade but kept its main features intact. In his conceptual creations titled "Retrofuturism", the architect used traditionally-designed houses as a starting point, but introduced them to the modern world of skyscrapers and surreal forms, mixing both styles together.

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Design:ED Podcast is an inside look into the field of architecture told from the perspective of individuals that are leading the industry. This motivational series grants unique insight into the making of a successful design career, from humble beginnings to worldwide recognition. Every week, featured guests share their personal highs and lows on their journey to success, that is sure to inspire audiences at all levels of the industry. Listening to their stories will provide a rare blueprint for anyone seeking to advance their career, and elevate their work to the next level.

In this episode, Brian MacKay-Lyons discusses the importance of maintaining your integrity as a designer, the lessons he learned from working closely with Charles Moore, and how he began his own firm MacKay-Lyons Sweetapple in Nova Scotia.

This article was originally published on Common Edge.

Architecture lost itself in an identity crisis not long ago. The discipline wandered in self-reflection, reexamining how practitioners go about their work, how the built environment should appear, and why. Movements came and went. Promising paths dead-ended. Eventually, the profession gave up looking for ways out of its uncertainty, leaving us where we are today.

In premodern eras, new construction techniques, evolving opinions on art, and shifting societal beliefs drove styles. Advances were slow, but once established, became long-lived norms. The Gothic period lasted four centuries, the Renaissance three. From the nineteenth century on, though, more than a hundred aesthetic and philosophical movements lived quickly and died. As historian Charles Jencks notes, there were “a plurality of live architectural traditions” even during the International Style’s forty-year hegemonic heyday.

As an architect, critic and winner of the 2002 Pritzker Prize, Glenn Murcutt, (born 25 July 1936) has designed some of Australia's most innovative and environmentally sensitive buildings over a long career—and yet he still remains a one man office. Despite working on his own, primarily on private residences and exclusively in Australia, his buildings have had a huge influence across the world and his motto of "touch the earth lightly" is internationally recognized as a way to foster harmonious, adaptable structures that work with the surrounding landscape instead of competing with it.

The climate in Madrid in 2050 will look more like the climate in Marrakesh, Morocco today. Stockholm will feel more like Budapest, London like Barcelona, Moscow like Sofia, Seattle like San Francisco, and Tokyo like Changsa in China. 

The research "Understanding Climate Change Starting with an Analysis of Similar Cities" published in the scientific magazine PLOS ONE by The Crowther Lab of ETH Zurich, paints a grim picture of the future for the world's urban centers.

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Funded by Norman Foster in 1967, Foster+Partners studio develops projects that integrate architecture and engineering with interior and object design. In a special collaboration with Porcelanosa – experts in the fabrication of furniture and accessories made out of stone, ceramic, brass, wood and KRION®–, they have designed a collection of bathrooms in simple and minimalistic ways, highlighting the essence of the materials and the trade of their fabrication.

The collection has been branded as TONO and its objects can be mixed and adapt to diverse typologies, from residential interiors to commercial spaces and offices.

Architectural photographer Marwan Harmouche has published images of the new Paris Courthouse, designed by Renzo Piano Building Workshop. Situated on the northern edge of Paris, the Tribunal de Paris regroups various facilities previously dispersed around the capital, becoming the largest law courts complex in Europe.

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